Puss in Boots

See Storybook Characters Come to Life! Hear Beautiful Songs! Laugh at the Rag Doll! Be thrilled, amazed, and just plain dumbstruck by this kooky kiddie klassick from Mr.Gore himself, HERSCHELL GORDON LEWIS!

Born from the fairytale of Alexei Tolstoy, a lively story about a curious tree boy Burattino who gets into an unexpected adventure.

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After the demise of warlord Nobunaga ODA, Japan was about to be unified by Hideyoshi TOYOTOMI. However, there was one man in Kanto region that was defiant to it. That man, who named himself TenmaOh (Mirai MORIYAMA) and leads the KANTO DOKURO-TO, an armed group hiding in the pitch-black DOKURO-JO (skull castle), once worked for NOBUNAGA. Sutenosuke (Shun OGURI) happens to rescue a woman who has been chased by the KANTO DOKURO-TO, which was headed by the bloodthirsty madman TenmaOh.

Lloyd Newson interviewed more than 50 men asking them frank questions, initially about love and sex. One of those men was John.

Rob Krikke (33) has Down’s syndrome and is an actor with a theatre company. Since his sister died in an accident, that event won’t let go of Rob anymore. A decision is taken to make a play about her death. Documentary maker Didderiëns follows this process closely, shunning neither poetry nor confrontation.

A behind the scenes look, including an interview with Hal Hartley, surrounding his play "Soon," a production inspired by the 1993 events in Waco, Texas involving the religious sect called the Branch Davidians and their collision with the US Federal Government.

Excerpts from performances of Hal Hartley's play "Soon", a production inspired by the 1993 events in Waco, Texas involving the religious sect called the Branch Davidians and their collision with the US Federal Government.

A comedy about an old married man that travels to London with his nephew who does his to save him from exposure to fraud, and being mugged in London, the play also covers some political aspects and projections in addition to social criticism of some of the Arab situations.

Reason and judgement prove no match for the tsunami of mutual passion engulfing Mark Antony, one of the three joint rulers of the Roman republic, and Cleopatra, the seductive queen of Egypt. Surrendering everything to their desires, they open the floodgates to a civil conflict that will shake the very foundations of their world.

When the King of France (Peter Hutt) demands that John (Tom McCamus) relinquish his crown in favor of his nephew, the young Prince Arthur, war is the inevitable result. Excommunication, attempted atrocity, rebellion and assassination all contribute to a political turmoil and personal grief for a mother who has lost her son.

A country girl (Simone Berriau) finds work as a chorus girl in Paris, gets embroiled with a bad egg, and then finds true love with a good-looking milkman.

Childlike in his innocence but grotesque in form, Frankenstein’s bewildered creature is cast out into a hostile universe by his horror-struck maker. Meeting with cruelty wherever he goes, the friendless Creature, increasingly desperate and vengeful, determines to track down his creator and strike a terrifying deal. Urgent concerns of scientific responsibility, parental neglect, cognitive development and the nature of good and evil are embedded within this thrilling and deeply disturbing tale.

An ageing monarch. A kingdom divided. A child’s love rejected. As Lear’s world descends into chaos, all that he once believed is brought into question. One of the greatest works in Western literature, King Lear explores the very nature of human existence: love and duty, power and loss, good and evil.

A new English adaptation of the classic French tragedy Phèdre by Jean Racine (1639-1699). It retells the ancient Greek tale of the wife of the Atenian King Theseus, who conceived a forbidden love for his son (by an earlier wife) Hyppolytus. All ends badly for all.

Three married couples undergoing therapy are summoned by their female psychologist to a meeting. The psychologist won’t be attending the reunion herself, but she will give to them instructions about what they must do. Thus, to the sound of a horn (literally), the six protagonists will gradually air their dirty laundry concerning their relationships and bring up issues like taking care of the kids, the different home tasks, money, jealousy and sex, until it all leads to a most unexpected and equally shocking end.

Six men, one woman (and her brother) come together with one goal - to make the play. It would be probably another common story that this theater group is composed of anti-heroes who float lost in time and space, in a town where it seems that the sun sets in the east. Led by Sasha, a director who has recently returned to his hometown, this group of socially neadaptiranih amateurs starting the fight to their demons and the prejudices that surround them in the society. For dramaturgical template selection western and riding on stereotypes of the genre of the struggle between good and evil, the conflict between civilization and wilderness, the protagonists develop their life stories inevitably influencing and changing each other. Although, as time passes, the show looks increasingly like a mission impossible, almost all of its stakeholders is increasingly seen as a metaphor for their fate and get caught for it as the opportunity of a lifetime .

A long-simmering animosity between two families of Verona, the Montague's and the Capulet's, has recently boiled over, with members of the rival households brawling in the streets. One night, Romeo, a Montague, crashes a party given by the Capulet's in order to meet up with a young woman called Rosaline, with whom he is infatuated. Thoughts of her vanish from his mind, however, when he catches sight of Juliet, daughter of the head of the Capulet household. Juliet is equally smitten with Romeo, but her father already has other plans for her.