MANKAI STAGE A3! ~WINTER 2020~

These dueling one-act comedies highlight the work of playwright John Mortimer. In "The Dock Brief," an ill-prepared attorney is put to the test when his client confesses to killing his wife. In "What Shall We Tell Caroline?" a father with good intentions tries to protect his wife and daughter from the bad things in life.

It's an unforgettable Christmas for the townsfolk of Wellington-on-Sea when the worst snowstorm in history alters everyone's plans — including Santa's.

Paul and Adèle were once lovers and separated but are still good friends, one year after everything seems to take them away from each other. The key of E may be the key of true friendship, but it is Mozart that pushes them apart.

Born with Teeth is a play by Liz Duffy Adams about the relationship between playwrights William Shakespeare and Christopher Marlowe.

An affluent suburban couple's empty and gin-fueled lives are observed through the eyes of their neglected, eight-year old daughter.

The leader of the opposition has been forced to resign in a scandal. Against the odds Angad Singh emerges as the favorite. He could win, he could make history, he could really change things – as long as his sisters keep their mouths shut.

Caso Perroni

A theater group begins their rehearsal on a play about a witness' account of a massacre eventually leading to a confrontation and inner conflicts of the actors portraying their roles.

Back in the kitchen of the Gabriel family, the country is now in the midst of the general election for President. In the course of one evening in the house they grew up in, history (both theirs and our country's), money, politics, family, art, and culture are chopped up and mixed together, while a meal is made around the kitchen table.

Eight months after we first meet the Gabriels, Patricia, the family matriarch, joins her children and daughters-in-law as they prepare a meal from the past and consider the future of their country, town and home. Paying tribute to the difficult year behind them, the Gabriels compare notes on the search for empathy and authenticity at a time when the game seems rigged and the rules are forever changing.

Fleabag may seem oversexed, emotionally unfiltered and self-obsessed, but that's just the tip of the iceberg. With family and friendships under strain and a guinea pig café struggling to keep afloat, Fleabag suddenly finds herself with nothing to lose.

The eleventh stage play adaption of Haruichi Furudate's manga series "Haikyū!!".

45 year old Don Valter is a traditional priest who still wears an old fashioned black tunic out of nostalgia. One day young Claudio and his exuberant troupe of actors appear, proposing to perform an avant-garde show based on the Gospel's miracle of the rebirth of Lazarus*. The powerless priest is overwhelmed by this young upstart, who stirs within him emotions that will, whether he likes it or not, pull him into the modern era.

Kelly surprises Nancy late one night when he returns unexpectedly to the cold dark stage of an empty theater where they are currently in rehearsals for a stage play, a murder mystery. Kelly and Nancy have a lurid and salacious history as actors and lovers. He's come back to pick up a script. She's there to meet her husband the playwright. They're surprised to discover new props litter the stage; a real dagger, a loaded revolver and a blood-stained playing card, a Joker. As certain events begin to unfold, the reality of this “play-within-a-play” leads to a deadly finale where they find themselves caught up in a web of lies and deceit. And someone may pay the ultimate price in a deadly finale! Joker's Wild pays homage to film-noir, an 'Agatha Christie like' one act, a murder mystery that also has some fun referencing the post war classics. And was a festival favorite seen at various film festivals, broadcast on HBO and others, and won various awards such as a CINE Golden Eagle.

Akira, who runs marriage scams, is chased after by Army Surgeon Hanaoka and his colleagues, who are collecting “things that will disappear in the 20th century” by Imperial edict. When he ran away and came to the Tottori Sand Dunes, he meets deaf, blind and mute Heren Kera (a Japanese Helen Keller), who lives with a tutor, Saribaba. He is soon caught but becomes invisible man in an accident. However, he is visible to one person: Kera. The story of the play Tomei Ningen no Yuge (The Kiss of an Invisible Man) is overflowing with diverse motifs, including “Romeo and Juliet,” “The Miracle Worker,” the mythological world in the age of the gods, the River Styx and Hades. It develops further to cover World War II and the Imperial system, and together with skillful language play, a theatrical world unfolds in all directions.

A recording of the 2003 production of the 1987 play. An evil nun known as Bizan wishes to bring back to life the demon monarch Ashura, so that the oni may rule the world. But that’s not an easy task with the Demon Wardens scouring the land and taking care of demons who have taken on human form. Five years ago, Wakuraba Izumo served as a Demon Warden lieutenant alongside his chief, Kuninari and the slightly mental Abe Jaku. Since then he’s retired and has been enjoying success as a lead actor for the Nakamura Kabuki troupe, led by playwright Nanboku Tsuruya IV, while his former colleagues continue to fight the good fight. Meanwhile the police authorities have been struggling to capture the thief known as “The Night Camellia.

Middle-aged women start acting and launch a drama club. However, nothing big or small goes right. But they never give up the play.

Shot live from a school auditorium, a group of storybook characters emerge from the book of Mother Goose.

One of several collaborative dance films by the Brothers Quay & (dancer, choreographer) William Tuckett. Little enough info around on line, but there's briefly by way of Wikipedia entry. Adapted rather loosely from the works of the E.T.A. Hoffman. Familiar Quays' tropes, much in evidence: automata, trompe l'oeil effects, etc. No credit on the sound design (which is fairly elaborate), tho' that is possibly Larry Sider.

Documentary about the production of Bunk #7.