When Brad gets fired from his job, he goes to reopen an old cinema, he enlists his frends to help him show the last film the cinema aired before it closed... Only they don't know, the film is in Italian. With everyone sitting ready they begin to dub the movie... on the fly!
Aspiring director Corky St. Clair and the marginally talented amateur cast of his hokey small-town musical production go overboard when they learn that Broadway theater agent Mort Guffman will be in attendance.
The Grand is in the tradition of improvisational comedies like Best In Show and This Is Spinal Tap. The story is set in the world of professional poker and follows six players who reach the final table of the world’s second most famous high stakes tournament, the Grand Championship of Poker.
Two young strangers meet in Naples and begin to flirt and dance in the street.
A mockumentary that follows the 5 main contestants of The Golden Apron contest, a competition in search of "the greatest home chef in America", being held by a nefarious food manufacturing company with their own corporate agenda.
Cecil Taylor was the grand master of free jazz piano. "All the Notes" captures in breezy fashion the unconventional stance of this media-shy modern musical genius, regarded as one of the true giants of post-war music. Seated at his beloved and battered piano in his Brooklyn brownstone the maestro holds court with frequent stentorian pronouncements on life, art and music.
Things go badly for a small film crew shooting a low-budget zombie movie when they are attacked by real zombies.
Several comic greats pay tribute to the legendary stand-up stage founded by Budd Friedman in 1963.
An improvised film; a man discovers he's emotionally stuck between his ex-girlfriend, his new girlfriend and his best friend; and in the course of a day he must follow his passion and become unstuck.
Artist, showman, and robe-clad raconteur Marc Rebillet embarks on one of the first live music tours after COVID-19 lockdown.
Small human stories, entirely improvised, capturing the moments that make up relationships. Loneliness, a first date, betrayal, change, and more.
Facing the loss of her youthfulness, Matilda finds herself at a turning point in her life. Refreshing encounters and unexpected longings force her to face rigid self-understandings with new openness. A surprising and empathetic look at the lives of young adults.
At an orphanage, the children are sad because they received used defective toys as gifts. Professor Grampy sees the children while passing by in his sled and has an idea on how to give them a merry Christmas.
Ricky Pherwinnikins is a young director who believes that his most recent film Punxsutawney Phil's Last Stand is going to be announced as the secret 11th Best Picture nominee during tonight's Oscar ceremony.
Savoir Ce Qu’on Pense
Dissatisfied with the dishonesty they see in dating, strangers Naima and Sergio make a pact to spend 24 straight hours together in an attempt to fast forward their relationship.
Orson Welles pitches to potential investors his vision of a largely improvised bullfighter movie about an existential, James Dean type troubadour who sets himself apart from other matadors. In front of an audience of wealthy arts patrons, Welles pontificates on the state of cinema, the filmmaking process, and the art of bullfighting.
Determined to build a new life for himself, a young man returns home to find work and a place to live and struggles to not fall back in with his old crowd.
Five years into performing as renowned filmmaker George Lucas in the cult comedy show "The George Lucas Talk Show", comedian Connor Ratliff questions the need for its continuation and his own drive for success and fulfillment in show business.
Based on an incident in the life of Beat icon Neal Cassady and his wife, the painter Carolyn, the film tells the story of a railway brakeman whose wife invites a respected bishop over for dinner. However, the brakeman's Bohemian friends crash the party, with comic results. Pull My Daisy is a film that typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third act of his play, Beat Generation; Kerouac also provided improvised narration.