Scanty Claus

What do you get when you put a truth-deficient small-group leader, an atheist, an in-the-closet Christian, and a Bible thumping improv troupe called Comic Evangelists together in a van? This Christian improv troupe wants to spread the Lord's word at a big city Improv Festival. But as they prepare for their big performance they get closer and closer to collapsing under their own secrets and lies. Will the group's faith be enough to get them through the experience that awaits? Produced on a shoestring budget and completely improvised by real-life improv troupe Crawlspace Eviction, this ensemble comedy takes on humor and faith with hilarious results!

Several comic greats pay tribute to the legendary stand-up stage founded by Budd Friedman in 1963.

While home during break and stoned out of his mind, a college student looks for advice from his friends on how to deal with the raccoon he saw in his garage.

After being blacklisted from The Academy Awards, movie enthusiast Matthias Agganis decides to start his own awards show. But when things go wrong, the focus begins to shift on a variety of different programs. This comedy will have you "tuned in" the entire time.

An irreverent group of teens - Thirty, Whoopie, Headguy, Pinky, Stinky, Jumbo, Giggles, and James - are thrown into a two-day panic-induced adventure after one of them discovers she's pregnant.

Three basketball players step onto the court, each with a rhythm of their own. As their movements are studied and reimagined, their game is then recontextualized into jazz, revealing the artistry within sport and the music hidden in motion.

This early travelogue film, made in a Kenyan train station, captures an impromptu musical performance. Some passengers eagerly join in while others sleep—blissfully unaware of the performance taking place around them.

Orson Welles presents a proposed film project to prospective investors in Spain. Speaking to an audience of wealthy arts patrons, Welles outlines his vision for an improvised, documentary-style fiction set in the world of bullfighting, centered on a solitary, existential matador who stands apart from his peers. As he expounds on cinema, performance, and the ritualized spectacle of death, the film captures a project that would ultimately remain unrealized.

At an orphanage, the children are sad because they received used defective toys as gifts. Professor Grampy sees the children while passing by in his sled and has an idea on how to give them a merry Christmas.

An unraveling of a man haunted by his father's legacy of serial murder.

Things go badly for a small film crew shooting a low-budget zombie movie when they are attacked by real zombies.

An important audio-visual record of a landmark series of four concerts staged in London in 2022 when more than 30 musicians joined improviser, percussionist and animateur Eddie Prévost to mark his 80th birthday. The film takes a close look at improvisers who create music in the moment, free from the authority of a composer, score or conductor. Ranging from profound delicacy to subversive atonality, the “awkward wealth” of this music raises vital questions about artistic freedom, individual responsibility and what it means for people to make music together in the 21st Century. Featuring performances by John Butcher, Sue Lynch, Ute Kanngiesser, Marjolaine Charbin, Nathan Moore, Seymour Wright, Veryan Weston, Alan Wilkinson, John Tilbury and Eddie Prévost amongst others. Plus readings by musician and author David Toop. The film includes the last ever concert by AMM, the pioneering improvising group co-founded by Eddie Prévost in the mid-1960s.

3 Friends create 6 comedy sketches to “save the world” with comedy

A mockumentary that follows the 5 main contestants of The Golden Apron contest, a competition in search of "the greatest home chef in America", being held by a nefarious food manufacturing company with their own corporate agenda.

An interview with one of the most influential and controversial filmmakers of some century. Marie Saint Marie opens up about her personal life and artistic processes in a raw portrait that few filmmakers would have the balls to display.

Two young strangers meet in Naples and begin to flirt and dance in the street.

Joseph Zitt’s film dreamtext דברי חלום is a feature-length dream of coming to life in Israel. Four images of dancer Cheryl Nayowitz move past and through images of Israel and words spoken by the Holon Scratch Orchestra, along with music by the ensemble Gray Code. The film and its music are anchored by the song “Sachki Sachki,” sung by Vered Forbes. The film has no story, dialogue, or characters (other than the dancer). While there is text in Hebrew and English, you don’t need to know either language to enjoy the film. The English is a dreamlike text scrambled to approximate what you might hear while falling asleep. The Hebrew words which are heard and seen onscreen during much of the film are streams of consciousness, improvised by women’s voices on the themes of segments of the film. When we hear the song “Sachki Sachki,” the words appear onscreen both in the original Hebrew and in an English translation.

With noise-canceling headphones, they communicate with an inaudible counterpart. Decoupled, they move around the room and meet their surroundings. Intimate stories and needs are discussed. The personal blends into a shared portrait.

Henrik Fladseth Lavkultur

This film is a ternary tale, a rumour. The protagonists try by all means to communicate, but they don't know what to say to each other. They may be deaf, but they're certainly not dumb. They wander around hoping that the environment around them will listen and respond. So, like bewildered surveyors, our two characters wander through urban and natural spaces, changing distances as they see fit. Moving from refuge to building, they see how fragile our environments are. In the beginning, they stand beside a waterfall. At the end, they face concrete and glass.