Korter í Áflog

The fourth in a series of feature-length documentaries about Progressive rock written and directed by Adele Schmidt and José Zegarra Holder. Krautrock, Part 1 focuses on German progressive rock, popularly known as Krautrock, from in and around the Cologne, Düsseldorf, and Hamburg regions of Germany. Artist featured include Kraftwerk, Neu, Can, Faust and others.

The experimental German krautrockers CAN's legendary "Free Concert," recorded in Cologne's Sporthalle, Germany, on February 3, 1972. The circumstances of this Cologne show were unusual. Rather improbably for such an experimental band, Can actually scored a chart success in Germany with "Spoon," which would later be tacked onto the end of Ege Bamyasi.

German TV film, also shown on Spanish TV in 1976, this is a film all about TD which includes informal interviews and concert/studio footage, most of which seems to have been done exclusively for the film. The interviews are in the German language. The street name in the title refers to where Edgar Froese used to live in Berlin (apparently Klaus Schulze lived on the same street at the time) and is now the site of the TDI offices.

Kraftwerk's vision of a keyboard-driven world of clicking metronomic rhythms and digitised sound bites may have been the stuff of avant fantasy in the 1970s (the decade that saw the band's first groundbreaking albums), but it is a reality in the new millennium. Their visionary style is explored in KRAFTWERK AND THE ELECTRONIC REVOLUTION, a study of the group, their career and their emergence as the most influential electronic band in the world.

In 1968, musician Irmin Schmidt and friends founded the avant-garde band "Can", which achieved worldwide fame. Schmidt also made a name for himself as a composer for films by Wim Wenders. In this documentary, the charismatic sound tinkerer looks back on his life and career.

Directed by German filmmaker Rüdiger Nüchtern, this behind-the-scenes rock documentary captures Amon Düül II, as the progressive rockers record their debut album, "Phallus Dei," in a Munich recording studio in 1968. Blending performance footage with a collection of psychedelic nature clips, Nüchtern's meditative film captures the true essence of the legendary krautrock collective. The movie premiered at the Edinburgh Film Festival.

Romantic Warriors IV: Krautrock (Part 2) is the 2nd film of the Krautrock Trilogy, and explores eminent Krautrock bands from the South of Germany. Part 2 focuses on bands from Munich, Wiesbaden, Ulm, and Heidelberg, and highlights a more recent band from Aachen.

The late-'60s avant garde rock band CAN gets a feature-length tribute with this affectionate documentary chronicling its odd inception and subsequent career. In CAN -- The Documentary, the remaining band members are interviewed amidst culled together archival footage from talk shows, concerts, and television appearances to paint a portrait of a band who always remained happily on the sidelines of mass appeal, mixing street music, jazz, folk, and rock into a sometimes poppy, sometimes abstract stew. The band's influence on such seminal acts as Sonic Youth and Talking Heads is also analyzed.

1993 recording of band Les Rallizes Dénudés performing at the Baus Theater.

Live performance of the prog legends Birth Control. The concert recording contains new material, but also well-known classics, handmade grooves, interesting harmonies, burning solos and soulful rock vocals in front of an enthusiastic audience.

On June 4, 1944 Captain Daniel Gallery and his men of the U.S. Naval Task Force 22.3 did the nearly impossible - they captured a German U-boat. It was the first enemy vessel-of-war captured in battle on the high seas by the U.S. Navy since 1815. Climb aboard the historic U-505 and relive its journey from a powerhouse of the German fleet to a display at the Museum of Science and Industry in Chicago. Witness archival footage and rare interviews with both German and American crew members involved in the capture of the U-505. And view even rarer footage of Captains Daniel Gallery and Harold Lange, captain of the 505 at the time of its capture..

Is there an audience for Latin American movies? These are some of the questions posed by an Ecuadorian filmmaker whose latest movie was a commercial flop. He embarks on a query to find answers to his questions and relief for his despair. His research leads him to a giant contraband market in the port city of Guayaquil, where pirated movies from all over the world are sold for one dollar each. Here, he discovers a number of Ecuadorian low budget movies produced by amateurs, with titles he had never heard of before: from action packed productions to evangelical melodramas.

Step into our world, as we bring you a raw look at the talents of the next wave of riders and photographers. Come face to face with our diverse styles as we take on new lines and new places. ARRIVAL is all about what is happening now. Bringing viewers into the reality of a new generation of freeriders and racers.

At a time when the world is discussing the impact of human actions on the environment, Amazônia Eterna presents a critical analysis of how the world's largest tropical rainforest is understood and appreciated.

The definitive documentary about wrestling legend Dynamite Kid and his impact in the world of professtional wrestling. What resulted was a very emotional journey into a career cut short by the abuses of steroids, alcohol, drugs, and a complete disregard for his own physical limitations. Dynamite Kid started as a young Englishmen trained in the infamous Snake Pit by Ted Betely and turned an opportunity given to him by the Hart Family in Calgary into a phenomenal worldwide wrestling career. Dynamite Kid was on the front lines of changing professional wrestling from a big man carnival act into an exciting action based entertainment industry where lightweight and physically gifted performers were the focal point of the show. He dazzled an international audience with matches against Tiger Mask that are still a bench mark today.

In the beginning the idea was to make something from nothing, in a neutral and unknown place. Collect images and sounds instead of producing them. The camera, the microphone and the mini-amplifier: tools that take away and then give back. We defined a rule: the sound shouldn't illustrate the image and the image shouldn't absorb the sound. Less than a hundred kilometres from Reykjavik we found Strokkur. For three days we saw and heard the internal dynamics of the crevice: the boiling water that spat out every seven minutes and the thermal shock, given the eighteen degrees below zero of the atmosphere.

In the fall of 1962, a dramatic series of events made Civil Rights history and changed a way of life. On the eve of James Meredith becoming the first African-American to attend class at the University of Mississippi, the campus erupted into a night of rioting between those opposed to the integration of the school and those trying to enforce it. Before the rioting ended, the National Guard and Federal troops were called in to put an end to the violence and enforce Meredith's rights as an American citizen.

What has four legs, five arms and three heads? The Gimp Monkeys. Craig DeMartino lost his leg after a 100-foot climbing fall. Pete Davis with born without an arm. Bone cancer claimed Jarem Frye's left leg at the age of 14. While the three are linked by what they are missing, it is their shared passion for climbing that pushed them towards an improbable goal - the first all-disabled ascent of Yosemite's iconic El Capitan.

Bruce Brown's The Endless Summer is one of the first and most influential surf movies of all time. The film documents American surfers Mike Hynson and Robert August as they travel the world during California’s winter (which, back in 1965 was off-season for surfing) in search of the perfect wave and ultimately, an endless summer.

Volker Koepp's video essay honoring the German poet Johannes Bobrowski (1917–1965).