Korter í Áflog

The fourth in a series of feature-length documentaries about Progressive rock written and directed by Adele Schmidt and José Zegarra Holder. Krautrock, Part 1 focuses on German progressive rock, popularly known as Krautrock, from in and around the Cologne, Düsseldorf, and Hamburg regions of Germany. Artist featured include Kraftwerk, Neu, Can, Faust and others.

Kraftwerk's vision of a keyboard-driven world of clicking metronomic rhythms and digitised sound bites may have been the stuff of avant fantasy in the 1970s (the decade that saw the band's first groundbreaking albums), but it is a reality in the new millennium. Their visionary style is explored in KRAFTWERK AND THE ELECTRONIC REVOLUTION, a study of the group, their career and their emergence as the most influential electronic band in the world.

The experimental German krautrockers CAN's legendary "Free Concert," recorded in Cologne's Sporthalle, Germany, on February 3, 1972. The circumstances of this Cologne show were unusual. Rather improbably for such an experimental band, Can actually scored a chart success in Germany with "Spoon," which would later be tacked onto the end of Ege Bamyasi.

German TV film, also shown on Spanish TV in 1976, this is a film all about TD which includes informal interviews and concert/studio footage, most of which seems to have been done exclusively for the film. The interviews are in the German language. The street name in the title refers to where Edgar Froese used to live in Berlin (apparently Klaus Schulze lived on the same street at the time) and is now the site of the TDI offices.

Directed by German filmmaker Rüdiger Nüchtern, this behind-the-scenes rock documentary captures Amon Düül II, as the progressive rockers record their debut album, "Phallus Dei," in a Munich recording studio in 1968. Blending performance footage with a collection of psychedelic nature clips, Nüchtern's meditative film captures the true essence of the legendary krautrock collective. The movie premiered at the Edinburgh Film Festival.

In 1968, musician Irmin Schmidt and friends founded the avant-garde band "Can", which achieved worldwide fame. Schmidt also made a name for himself as a composer for films by Wim Wenders. In this documentary, the charismatic sound tinkerer looks back on his life and career.

The late-'60s avant garde rock band CAN gets a feature-length tribute with this affectionate documentary chronicling its odd inception and subsequent career. In CAN -- The Documentary, the remaining band members are interviewed amidst culled together archival footage from talk shows, concerts, and television appearances to paint a portrait of a band who always remained happily on the sidelines of mass appeal, mixing street music, jazz, folk, and rock into a sometimes poppy, sometimes abstract stew. The band's influence on such seminal acts as Sonic Youth and Talking Heads is also analyzed.

Romantic Warriors IV: Krautrock (Part 2) is the 2nd film of the Krautrock Trilogy, and explores eminent Krautrock bands from the South of Germany. Part 2 focuses on bands from Munich, Wiesbaden, Ulm, and Heidelberg, and highlights a more recent band from Aachen.

Live performance of the prog legends Birth Control. The concert recording contains new material, but also well-known classics, handmade grooves, interesting harmonies, burning solos and soulful rock vocals in front of an enthusiastic audience.

1993 recording of band Les Rallizes Dénudés performing at the Baus Theater.

Documentary portrait of the actress Romy Schneider, in which director Frederick Baker tries to form an overall picture from the facets of image, myth, real life and screen persona.

A short documentary about the making of Dario Argento's "Phenomena" (1985).

The intervention of a student at the "counter convention" at the Fabbrica della Comunicazione di Brera, against the convention on anti-psychiatry by A. Vermiglione.

Jago tells the story of an 80 year old sea nomad called Rohani who has spent his life plying the waters of South East Asia’s Coral Triangle. The story is told entirely from Rohani’s perspective, against the spectacular backdrop of the Togian Islands, and recreates events that capture the turning points in his life, as a hunter and as a man. We were able to bring Rohani’s past experiences to life by working closely with his family and friends in the village where he grew up. These are the people you see representing Rohani in the film at various stages in his life. Story telling is a big part of Bajau culture, and a way of preserving traditions through generations, so everyone was very enthusiastic about what we were trying to do and brought lots of ideas of their own, especially Rohani. Although he had never had a camera pointed at him, it certainly wasn’t the first time he’d sat around telling stories. We were just lucky that he let us capture it on film.

Resorting to the images that make up three quarters of the last century, Jean-Louis Comolli chose films that crossed his path fifty years ago, discovering his own history of cinema, and particularly the documentary cinema. Visual score orchestrated by a voice off (his) which lists topics that are important to him - the place of the viewer, the fiction in the documentary, the impact of technical progress on the artistic field ... -, the film weaves unpredictable wires between the excerpts .

Interviews with personalities including John Mellencamp, Spike Lee, Lou Reed, Roseanne Barr, David Byrne, George Michael and more, as they reflect on the 1980s.

Facing community misconceptions, four people diagnosed with Tourette's Syndrome find themselves living a fulfilling and ambitious life despite consent and sometimes debilitating effects of the misunderstood disorder.

Sixteen years after his documentary When Louis Met Jimmy, Theroux seeks to understand how he was tricked by a man who became his friend.

Life Under the Horseshoe is a fun, entertaining and historical look at Spring City, Utah's only live FM stage radio show. The film teaches us a little about history while taking us back to the golden age of radio. The documentary interviews Mark and Vicki Allen, the show hosts while learning more about their interesting, but opposite family history. The film also highlights the historical Victory Hall, a one-hundred-year-old restored vaudeville theater on Main Street, and "Spit & Whittle" Avenue, where Charlie (1885-1936), son of Simon Beck, had a bench the women of the town called the "Bummer's Bench." The men claimed it was where important community events were discussed and decisions made. Simon's son Charlie, paralyzed at an early age, presided at the bench providing advice and wisdom to all comers.

Michael Paul Smith is a unique character. He has spent most of his reclusive life struggling through bullying, prejudices and health issues until he found a way to eliminate it all. His answer was to create a fictional town called Elgin Park. We go deep into the mind and the magic behind Michael's 1/24th-scale recreation his town.