Korter í Áflog

In 1968, musician Irmin Schmidt and friends founded the avant-garde band "Can", which achieved worldwide fame. Schmidt also made a name for himself as a composer for films by Wim Wenders. In this documentary, the charismatic sound tinkerer looks back on his life and career.

Kraftwerk's vision of a keyboard-driven world of clicking metronomic rhythms and digitised sound bites may have been the stuff of avant fantasy in the 1970s (the decade that saw the band's first groundbreaking albums), but it is a reality in the new millennium. Their visionary style is explored in KRAFTWERK AND THE ELECTRONIC REVOLUTION, a study of the group, their career and their emergence as the most influential electronic band in the world.

The late-'60s avant garde rock band CAN gets a feature-length tribute with this affectionate documentary chronicling its odd inception and subsequent career. In CAN -- The Documentary, the remaining band members are interviewed amidst culled together archival footage from talk shows, concerts, and television appearances to paint a portrait of a band who always remained happily on the sidelines of mass appeal, mixing street music, jazz, folk, and rock into a sometimes poppy, sometimes abstract stew. The band's influence on such seminal acts as Sonic Youth and Talking Heads is also analyzed.

In 1979, krautrock group Embryo toured Iran, Afghanistan and India by bus, while performing with local musicians and documenting their trip.

The fourth in a series of feature-length documentaries about Progressive rock written and directed by Adele Schmidt and José Zegarra Holder. Krautrock, Part 1 focuses on German progressive rock, popularly known as Krautrock, from in and around the Cologne, Düsseldorf, and Hamburg regions of Germany. Artist featured include Kraftwerk, Neu, Can, Faust and others.

The experimental German krautrockers CAN's legendary "Free Concert," recorded in Cologne's Sporthalle, Germany, on February 3, 1972. The circumstances of this Cologne show were unusual. Rather improbably for such an experimental band, Can actually scored a chart success in Germany with "Spoon," which would later be tacked onto the end of Ege Bamyasi.

Directed by German filmmaker Rüdiger Nüchtern, this behind-the-scenes rock documentary captures Amon Düül II, as the progressive rockers record their debut album, "Phallus Dei," in a Munich recording studio in 1968. Blending performance footage with a collection of psychedelic nature clips, Nüchtern's meditative film captures the true essence of the legendary krautrock collective. The movie premiered at the Edinburgh Film Festival.

Romantic Warriors IV: Krautrock (Part 2) is the 2nd film of the Krautrock Trilogy, and explores eminent Krautrock bands from the South of Germany. Part 2 focuses on bands from Munich, Wiesbaden, Ulm, and Heidelberg, and highlights a more recent band from Aachen.

German TV film, also shown on Spanish TV in 1976, this is a film all about TD which includes informal interviews and concert/studio footage, most of which seems to have been done exclusively for the film. The interviews are in the German language. The street name in the title refers to where Edgar Froese used to live in Berlin (apparently Klaus Schulze lived on the same street at the time) and is now the site of the TDI offices.

1993 recording of band Les Rallizes Dénudés performing at the Baus Theater.

Live performance of the prog legends Birth Control. The concert recording contains new material, but also well-known classics, handmade grooves, interesting harmonies, burning solos and soulful rock vocals in front of an enthusiastic audience.

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

The Japanese matsutake mushroom flourishes in formerly logged, second-growth forests, creating a unique human and non-human ecosystem and economy in northern British Columbia.

What is the secret of Germany's most successful hip-hop band? What makes them different? How did they make their mark in German pop culture and develop over the years? A behind-the-scenes look at a band that has written German music history and continues to do so.

Em Trânsito

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Movie about David Lama climbing the Patagonian mountain Cerro Torre for the first time free, a mountain that has been dubbed the most difficult to climb in the world.

A look at thrillers from all sides, including different types of thrillers and the stylistic tools filmmakers use to give their audiences a shot of adrenaline.