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Romantic Warriors IV: Krautrock (Part 2) is the 2nd film of the Krautrock Trilogy, and explores eminent Krautrock bands from the South of Germany. Part 2 focuses on bands from Munich, Wiesbaden, Ulm, and Heidelberg, and highlights a more recent band from Aachen.

Kraftwerk's vision of a keyboard-driven world of clicking metronomic rhythms and digitised sound bites may have been the stuff of avant fantasy in the 1970s (the decade that saw the band's first groundbreaking albums), but it is a reality in the new millennium. Their visionary style is explored in KRAFTWERK AND THE ELECTRONIC REVOLUTION, a study of the group, their career and their emergence as the most influential electronic band in the world.

Directed by German filmmaker Rüdiger Nüchtern, this behind-the-scenes rock documentary captures Amon Düül II, as the progressive rockers record their debut album, "Phallus Dei," in a Munich recording studio in 1968. Blending performance footage with a collection of psychedelic nature clips, Nüchtern's meditative film captures the true essence of the legendary krautrock collective. The movie premiered at the Edinburgh Film Festival.

In 1979, krautrock group Embryo toured Iran, Afghanistan and India by bus, while performing with local musicians and documenting their trip.

The late-'60s avant garde rock band CAN gets a feature-length tribute with this affectionate documentary chronicling its odd inception and subsequent career. In CAN -- The Documentary, the remaining band members are interviewed amidst culled together archival footage from talk shows, concerts, and television appearances to paint a portrait of a band who always remained happily on the sidelines of mass appeal, mixing street music, jazz, folk, and rock into a sometimes poppy, sometimes abstract stew. The band's influence on such seminal acts as Sonic Youth and Talking Heads is also analyzed.

The fourth in a series of feature-length documentaries about Progressive rock written and directed by Adele Schmidt and José Zegarra Holder. Krautrock, Part 1 focuses on German progressive rock, popularly known as Krautrock, from in and around the Cologne, Düsseldorf, and Hamburg regions of Germany. Artist featured include Kraftwerk, Neu, Can, Faust and others.

The experimental German krautrockers CAN's legendary "Free Concert," recorded in Cologne's Sporthalle, Germany, on February 3, 1972. The circumstances of this Cologne show were unusual. Rather improbably for such an experimental band, Can actually scored a chart success in Germany with "Spoon," which would later be tacked onto the end of Ege Bamyasi.

German TV film, also shown on Spanish TV in 1976, this is a film all about TD which includes informal interviews and concert/studio footage, most of which seems to have been done exclusively for the film. The interviews are in the German language. The street name in the title refers to where Edgar Froese used to live in Berlin (apparently Klaus Schulze lived on the same street at the time) and is now the site of the TDI offices.

In 1968, musician Irmin Schmidt and friends founded the avant-garde band "Can", which achieved worldwide fame. Schmidt also made a name for himself as a composer for films by Wim Wenders. In this documentary, the charismatic sound tinkerer looks back on his life and career.

Live performance of the prog legends Birth Control. The concert recording contains new material, but also well-known classics, handmade grooves, interesting harmonies, burning solos and soulful rock vocals in front of an enthusiastic audience.

1993 recording of band Les Rallizes Dénudés performing at the Baus Theater.

A documentary that explores AIDS activism in Frankfurt, focusing on activists, affected individuals, and organizations fighting the epidemic, raising awareness, and advocating for policy changes. Directors Lou Deinhart, Evi Rohde, and Zoë Struif incorporate 1980s/90s theatre productions, news footage, and protest recordings into their research. Alternating between present-day encounters and historical media, they interview numerous witnesses, constructing a collage of diverse memories rather than a single narrative, highlighting grassroots movements' struggles, solidarity, and impact.

Valdivia 1960, El Gran Terremoto

In 2020 / 2021, I suffered from severe Bipolar mania. This is a reflection on my encounter with Bipolar mania and back.

In June 1978, Patrick Vallençant made the first ski descent of the southeast face of Artesonjaru in Peru, in the Cordillera Blanca, 6,000 meters above sea level and 60° of slope. He left Huaraz on horseback, a donkey carrying his equipment. While crossing Cajas, the last village on the trail to Lake Paron, he was greeted by Victor and Cesar, two Indians who accompanied him to the lake. The climb to the summit was tiring, requiring as much effort from his arms as from his legs. The beginning of the descent was hesitant, the slope extremely steep. He achieved his feat on June 9, his thirty-second birthday.

Eleven-year-old Papik (nickname for Yannick Vallençant) dreams of climbing Mont Blanc with his father, Patrick Vallençant. After serious training, the adventure begins: they set off from the summit of the Aiguille du Midi, climb the ridge of the three Mont Blancs, bivouac at the Col de la Brenva, cross the Mur de la Côte and reach the summit of Mont Blanc. No child his age had ever before achieved this feat by this route.

How an electric lineman's tool manufacturer in Centralia, Missouri, helped save the first American space station from catastrophe.

The Born at Home documentary explores and uncovers the empowering journey of homebirth, shedding light on the often overlooked and misunderstood option that has transformed lives. Born at Home dives into real stories of women navigating birth trauma and examines how a shift in environment and informed choices can reshape the birthing experience. Wisdom is shared from homebirth families, interwoven with evidence-based information from midwives, medical professionals, doulas, researchers and maternity advocates.

In the documentary about Olivér Halassy, the outstanding sports career of the legendary swimmer and water polo player is shown, and with the assistance of Olympic and Paralympic champions we also gain insight into the world of domestic water sports in the 20th and 21st century.

An innovative documentary that illustrates how weather works by performing brave, ambitious (even unlikely) experiments that show how nature transforms simple ingredients like wind, water and temperature into something spectacular and powerful.