Benito Pérez Buñuel

Spain, 1960. French student Monique Roumette lives in Madrid on a scholarship. Thanks to a friend who works in the production company Uninci, she has the privilege of attending the shooting of Viridiana, a film directed by Luis Buñuel.

A modern answer to Luis Buñuel's mythical documentary “Land Without Bread” (1933) about Las Hurdes, a historically impoverished region of the province of Cáceres, in Extremadura, Spain, and also a journey of discovery of the soul of this beautiful land and its inhabitants.

Carlos Saura shows us in this piece his personal vision of the land where he was born. Throughout the seasons we enter a route that ranges from the green Pyrenean landscapes to the Monegros desert. The images offer us the beauty of this Aragonese land but also reflect the harshness of its contrasts.

The old Spanish filmmaker Luis Buñuel (1900-83) imagines a movie plot, set in Toledo in the future 2002, about the fantastic adventure of three actors, who play him and his friends, the painter Salvador Dalí (1904-89) and the poet Federico García Lorca (1898-1936), and their search for King Solomon's table, a mythical artifact capable of revealing the past, present and future.

Spain, 1932. Spanish filmmaker Luis Buñuel travels to the region of Las Hurdes, in Extremadura, where he shoots his third film, a very critical and later controversial documentary about the living conditions of the poor peasants, abandoned and forgotten by the national authorities.

Y un jamón

Paris, 1930. Luis Buñuel is penniless after the scandal surrounding the release of his last movie. Sculptor Ramón Acín, a good friend, buys a lottery ticket and promises Buñuel that he will pay for his next movie if he wins the prize.

Invisible Water Layers discusses and questions the origins of Teresina and its urbanization over the years. The film deals with the move from the capital of Piauí to Oeiras in 1852, the ideas of modernity at the time and the problems that resulted from this process in people and in the city. Along with the idea of ​​progress of the railway, factories and steamboats, many families and workers were relocated from the central areas of the city to more distant parts. The traditional ways of life of these people coexisted, not free from conflict, with the will of civility of the local elites. With 4 interviewees, including architects, historians and researchers, the film also brings a rich set of images from different places in the city, such as the Center, the Parnaíba riverbank and the Poty Velho neighborhood.

Since discovering cancer, Omar has lived with pain, the imminence of death, uncertainty about the future and the suffering of his family. The documentary is a punch in the stomach, a plea for help and a breath of hope for those who battle the disease.

Recognized in Rio Grande do Sul (RS) for his career in theatre, Flávio Dornelles built and consolidated his artistic career in Pelotas since the early 1980s, a period in which he began his work as an actor on the local stages, later going on to perform as actor in several cities of RS and in many states of Brazil.

Making movies is the opposite of isolating yourself. NOTHING I WANTED TO SAY is a feature film shot indoors during the confinement of the 2020 pandemic. While they are involved in making a film about isolation, two brothers, 21 and 19, exercise their gaze towards what is near. Four months confined in a 60 m2 apartment, where they share the loneliness, anticipation and anguish of this strange time. A reflection on isolation during the Covid-19 quarantine and on reconnecting with one's inner self.

The Documentary presents the tragedy in Brumadinho, as a result of the collapse of the bean dam at Mineradora Vale, which resulted in one of the biggest catastrophes with mining tailings in Brazil.

When a person disappears, everything remains in its place. The film shows the life of my grandfather, Herbert Hurrle, through the things he accumulated in life. The memories with which these things are filled come to life.

Their documentary is the result of an ethnographic audiovisual research. How to research the theme woman and all the themes that surround it, respecting the place of speech of each one? Based on an interview with eighteen women cultural makers from the interior of São Paulo, we open the way to listening and dialogue on macro-themes permeated by their trajectories. The stories are theirs, but they're ours. Expand the debate about being a woman, about feminism and about our pains and delights, about our contradictions and dreams. The documentary is then a research, an open process of listening, reinterpreting and giving voice to them.

Exterínio proposes a reflection on the lives of trans women in a city in the interior of Rio Grande do Sul, based on a murder that occurred in 2016. Memories, provocations, life stories that intersect in a plot about the difficulties of living and being trans in the interior of the country that most murders trans women in the world.

THE ARTIST AND THE FORCE OF THOUGHT, reflects the relationship between balance and imbalance within the partiality of movement of the dancer Marcos Abranches. It oscillates the body to wake up from the emptiness and isolation caused by the imbalance. The movement's lack of aesthetics is felt by abandonment and rejection, understanding that relief is in the support of love. Investigating body movement in a world without anguish, without pain, without despair. Search for life. Find in dance the balance of the body and the beauty of the soul.

“Vira-latas” is a documentary that investigates the relationship between human beings and dogs from the perspective of homeless people and abandoned people: dogs. "Man's best friend" doesn't care about social status, race or religion, only fellowship.

The film also recorded the beginning of the pandemic in China through the lens of international correspondent Marcelo Espíndola, roasting in São Paulo, Santos, Manaus and Pará. As well as Dr. Roberto Eballos (Doctor and Master in Immunology), Dr. Gustavo Pasquarelli (Infectious) and 23 other health professionals.

Three artists rented an apartment in Altufevo and began to create modern art right on the street of the sleeping area.

“Kill the Indian to save the man” was the catchphrase of The Carlisle Indian Industrial School, a boarding school opened in Pennsylvania in 1879. It became a grim epitaph for numerous native children who died there. In 2017, a delegation from the Wind River Indian Reservation in Wyoming attempts to retrieve the remains of three Northern Arapaho children buried far from home in the school cemetery, on a journey to recast the troubled legacy of Indian boarding schools, and heal historic wounds. This documentary film is produced by The Content Lab LLC, with support from The Wyoming Cultural Trust Fund, The Wyoming Humanities Council, and Wyoming PBS.