Mr. Miami Beach

Director Eric Smith documents the life and wild fashion sense of Miami Beach's Irene Williams.

An uncannily revealing portrait of American photographers Andy Sweet and Gary Monroe and the vibrant community of Jewish retirees they obsessively focused their camera's lens on in the sunburned paradise of 1970s Miami Beach.

My Trip to Miami follows a well-meaning, misguided, tourist as he tries to self-actualize via Trip Advisors algorithmic script. My Trip to Miami is a documentation of a fantasy, a failure in image-based expectations.

After getting a green card in exchange for assassinating a Cuban government official, Tony Montana stakes a claim on the drug trade in Miami. Viciously murdering anyone who stands in his way, Tony eventually becomes the biggest drug lord in the state, controlling nearly all the cocaine that comes through Miami. But increased pressure from the police, wars with Colombian drug cartels and his own drug-fueled paranoia serve to fuel the flames of his eventual downfall.

Three days into his Miami honeymoon with needy and unsophisticated Lila, Lenny meets tall, blonde Kelly. This confirms his fear that he has made a serious mistake and he decides he wants to be with Kelly instead.

The Police Academy misfits travel to Miami Beach for Commandant Lassard to be honored with a prestigious lifetime award pending his retirement. Things take a turn when Lassard unknowingly ends up in possession of stolen diamonds from a jewel heist.

Raoul McLish stops over in Miami Beach where he runs into his ex-wife, Vicky Benton, and her new husband Bob, a belt manufacturer. At first Bob enjoys Raoul's presence - in part because Vicky is his not Raoul's and in part because Raoul is a lot of fun. The fun wears thin for Bob as his seriousness and possessiveness take over. When Bob leaves for a few days to settle a labor dispute at his factory, Vicky and Raoul spend time together, Winchell's column implies untoward behavior, Bob barks at Vicky, and that gets her back up. Can things be sorted out? Help comes from Raoul's upright valet, McTavish, and a principled cigarette girl, Joy, whom Raoul picks up.

In this documentary, film scholars Gerd Germünden and Noah Isenberg discuss the artistic origins of Marlene Dietrich in the cabarets of Weimar Germany and her relationship to her native country during and after World War II.

An interview about 'Shoah' featuring Caroline Champetier, who did assistant camera work on the film, and Arnaud Desplechin.

Follows the construction of the Fergana Canal, which employed 170 thousand people, and Usman Yusupov was given a very specific task - in 45 days, a 270-kilometer-long canal should provide water to the cotton fields.

M-ARGINI

A presenter takes you on a journey through time about the influence of media technological developments on the American sitcom genre.

After having discovered the TAÏ forest 6 months earlier , The exporer Nico Mathieux promised himself that he would be comming back to try and be the first ever to traverse the very last primal forest of west africa from north to south

Wir Weltmeister – ein Fußballmärchen

'Country: Portraits of an American Sound' is a documentary film that explores the history and culture of country music through the lens of photography, which has portrayed the ideals, lifestyle and personalities of country music artists for over 80 years. The film features imagery and commentary from Grand Ole Opry photographer Les Leverett, the late celebrity photographer Leigh Wiener, documentary photographer Henry Horenstein, iconic music photographers Henry Diltz and Raeanne Rubenstein, and contemporary photographers David McClister and Michael Wilson. Over a dozen country music artists also appear, including Rosanne Cash, Roy Clark, Merle Haggard, Lyle Lovett, Charley Pride, LeAnn Rimes, Kenny Rogers, Tanya Tucker, The Band Perry and Keith Urban. The film weaves iconic images, historical footage and over 25 country music hits into a dynamic look at this uniquely American sound.

Five composers have their careers cut short by the rise of the Third Reich.

One is a former police officer, bodyguard and hairdresser. Currently retired, he takes care of his extravagant and almost hundred-year-old illiterate mother. He writes poems and hopes to see them published one day. The other, a declared womanizer, workaholic, and leftist, was imprisoned during the dictatorship, runs a small grocery shop, and controls the life of his young second wife. Both were born in the Uruguayan hinterland during the Second World War, and share the same name as well as the fact that neither has wished to change it. The film is a tragicomic portrait of a country whose cultural diversity, its peculiar history and the character of its inhabitants allow the existence of exceptional and remarkable persons that depict a live picture of Uruguay, with its plurality and contradictions, its small and large history, without departing a single moment from irony or reflection.

After Seonjo passes away, Prince Gwanghae ascends to the throne. But he indulges himself in dissolute orgies, neglecting his duties as the king. Queen Dowager Inmok begs him to behave like a king. But Prince Gwanghae torments her, arguing that she's playing a regent. Queen Dowager cannot help but enduring the king's outrageousness.

Angdu is no ordinary boy. Indeed, in a past life he was a venerated Buddhist master. His village already treats him like a saint as a result. The village doctor, who has taken the boy under his wing, prepares him to be able to pass on his wisdom. Alas, Tibet, Angdu’s former homeland and the centre of his faith, lies far away from his current home in the highlands of Northern India. On top of that, the conflict between China and Tibet makes the prospect of a trip there even more daunting. Undeterred by these harsh facts, the duo set off for their destination on foot, accompanied by questions of friendship and the nature of life. With its narrative approach steeped in a serene sense of concentration, this documentary film, composed over a period of eight years, stands as a fundamental experience in its own right.

Milošević’s regime has rigged the results of parliamentarian elections in autumn 1996. This was a cause for mass rallies in Belgrade and other cities in Serbia. The film documents the protests during the first four days of their protests, their political and criticising charge but also the carnival spirit. On the seventh day of the protests the film was edited and had a premiere screening in the Rex Cinema.