Patriot for life

Follows dub poet master Linton Kwesi Johnson out of the recording studio onto the Brixton streets.

'Black girls don't play with black dolls', says the lyrics of Preta Rara's rap, one of the characters in It Looks Like Me. The documentary explores the lack of black dolls in the Brazilian market and shows the work of the artisans who try to change this scenario facing the gigantic toy industry with their handmade dolls.

Documentary exploring the effect of mass immigration on the dwindling white community of the East End, from the perspective of those who remain and those who chose to leave.

The pupils of about fifteen secondary schools in the suburbs of Paris react to the projection of two short films taken from the series "No More Lies ! 12 perspectives on everyday racism". Their comments, questions and reactions are of course focused on the subject of racism, but they also take a stand about what it means to have two cultural identities. Is it enough to be born in France in order to feel French ? What is their vision of a society obsessed with the idea of integration? What do they expect of the future ? With their questions and their protests, they often put their finger on the heart of the issues at stake. Beyond fiction, we discover their reality...

For more than a century the great colonial powers put human beings, taken by force from their native lands, on show as entertainment, just like animals in zoos; a shameful, outrageous and savage treatment of people who were considered subhuman.

For the past year, our operative Patrik Hermansson has been living undercover, as Swedish student Erik Hellberg, at the heart of the alt-right. He infiltrated some of the most notorious far-right networks in the US and the UK, culminating in the violent clashes in Charlottesville 2017. He extracted damning information that runs all of the way to the White House. And he caught it all on hidden camera.

EABT is one of our biggest social critics on YouTube with over 233,000 subscribers. Find out why he chose to start the channel and how he has looked at the development since then.

This incisive, urgent documentary examines the history of anti-Black racism in hockey, from the segregated leagues of the 19th century to today’s NHL, where Black athletes continue to struggle against bigotry.

A look at the rise of racism in modern football

A short movie is as it is. It contains feelings, certainty, memories, experiences. For some, it may look like a simple video, for someone a movie, and for some it looks like a documentary. The short movie is meant to celebrate ba. 7th birthday. Completely honest, open and real, without any embellishment and perfectionism.

Atrabilis

The student campus Flogsta was built in Uppsala in the 1970s. Since then, the Flogsta roar has happened every evening at 22:00. This is the moment when hundreds of students unleash their anxiety at the same time and scream out of the windows. Probably a tradition unique in the world.

Dette er den første norskproduserte musikkfilm, tatt opp i Holmenkollen søndag 17. juni 1973. Med.: Aunt Mary, Sigbjørn Berhoft Osa og Saft, Hvalsøespillemendene, Merit Hemmingson och Folkmusikgruppen, Prudence, Splash, Savage Rose, Culpeper's Orchard, Skin Alley, Mungo Jerry, Pretty Things, Burken och Rockfolket og Popol Vuh. Ideen bak Ragnarock er blant annet å vise sammenhengen mellom folkemusikkrytmer og rockerytmer. Derfor er det fortrinnsvis skandinaviske grupper som er med - og i filmens åpningssekvens spilles både norsk, dansk og svensk folkemusikk. Konserten foregikk søndag 17. juni 1973 ved Holmenkollbakken.

This film provides contrasts and similarities among the three countries. In Norway, Deneen visits with a fishing family from the small city of Alesund, in Denmark, with a farm family, and in Sweden, with the family of a glassworker. The countries are contrasted in terms of natural resources and reliance on trade.

An intimate look at the Woodstock Music & Art Festival held in Bethel, NY in 1969, from preparation through cleanup, with historic access to insiders, blistering concert footage, and portraits of the concertgoers; negative and positive aspects are shown, from drug use by performers to naked fans sliding in the mud, from the collapse of the fences by the unexpected hordes to the surreal arrival of National Guard helicopters with food and medical assistance for the impromptu city of 500,000.

Tim Bergling, better know known to his millions of fans as Avicii, is at 24 already one of the world's best known and loved DJ:s. He plays sold-out venues all over the world and his name on the line up guarantees an almost insane audience response. But Avicii is also an artist with a conscience and together with his manager Ash, he is dedicated to fighting global hunger. This film follows Avicii during his Spring 2013 tour of Australia, where the profits went straight into their charity project "House for Hunger".

Holy Cowboys offers a fascinating, disconcerting look at Indian youth indoctrinated as bovine vigilantes. This observational documentary from Sundance Institute alumnus Varun Chopra goes deep into a world of bigotry and division, where a genuine love for animals and a naive sense of righteousness are weaponised.

This documentary explores the life and times of Russell Dean Willey, a neo-Nazi supergrass, in order to explain the presence of Jack Van Tongeren's Australian Nationalists Movement in Australia, and its spread, especially in difficult economic times.

When Thin Lizzy frontman Phil Lynott died on 4 January 1986, he was 36 years old. His early death from a drug-related illness placed him in the same rock 'n' roll league as his idols Elvis and Jimi Hendrix. This documentary looks behind the image to reveal the strains of life in the fast lane. It also focuses on Lynott as family man, writer, and black Irishman with a Brazilian father. Includes contributions from Bono, Van Morrison, Mark Knopfler, Scott Gorham, and Lynott's wife Caroline Crowther, who speaks publicly for the first time. (Radio Times)

The documentary "Caixa D'água: Qui-lombo is this?" It reports, through testimonies from former residents and photographic collections, the importance in the cultural and historical scope of the Getúlio Vargas neighborhood located in Aracaju, capital of Sergipe. Emphasis is placed on black culture and the presence of black slaves and their descendants, with the rescue of issues related to their origin, orality, geographical location and awareness of their racial identity, showing that, although this community exists in an urban area, it still maintains many aspects of the quilombo life of the former black slaves in Brazil.