Des femmes

In this video series an individual confronts fears and, through the process of confessing directly to the camera, transcends trauma. It is also about agin, longing, the delusions and misconceptions we are encumbered with as we mature towards self-awareness, and the masks we assume to deny or hide understanding. The tapes rupture, fracture, and use digital effects to mirror the psychological changes of the protagonist.

When Women Won tells the emotional inside story of the Together for Yes campaign to repeal the 8th amendment and change Irish society forever.

Verde-Esperanza: Aborto Legal na América Latina

From her precocious status as a sex symbol to her consecration as a filmmaker, Jodie Foster's story is about a feminist struggle, albeit atypical, fought on and off the screen. This film sets out to retrace her remarkable journey within the Hollywood industry.

Elas da Favela

This revealing documentary offers a rare view of daily life in West Africa. Shot in Senegal, Selbe focuses on the social role and economic responsibility of women in African society. Because men often leave their communities to earn money in the city, women are left with sole responsibility for their families. Through the character of Selbe we observe how one woman's personal struggle reflects the broader issues faced by many women in developing countries.

In 1989, this film was part of the PAMEZ project in Senegal which was part of the sea program of the CCFD, Catholic Committee against Hunger and for Development. It presents the economic and social role of women in the Casamance region for the development of fishing. These women who process and market fish, who are responsible for management, have a voice and express their opinion.

When we give something a name, does it lose or make sense? A female body proposes an apparently simple game - it asks women from diverse generations the definition of something that in theory unifies them. Part of a transmedia project, the film is the main entrance to a narrative that has many points of view and no right answer.

A tribute to legendary black lesbian feminist poet Audre Lorde, one of the most celebrated icons of feminism's second wave.

Journalist Alvaro Alvarez travels with former porn-star and men’s rights activist Philipp Tanzer to a Conference on Men’s Issues, shedding light on the controversial movement.

A locomotive journey traversing the North to the South of the German Democratic Republic on the eve of its dissolution. Labourers, punks, mothers, intellectuals, young and old are implored to reflect on their life choices, the sacrifices they've made, and their place in the world. Despite everything, hope persists.

In the months leading up to, and days following Ireland’s historic referendum to repeal the eighth amendment, investigative journalist Ellie Flynn follows the story of the landmark vote to legalise abortion. Ahead of the referendum, Ellie travels to Ireland to meet activists and campaigners from both sides of the debate to try and understand the impact of the Law for young Irish voters and discovers that this incredibly divisive and emotionally charged issue is not as black and white as it seems. She meets a young ‘No’ vote campaigner who believes he's only alive because the amendment stopped his mother from aborting him in her youth and speaks to a woman who made the tragic decision to travel to the UK to abort her much wanted daughter after discovering she would be in extreme pain for the few moments she was likely to survive. On May 25th, Ireland voted Yes to the constitutional amendment to legalise abortion and Ellie returned to discuss the reaction.

A conceptual short film starring Natalie Merchant as various archetypal female characters, plus a series of music videos from Merchant’s first two solo albums.

The representation of women in contemporary Italian media

Annita Malavasi was just 22 when the Germans occupied Italy, their former allies, in 1943. As a partisan in the Italian resistance named “Laila”, she moved throughout the Apennines with and between fighting units, delivering information, transporting weapons, and taking part in battles. She spent over a year in the Apennines, fighting against the German occupation. At the same time, she had to assert herself against the men of the mountain villages. By the end of the war, Laila had risen among the ranks to become one of the few female commanders in the Italian resistance. This film chronicles the story of a lifelong struggle for emancipation that began with the battle for Italy’s liberation from fascism. Laila and her two comrades, Gina “Sonia” Moncigoli and Pierina “Iva” Bonilauri talk about their time in the Resistenza and what it meant to them and many other women.

An expository and poetic documentary that invites thinkers and artists from different areas to analyze the construction of images that affect the female body in issues that cross genders.

Artist Kate Blackmore looks at motherhood and mobility, film and feminism through the prism of Margaret Dodd's 1982 classic short film 'This Woman is not a Car.'

An investigative look and analysis of gender disparity in Hollywood, featuring accounts from well-known actors, executives and artists in the Industry.

In the 18th century, the Barbary threat became serious. In July 1785 two American ships were brought back to Algiers; in the winter of 1793, eleven American ships, their crews chained, were in the hands of the Dey of Algiers. To ensure the freedom of movement of their merchant fleet, the U.S.A was forced to conclude treaties with the main Barbary states, paying considerable sums of money as a guarantee of non-aggression. With Morocco, treaty of 1786, 30,000 dollars; Tripoli, November 4, 1796, $56,000; Tunis, August 1797, $107,000. But the most expensive and the most humiliating was with the dey of Algiers, on September 5, 1795, "peace and friendship treaty" which cost nearly a million dollars (including 525,000 ransom for freed American slaves) , with the obligation to pay 20,000 dollars on the arrival of each new consul and 17,000 dollars in annual gifts to senior Algerian officials...

Séfar (in Arabic: سيفار) is an ancient city in the heart of the Tassili n'Ajjer mountain range in Algeria, more than 2,400 km south of Algiers and very close to the Libyan border. Séfar is the largest troglodyte city in the world, with several thousand fossilized houses. Very few travelers go there given its geographical remoteness and especially because of the difficulties of access to the site. The site is full of several paintings, some of which date back more than 12,000 years, mostly depicting animals and scenes of hunting or daily life which testify that this hostile place has not always been an inhabited desert. Local superstition suggests that the site is inhabited by djins, no doubt in connection with the strange paintings found on the site.