160 meters is the distance between the two banks of the estuary of Bilbao. An economic, social and cultural approach at two ways of looking at life.
Documentary on the 25 years of the extinct Portuguese Punk Rock band Censurados.
A "best of" compilation of live clips of various ASSJACK shows taped live at Alley Katz in Richmond, VA from 2003 - 2006 and clips of 1 show from May 2005 at Bluecats in Knoxville, TN. Special cameos by Dancing Outlaw Jesco White, Randy Blythe from Lamb of God and Chris Arp from Psyopus.
This is Poe and Král's first effort, shot on small-gauge stock, before their more well-known endeavor The Blank Generation (1976) came to be. A "DIY" portrait of the New York music scene, the film is a patchwork of footage of numerous rock acts performing live, at venues like Madison Square Garden, Radio City Music Hall, the dive bars of Greenwich Village and, of course, CBGB.
Thirteen examples of The Pogues unique brand of hellraising folk, ranging from punky takes on traditional Irish songs like 'Dirty Old Town' to the Shane MacGowan penned originals which offered romanticised visions of life viewed through the bottom of a bottle.
A documentary about vivid punk and alternative rock scene of Subotica, the northernmost Serbian city, through the periods of communism, tyranny of the 1990s regime, and economic transition at the beginning of XXI century. Seen through the eyes of its witnesses, these musicians and creative artists deliberately refused the imposed way of behavior, hence staying "invisible" to everyday people.
God Save the Queen: A Punk Rock Anthology
"Finding Joseph I" is a feature documentary chronicling the eccentric life and struggles of punk rock reggae singer, Paul "HR" Hudson, a.k.a. Joseph I, the legendary lead singer from Bad Brains.
In 2012 two members of anarchistic female band Pussy Riot were sentenced to two years in a Mordovian labor camp for "hooliganism motivated by religious hatred". Russian film collective Gogol’s Wives follow each step of the feminist punk band’s battle against Putin including their first disruptive performances on a trolley bus, shooting a video about transparent elections, a controversial performance in a Red Square cathedral, and footage shot in a jail cell. Support comes from many corners including Madonna who painted the words "Pussy Riot" on her back and wore a balaclava during her Moscow show. The documentary portrays the grim state of present-day Russia, a country starkly divided between conservatism and anarchy. Pussy Riot believes that art has to be free and they're willing to take it to extremes. "Pussycat made a mess in the house," they say, and the house is Russia. The filmmakers do not seek to moralize, they simply edit events and leave viewers to draw their own conclusions.
Bill Bartell was a multifaceted individual who traversed the punk rock scene, law enforcement, rodeo riding, and country music. Known for his unique contribution to punk rock through his label Gasatanka Records and band White Flag, Bartell's life defies conventional boundaries, blending hyper-masculinity with subcultural rebellion. His story, filled with mysterious and seemingly contradictory roles, offers a compelling narrative about identity, transformation, and the unexpected paths life can take.
Good Charlotte - The Video Collection : Little Things, The Motivation Proclamation, Festival Song, Lifestyle of The Rich & Famous, The Anthem, Girls & Boys, The Young & The Hopeless Special Bonus Features: Discography, GC Evolution (Photo Gallery), Trial TV, The Click
A short film released alongside AFI's 2003 album Sing The Sorrow. The four members of AFI search to obtain a mysterious box that bears a resemblance to the album's artwork. There are two separate soundtracks for the film, one composed by AFI guitarist Jade Puget, and one composed by AFI bassist Hunter Burgan.
Satan Panonski, born Ivica Čuljak in 1960, was a Croatian punk musician, poet, artist and freak performer. We get to follow his performance at the Studentski Kulturni Centar, Novi Sad, visit the cult station of Radio B92, a conversation at the apartment and finally the never presented staff from the Popovača Hospital. In 1991, Čuljak joined the Croatian army in the Croatian War of Independence. He died in 1992 while still a Croatian soldier. The cause of his death is unknown. It is rumored that he died after slipping and accidentally discharging the gun he was carrying.
In the pinnacle of their Stack Is The New Black national tour, Short Stack play the Sydney Opera House in a sold out mega-show.
Through a series of interviews, 'So Which Band Is Your Boyfriend In' takes a look at gender in the UK's DIY and underground music scenes.
Southern indie rockers Lucero hit the road in this documentary, which shows the Memphis, Tennessee band on tour and in the studio. In addition to candid interviews with band members Ben Nichols, Roy Berry, John Stubblefield and Brian Venable, the video features footage of the band on tour with The North Mississippi All-Stars, in the studio for the recording of "Tennessee" and performing live at the Memphis in May Music Festival.
Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.
A rather incoherent post-breakup Sex Pistols "documentary", told from the point of view of Pistols manager Malcolm McLaren, whose (arguable) position is that the Sex Pistols in particular and punk rock in general were an elaborate scam perpetrated by him in order to make "a million pounds."
Crenshaw's music has roots in classic soul music, British Invasion song craft, with influences from Burt Bacharach and Buddy Holly. Crenshaw is a noted guitarist who uses offbeat chord progressions and concise solos. He is best known for eponymous first album included the US hit "Someday, Someway".
Don Letts examines the history of this notorious subculture in a fascinating documentary, which features interviews with members of different skinhead scenes through the decades. Beginning in the late 1960s, Don fondly recalls a time of multiracial harmony as youngsters bonded over a love of ska, reggae and smart clothes as white working-class kids were attracted to Jamaican culture and adopted its music and fashions. But when far-right politics targeted skinheads in the 1970s and 1980s, an ugly intolerance emerged, and Don reveals how the once-harmonious subgroup has since struggled to shake this stigma.