In the pinnacle of their Stack Is The New Black national tour, Short Stack play the Sydney Opera House in a sold out mega-show.
Two former geeks become 1980s punks, then party and go to concerts while deciding what to do with their lives.
Live show of the Punk Rock band Uncommonmenfrommars that took place in 2004 at Ris Orangis (France). Recorded by David Basso. Mixed by Ryan Greene.
In 2012 two members of anarchistic female band Pussy Riot were sentenced to two years in a Mordovian labor camp for "hooliganism motivated by religious hatred". Russian film collective Gogol’s Wives follow each step of the feminist punk band’s battle against Putin including their first disruptive performances on a trolley bus, shooting a video about transparent elections, a controversial performance in a Red Square cathedral, and footage shot in a jail cell. Support comes from many corners including Madonna who painted the words "Pussy Riot" on her back and wore a balaclava during her Moscow show. The documentary portrays the grim state of present-day Russia, a country starkly divided between conservatism and anarchy. Pussy Riot believes that art has to be free and they're willing to take it to extremes. "Pussycat made a mess in the house," they say, and the house is Russia. The filmmakers do not seek to moralize, they simply edit events and leave viewers to draw their own conclusions.
Indie rock icons the Archers of Loaf reunited in 2011, and during the course of their reunion tour played two legendary concerts at Cat’s Cradle in Chapel Hill, NC. Combining in-your-face concert footage along with rare interviews of the band, this film by director Gorman Bechard documents those concerts, and captures the excitement and explosive energy of what its like to see this extraordinary band perform live.
The career-spanning anthology features more than 35 videos, tracing Jett's record-breaking career as the front woman of the Blackhearts. Both concert footage and classic videos are presented in chronological order on REAL WILD CHILD, with no-holds-barred commentary from Jett and longtime manager/partner Kenny Laguna, as well as rare and previously unreleased bonus material.
We Were Feared chronicles the rise and fall of the Cuckoo's Nest punk rock club. Hailed as the birthplace of slam-dancing, the Nest famously shared a parking lot with a cowboy bar and the mayhem that would ensue when both clubs emptied was immortalized in the Vandals' songs “The Legend of Pat Brown” and “Urban Struggle.” Featuring interviews with the people who populated the scene, archival images of gigs, and live performances by Black Flag, the Circle Jerks, & T.S.O.L.
Diesel is a road-movie documentary on Punk Rock music
Henry Rollins narrates Lilly Scourtis Ayers' no-holds-barred profile of volatile Bay Area punk legend Marian Anderson, whose hypnotic beauty, devil-may-care rebellion and shocking sexual exploits onstage launched her to infamy before tragically dying of a heroin overdose at the tender age of 33.
Short documentary about the beginnings of punk in Great Britain. Don Letts, Caroline Coon, Jon Savage and Viv Albertine - all themselves connected to this scene - recount their experiences and memories from that time. In addition, original recordings and short concert excerpts document the feeling, fashion and circumstances of the youth of the time.
An in-depth exploration of a seminal moment in DC music history (circa 1976 to 1984) and the rise of harDCore. The film is made up of a mix of rare archive material, conversational interviews, and a collage editing style. Features early DC punk and hardcore bands like Bad Brains, Minor Threat, Slickee Boys, The Faith and more.
Lyla Riley is in a punk band -- Minor Illusion. They suck. Regardless, she perseveres with her best friend Rob on guitar, numbskull drummer Sean and showboat bassist Pete. Minor Illusion's pathetic existence vexes Lyla's older sister Stephanie, a former punk turned 9-to-5 suit. Through lineup changes, borrowed cash, shitty gigs and drunken nights, Lyla and the band journey through the perils of Chicago's DIY music scene to get their shot at adequacy.
A documentary that explores the challenges that a life in music can bring.
NOFX brought the curtain down on four decades of punk mayhem this weekend, as they played their final shows at Berth 46 in Los Angeles. Changing setlist for each gig, California's pharaohs of punk took a varied, often fast and usually silly journey through their massive catalogue, accompanied by a crew of mates including Rancid's Tim Armstrong, Bad Religion's Brett Gurewitz and Foo Fighters' Chris Shiflett. As they finished up on Sunday night (October 6), it ended in typically chaotic fashion, doing The Decline with a host of guests, with Pennywise guitarist Fletcher Dragge smashing the band's instruments. Frontman Fat Mike recently insisted that this would be it for NOFX, with no future reunions ever to happen. A promise such behaviour will help to keep... Before that smashey ending, they turned up to suck live one final time...
Two girls named Nana meet on a train to Tokyo. Nana K. aims to reunite with her boyfriend and Nana O. hopes to make it big in the music business. Despite their differences, the pair hit it off and become roommates.
Donal MacIntyre investigates the secretive world of white power music and how the money made helps fund far right political organizations in many countries, including the British National Party in the UK. In this documentary, the crew gained access to the men and women behind one of the most disturbing musical movements. It reveals how British neo-Nazis and skinheads plan to launch 'Project School-Yard' in Britain after a similar scheme was tried out in the United States. In the UK, the team follows one of the most infamous British white-power bands, Whitelaw, as they prepare for one of the biggest gigs of their career. The band are filmed on stage, with riot police surrounding the venue, performing as the forces of law and order move in to shut down their hate-filled act. The film also contains shocking images of hate rock concerts in the USA where, thanks to the first amendment protecting freedom of speech, anything goes.
Exploring how punk influenced politics in late-1970s Britain, when a group of artists united to take on the National Front, armed only with a fanzine and a love of music.
Fresh Fruit for Rotting Eyeballs features a brief history of the Dead Kennedys' early years up to their first UK tour, never before seen live performances, interviews with Klaus Fluoride and East Bay Ray, comments by music journalists, and insights from the key people involved with the recording of the DK's first album. Jello Biafra's 1979 run for mayor is also highlighted.