Mais a soma de seus possíveis: parte 2

The Iranian filmmaker Narges Kalhor, daughter of a former advisor of Ahmadinejad's, has been living in exile in Germany for four years. When she hears that the fellow Iranian rapper Shahin Najafi, who is also living in exile in Germany, faces death threats and has to hide because of one of his songs, she doesn't hesitate and has to find him. On her search she encounters fear everywhere. Narges Kalhor has to face her inconvenient memories of suppression, hatred and anger for her past in Iran.

A man in drag sits on a couch holding a fan. The wallpaper behind him is floral patterned. Although the man does little more than looking around and waving his fan, Zwartjes created enormous tension.

Two fragments of 8mm home-movie footage shot by the artist near Berlin weave together in repeating cycles of action, temporal manipulation, and colour distortion, heightening the viewer’s awareness of film-time and the film-image, and perception of colour in motion.

Le Grice no longer simply uses the printer as a reflexive mechanism, but utilises the possibilities of colour-shift and permutation of imagery as the film progresses from simplicity to complexity… With the film’s culmination in representational, photographic imagery, one would anticipate a culminating “richness” of image; yet the insistent evidence of splice bars and the loop and repetition of the short piece of found footage and the conflicting superimposition of filtered loops all reiterate the work which is necessary to decipher that cinematic image. - Deke Dusinberre

An anonymous urban protagonist experiences a series of absurd situations--including a crazy cab ride, an encounter with a wacky criminal gang, and lots of gunplay--infused with a unique anarchic energy, eventually suggesting our true animal nature.

A man approaches a woman in a field.

Joan of Arc and Dorothy of Kansas become one thanks to Hildegard von Bingen.

With a title referring to Japanese folklore, wherein things done on the first day of a new year are significant, the film - an ardent dream entirely shot in Japan - stands as a spiritual allegory equating light and dark with life and death.

7 is a concert film of the Norwegian band supersilent. Recorded in Oslo in August of 2004, it is the first video release by the band after four records (1-3, 4, 5, 6), all released on Norway's Rune Grammofon label. This is completely improvised music, sometimes very noisy, sometimes very quiet and ethereal, and always very beautiful.

Taking a cue from Franz Kafka's "Letter to My Father," this highly personal film follows Czech director Jan Nemec as he attempts to engage in a dialogue with his deceased mother. While alive, Nemec's mother had a troubled relationship with her son; this rumination seems to be Nemec's public platform for coming to terms with unresolved familial issues. The director embellishes his film by linking personal events with 20th century history.

An experimental short featuring people and nails.

In a surreal meeting filled with countless individuals from a variety of backgrounds, nine people recount how sex and sexuality have been used to exert control over their lives. Regardless of race, sexual orientation, nationality, social class, religion, or gender, all are equally shattered and all are equally victims. Those that recount their experiences show that the power / sex dynamic can come in many forms. Whether the power is taken away by physical or psychological means, and regardless of whether it is perpetrated by an individual, institution, or society, the results are equally devastating.

Folk portraiture, images of children in suburbia.

The Prince of Denmark, Hamlet, is little interested in family affairs and the fate of the kingdom, and not at all attracted by a doll-like Ophelia sucking his finger. Annoyed by his friend Horatio, who tells him of the apparition of his father's spectre that would like to drive him to revenge, and by Polonius, Ophelia's father, who psychoanalyses him by explaining the Oedipus complex, he imagines escaping to Paris with Kate, the leading actress of the company performing in Elsinore, to become a playwright.

(In a dark basement) Norma hears the faint voice of Everio and her own, from an Ampex vintage tape recorder. They have been talking incessantly, and *oftentimes the taped conversations coincide with their *chats. The only thing troubling Norma is that until that day, she and Everio had never met and the last she heard was Everio strangling her.

An experimental movie based on a poem of the French writer and director Jean Cocteau about a servant who fantasises about killing the lady of the house.

A triptych of short stereoscopic films by Peter Greenaway, Jean-Luc Godard and Edgar Pêra. Includes "The Three Disasters" by Godard, "Cinesapiens" by Pêra and "Just in Time" by Greenaway.

The Whole Truth and Nothing but the Truth

A letter to a loved one from abroad. The reaction to a piece of news and the doubts generated by it in the filmmaker lead him to compile images and sounds, questioning memory and poor communication.

Scher made this in 1976 as a student at Bard College. He printed it to negative years later and liked the way it looked better than the now faded original film.