Ústřední loutkové divadlo

An experimental and iconoclastic journey through the Spanish Holy Week in the late sixties.

O Alence a káčeti

2012: Time For Change is a documentary feature that presents ways to transform our unsustainable society into a regenerative planetary culture. This can be achieved through a personal and global change of consciousness and the systemic implementation of ecological design.

Journey into "Hamlet"-the play and the man-through the experiences of some of the major actors and directors who have brought Shakespeare's great tragedy to life. Christopher Plummer, David Tennant, John Nettles, John Simm, Sir Trevor Nunn, Franco Zeffirelli, Philip Saville, and others explore the enduring appeal of the Prince of Denmark more than 400 years after his stage debut.

A young man living with his parents in Wisconsin comes face to face with a terrifying monster while searching for the elusive cryptic known as the Hodag.

This documentary-style short follows two impoverished teens performing on the streets of London in the days leading up to the London Blitz of 1940.

Dealing heavily with perceptions of time, Aeon documents the urban cityscape as Wellington transforms through a zen-influenced eternal cycle of birth, life, death and rebirth within a 24-hour period.

Jan Schmidt and Pavel Juráček turn their attention to the problem of Czechoslovakia's unloved cars in this whimsical documentary short.

Filmed during the production of the Columbia Pictures western "Mackenna’s Gold," this short work presents a non-narrative visual study of the Arizona desert. Rather than documenting the film set itself, "6-18-67" assembles landscape images, time-lapse photography, and ambient sound into an abstract record of place and duration.

Army Art Theater

Here's a strange one. First, a song on a blackboard: a Polish translation of “I love my little rooster” by American folk writer Almeda Riddle. Then, two men roll around trash bins and lift them to the garbage truck. They do it several times. A woman shouts in the distance. At the end, the picture stops, and the woman sings the song. An early short by Piotr Szulkin.

In a series of juxtaposed images and sounds, Jaromil Jireš comments on the tragic premature death of thousands as well as their posterity due to the atomic bomb.

Věděli si rady

Confessions of people who have lost their sight during their lives. What are their feelings and how do they view their apparent handicap?

Youths get ready for a party, decorating the dance floor, cleaning out the fountain of a pond. That evening, the party starts and guests arrive: everyone has a ticket, and a guy at the gate, wearing a formal shirt, tails, and shorts, makes sure only those with tickets gain entrance.

The Living Theatre is an experimental company founded in New York in 1947 by Julian Beck (New York 1925-1985), painter and poet, and the actress and stage director Judith Malina (Kiel 1926), a student of Erwin Piscator. From the very beginning the group’s activities bore the stamp of social and political commitment, imbued with a strong libertarian matrix. A video montage of films and videos from The Living Theatre Archives.

Part journalistic investigation and part performance documentary, "Who Killed The Federal Theater?" tells the story of the Federal Theatre Project within the context of a volatile period in the political, social and cultural history of the United States. The film features interview segments with playwrights, including Arthur Miller, and with actors, directors, designers, and historians. It also incorporates rare archival materials and dramatic sequences, including professionally re-created scenes from Federal Theatre productions that transport viewers back in time to a bygone era in American history and entertainment.

According to family legend, the name Hrušínský was born after Rudolf and Jan Hrušínský's grandfather Rudolf Böhm was caught stealing pears on a theater stage. The German name Böhm suddenly became Hruškovský and shortly after that Hrušínský. Grandfather Rudolf, later known as Rudolf Hrušínský the eldest, adopted the surname as his own and began using it in 1935. However, the history of the Hrušínský acting family goes back much further. It is therefore not surprising that the brothers Rudolf and Jan also took the same path. The documentary charts their acting beginnings alongside their father Rudolf Hrušínský Sr., from their first roles, through theater engagements at the Drama Studio in Ústí nad Labem and the Drama Club in Prague, to unforgettable film and television roles, when three generations of Hrušínskýs often met in front of the camera.

Comments on the background and popularity of disc jockey "Emperor" Bob Hudson, who bases his shows on the idea that radio is a fantasy.

Divadlo Svoboda