Ústřední loutkové divadlo

Zima v Československu

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O Alence a káčeti

Filmed during the production of the Columbia Pictures western "Mackenna’s Gold," this short work presents a non-narrative visual study of the Arizona desert. Rather than documenting the film set itself, "6-18-67" assembles landscape images, time-lapse photography, and ambient sound into an abstract record of place and duration.

MEUTHEN'S PARTY unmasks the rise of the provincial politician Dr. Jörg Meuthen who doesn't shy away from spreading racist sentiments with a smile on his face.

Army Art Theater

According to family legend, the name Hrušínský was born after Rudolf and Jan Hrušínský's grandfather Rudolf Böhm was caught stealing pears on a theater stage. The German name Böhm suddenly became Hruškovský and shortly after that Hrušínský. Grandfather Rudolf, later known as Rudolf Hrušínský the eldest, adopted the surname as his own and began using it in 1935. However, the history of the Hrušínský acting family goes back much further. It is therefore not surprising that the brothers Rudolf and Jan also took the same path. The documentary charts their acting beginnings alongside their father Rudolf Hrušínský Sr., from their first roles, through theater engagements at the Drama Studio in Ústí nad Labem and the Drama Club in Prague, to unforgettable film and television roles, when three generations of Hrušínskýs often met in front of the camera.

A group of four women band together to make rock climbing more accessible in Banff. Every run is a puzzle waiting to be solved, and if the Crush Collective has anything to do with it, gender norms will not be part of the equation.

A 4-year-old girl cries, lost in the city. A Soviet soldier on a ferry takes her in and takes her to her home village.

Věděli si rady

Signals Through the Flames is at once a history and a celebration of the Living Theatre. Founded in the late 1940s by husband-and-wife performers Julian Beck and Judith Malina, the Living Theatre was for many years the predominent American outlet for the avant-garde movement. There were occasional self-imposed exiles to Europe in the 1950s and 1960s, but the group returned full-force during the Aquarius Age to entertain a new generation of theatregoers.

The Living Theatre is an experimental company founded in New York in 1947 by Julian Beck (New York 1925-1985), painter and poet, and the actress and stage director Judith Malina (Kiel 1926), a student of Erwin Piscator. From the very beginning the group’s activities bore the stamp of social and political commitment, imbued with a strong libertarian matrix. A video montage of films and videos from The Living Theatre Archives.

An aspiring superhero, lacking powers, tries out for a real superhero team in this mockumentary.

The onset of communism changed many people's lives. Children without homes were no longer raised in foster care, but in institutions. Through an interview with a man who grew up in such an institution and a woman who is trying to address the issue from the outside, this documentary shows how, even after thirty years of freedom, the Czech Republic still desperately needs a revolution in this area.

2012: Time For Change is a documentary feature that presents ways to transform our unsustainable society into a regenerative planetary culture. This can be achieved through a personal and global change of consciousness and the systemic implementation of ecological design.

A student work by Jiří Menzel, filmed during his second year at the FAMU film school. Views of old Prague and its tenement buildings, symbolizing the obsolete past, alternate with shots of construction sites for new prefabricated apartment buildings. In spite of certain unavoidable propagandistic overtones added by the director, it is notable as the beginning of his search for a “dramaturgy of colors.”

In Vancouver, British Columbia, two teenagers attempt to create a feature length documentary about their lives. The main character James (played by himself) becomes obsessed with the project and is pushed into a more introverted, lonely existence. His best friend Quinn (played by himself) sets out to help him, but is met with the real answer as to why James is keeping himself inside: the rejection of what he thinks is the love of his life. The two of them go their separate ways, with James going deeper into a depression he’s not sure he can escape from.

The film is an insight into a teacher's soul and a contemplation upon his teaching fate. This portrait of a unique, experimental filmmaker and teacher Martin Čihák takes a look at his teaching methods, his meetings with his students at FAMU and at a park where they work with film, or in his studio.

A film poem. A minimalist reflection on whether inner states are transferable by the film medium. The aim of a Buddhist mindfulness meditation is to clear away thoughts wandering from the past to the present, to be mindfully aware of each present moment. Each unique NOW NOW NOW passing away just like single frames while the camera grab snatches off meters of expensive 35mm material.

One day in the life of Mr Hrstka, a blue collar worker and occasional pose model at the Prague academy of arts. Through this portrayal of an outsider, Paskaljevic explores the subject of isolation.