Freek de Jonge - De Stemming

Because Urbanus does all kinds of pranks, he has to go to an improvement institution. There, Dr. Schrikmerg uses him as a guinea pig for his new invention: he makes a sort of robot from Urbanus.

Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point).

Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point). Since 2000, Maassens shows are shown on Dutch national television, making him more and more a household name.

Registration of the theatreprogram by the Dutch comedian Lenette van Dongen. A show about getting older. She is unabashedly honest about her lessons in aging and the wisdom that comes with it.

The perfect way to get acquainted with Philippe Geubels' infectious humor or to relive a wonderful evening of live stand-up comedy.

Registration of the sixt theatre program by the Dutch comedian Theo Maassen.

Registration of the fourth theatre program by the Dutch comedian Pieter Derks.

In his third theatre program the Dutch comedian Hans Teeuwen plays with empty wine bottles, little girls and himself. Poetic, absurd, false and genuine.

Jurk!: Glitterjurk

Stage registration of the second comedy special by the Dutch comedian Micha Wertheim. This performance takes place in a dream, a dream in which Micha Wertheim shares all kinds of confessions, for example about how he manages to cope with the knowledge that he is probably not a real genius.

Registration of the fourth theatre program by the Dutch comedian Theo Maassen.

Najib Amhali: Freefight

In September 2013, it was exactly 12½ years ago that Bas Hoeflaak and Peter van de Witte launched their first full-length theater show 'Teer' under the name Droog Brood. The very best from six theater programs will be collected and forged into a magnificent and classic theater evening. Includes intermission and show trap. It will be fun. For the gentlemen of Droog Brood – who have finally found a reason to perform precious scenes one more time (there is talk of itchy fingers) – but of course also for the audience, who will be presented with an evening of hilarious highlights and will be able to enjoy themselves immerse yourself in a warm atmosphere of sweet melancholy. In short: the ladyfingers have been bought, the Smurfs have been called and Soekeloekie has pulled his proverbial nose out of the grease to frequently put it around the corner.

With the world changing faster than ever, comedian Peter Pannekoek shares his thoughts about power, evolving gender relations and the times ahead.

Freek de Jonge - De Stemming 2006

In his ninth and last comedy show the Dutch comedian Kees Torn tells about his passion for science and on what he wants to do after his last tour.

The bigger the audiences for Dutch comedian Micha Wertheim’s shows became, the less he had to do to make them laugh. In one early show, he suggested that the audience would be better off without him. So in 2016, he acted upon this suggestion with an experiment that made theater history: he wasn't physically present onstage but somewhere else. The audience wasn't aware of this in advance, though they did get a hint in the form of a pre-recorded "live" radio interview from a remote studio. "I see my audience as my children," Wertheim says in this interview. "You have to educate them, and that’s what I’ve been doing for the past 15 years. At first you have to constantly be there watching them, but there comes a time when you have to trust them to get on with it without you." With some help from a robot, a printer, a stereo and a set of headphones, the members of his audience were able to make their own performance.

This comedy/theatre show is the sequel to 'Micha Wertheim: Somewhere Else'. This second show starts exactly where the first show ended: in the same theatrical scenery, with the same robot. But this time Wertheim surprises his audience by showing up. He tells about how the first experimental comedy show was received and contemplates about the magic of theatre and art in a society about the right to exist of art in a society that allows less and less doubt and confusion. When Robot falls into a depression, the boundaries between theater and reality begin to blur.

Registration of the first theatre program by the Dutch comedy duo (Erik) van Muiswinkel and (Diederik) van Vleuten. Two men visit the Montignac caves, famous for their prehistoric rock paintings. Diederik van Vleuten thinks he has ended up in the Womb of Western Culture, Erik van Muiswinkel thinks his five-year-old son paints better. They don't agree.

Registration of the fourth theatre program by the Dutch comedy duo (Erik) van Muiswinkel and (Diederik) van Vleuten. The comedy duo broke up after their last program: Van Vleuten has started a second-hand bookstore and seeks solitude. The TV-personality Van Muiswinkel regularly visits his intellectual friend and gradually takes on increasingly insane guises.