Fisherman

At a time when the moon could be reached by ladder, Captain Millipede, his daughter, a deaf milk miner, a beautiful accordionist, and a wannabe pole dancer make their final expedition unaware of what they had, blind to what they'd lose.

Moo mourns her deceased friend, so Yuu decides to create a new companion for her. Their adventure fails, but they discover they have built a new friendship during the journey.

A Maori writer meets a trickster spirit guide and conjures new worlds from the words she inks on a page.

In Leo's world, people have a single expression face. Leo wears the mask of impassiveness. Invisible to the beautiful Suzie, he will have to employ an artifice to be noticed by her.

The two brothers Qetsor and Erlet often break their friends' toys. One night, Qetsor watches a dream in which the toys rebel against him.

Prometheus, on an Odyssean journey, crosses the Brooklyn Bridge in search of the characters of his imagination. After meeting the Muse, he proceeds to the "forest." There, under an apple tree, he communes with his selves, represented by celebrated personages from the New York "underground scene" who appear as modern correlatives to the figures of Greek mythology. The filmmaker, who narrates the situations with a translation of Aeschylus' Prometheus Bound, finds the personalities of his characters to have a timeless universality.

Our fate is the hands of three sisters: Clotho, Atrophos y Laquesis. The latter has decided to destroy the world, but love has not said her last word.

Two brothers try to save their family business by literally catching lightning in a bottle.

Day in, day out, Mr. Grimm is busy with his job as the Reaper, harvesting people's lives. One day, his monotonous existence is interrupted by the doorbell. It's a little girl. She wants her cat back. Little does she know that she's the next life on Mr. Grimm's list.

"Fellinette" is a young girl drawn on a page of a notebook in 1971 by Maestro Federico Fellini. "Fellinette" is the protagonist of this fairy tale which is set on the beach of Rimini on January 20, 2020, Centenary of birth of the great Maestro. Experience a melancholic and wonderful adventure through the fervent childhood imagination of Fellinette. Celebrate the greatest director with dreamlike atmospheres full of poetry, live action shots and animated parts.

A dimension-traveling wizard gets stuck in the 21st century because cell-phone radiation interferes with his magic. With his home world on the brink of war, he seeks help from a jaded travel agent who he mistakes for a great sorceress. Without his powers to prove his identity, she has trouble taking him seriously, but finally agrees to reveal the secrets of our world in exchange for a lunch date.

Val is a century old vampire, but in human terms, she can barely pass for twenty. After what feels like an eternity spent at her family home in the northern reaches of the UK, she’s now ready to embark on a new chapter at university. However, the long trip down south soon turns frosty as grieving mother Vera struggles to come to terms with her little girl flying the nest.

A child is born. We see underwater swimmers representing this. He is young, in a jungle setting, with two fanciful "instincts" guiding him as swooping bird-like acrobats initially menace, then delight. As an adolescent, he enters a desert, where a man spins a large cube of metal tubing. He leaves his instinct-guides behind, and enters a garden where two statues dance in a pond. As he watches their sensual acrobatics of love, he becomes a man. He is offered wealth (represented by a golden hat) by a devil figure. In a richly decorated room, a scruffy troupe of a dozen acrobats and a little girl reawaken the old man's youthful nature and love.

The Big Bad Wolf stalks Little Bo Peep and steals one of her sheep. She enlists Little Boy Blue and a dancing scarecrow to assist her and her mischievous black sheep in rescuing it. Singing, dancing, hilarity and impalement ensue.

Golden boys, teen lust, self-conscious dolls, chance encounters, a vengeful creature, holiday romance, hidden sexuality — Boys On Film celebrates it's (not so) sweet sixteen with an astonishing selection of the latest international gay short films. Volume 16: Possession features ten complete films: Kai Stänicke's "Golden" with Christian Tesch and Maximilian Gehrlinger; Christopher Manning's "Jamie" starring Sebastian Christophers and Raphael Verrion; Kai Stänicke's "B." starring Susanne Bormann and Andreas Jähnert; Blake Mawson's "PYOTR495" starring Alex Ozerov; Charlie Francis's "When A Man Loves A Woman" starring Tommy Jay Brennan, Jemima Spence, and Diane Brooks Webster; Anthony Schatteman's "Follow Me" starring Ezra Fieremans and Maarten Ketels; Jake Graf's "Chance" starring 'ABS' and Clifford Hume; Andrew Keenan-Bolger's "Sign" starring John McGinty and Preston Sadleir; Oliver Mason's "Away With Me" starring Chris Polick and Lee Knight; and "We Could Be Parents" by Björn Elgerd.

A blossoming writer learns that his artistic hero isn't all he thought he was in this satirical exploration of how one separates the art from the artist.

When an evil genius steals the Magical Beacon Stone and forces the children of Inverclyde to toil in his factories, Bella and Jenny only have five days to find the Stone stop his schemes and save Christmas.

An embittered old musician embarks upon a journey which becomes the outward manifestation of his inner landscape.

A young witch tries to find 'the oasis' and has captured a young man who knows it's exact location. But before he tells her where she can find this mystical place she first has to convince him that magic is in fact very real.

This is a story about George. A novelist who is retreating for peace and quiet at his summer home in the woods. We follow him through his abrupt writer's block where nothing he writes seems to be good enough. Soon after he hears music coming from the forest and is later acquainted with Daisy, who is a mystical child. She mimics George's self conscious and brings him back on the road to creativity, through reminding him of a much simpler time when he was a kid.