A CLOWN | A LIFE

Vienna’s Prater is an amusement park and a desire machine. No mechanical invention, no novel idea or sensational innovation could escape incorporation into the Prater. The diverse story-telling in Ulrike Ottinger’s film “Prater” transforms this place of sensations into a modern cinema of attractions. The Prater’s history from the beginning to the present is told by its protagonists and those who have documented it, including contemporary cinematic images of the Prater, interviews with carnies, commentary by Austrians and visitors from abroad, film quotes, and photographic and written documentary materials. The meaning of the Prater, its status as a place of technological innovation, and its role as a cultural medium are reflected in texts by Elfriede Jelinek, Josef von Sternberg, Erich Kästner and Elias Canetti, as well as in music devoted to this amusement venue throughout the course of its history.

In Florida, parents can hire Wrinkles the Clown to scare their misbehaving children.

The feature-length documentary Fakir portrays the success of fakirism in Brazil, Latin America and France. This circus art origin show is presented and analyzed through archives that reveals the success of these presentations with their pain resistance championships and the great public presence, including politicians and government officials. Fakir spans current footage from contemporary artists who keep this art alive in performances and shows.

Errol Morris’s Fast, Cheap & Out of Control interweaves the stories of four men, each driven to create eccentric worlds from their unique obsessions, all of which involve animals. There’s a lion tamer who shares his theories on the mental processes of wild animals; a topiary gardener who has devoted a lifetime to shaping bears and giraffes out of hedges and trees; a man fascinated with hairless mole rats; and an MIT scientist who has designed complex, autonomous robots that can crawl like bugs.

Drawing upon a vast and richly visual archive and featuring a host of performers, historians and aficionados, this four-hour mini-series follows the rise and fall of the gigantic, traveling tented railroad circus and brings to life an era when Circus Day would shut down a town and its stars were among the most famous people in the country.

A young girl has already seen everything there is to see and her world has lost all meaning. Her anger shatters her world and she finds herself in the universe of QUIDAM, where she is joined by a playful companion, as well as another mysterious character who attempts to seduce her with the marvelous, the unsettling and the terrifying.

Alegría is a mood, a state of mind. The themes of the show, whose name means "jubilation" in Spanish, are many. Power and the handing down of power over time, the evolution from ancient monarchies to modern democracies, old age, youth - it is against this backdrop that the characters of Alegría play out their lives. Kings' fools, minstrels, beggars, old aristocrats and children make up its universe, along with the clowns, who alone are able to resist the passing of time and the social transformations that accompany it.

From the Italian 'saltare in banco' – which literally means 'to jump on a bench' – Saltimbanco explores the urban experience in all its myriad forms. Between whirlwind and lull, prowess and poetry, it takes spectators on an allegorical and acrobatic journey into the heart and soul of the modern city.

Icarus is the main character of Varekai, who falls to the ground, breaking his legs as he does. He is suddenly in a strange, new world full of creatures he has never seen before. Parachuted into the shadows of a magical forest, a kaleidoscopic world populated by fantastical creatures, this young man sets off on an adventure both absurd and extraordinary.

Jesus 'Chuy' Aceves and a dozen living members of his extended family suffer from the very rare condition of congenital hypertrichosis, meaning they were born with excessive hair on their faces and bodies. Due to their appearance, they suffer from discrimination in all areas of their lives: the children are made fun of at school and abandoned by their 'non-hairy' parents, and the adults cannot find work unless they choose to exhibit themselves as freaks in circuses. This moving and visually arresting documentary is a portrait of Chuy and his family members. It examines their day-to-day lives and their struggle to find love, acceptance and employment.

This documentary highlights the evolution of Brazil's Circo Voador venue from homespun artists' performance space to national cultural institution.

The Pickle Family Circus was founded by Lorenzo Pisoni's parents in 1974. The film documents the spirit, the lunacy, the daring, the danger and the dynamics of growing up in a circus family.

Madrid, Spain, 1949. The Circo Americano arrives in the city. While the big top is pitched in a vacant lot, the troupe parades through the grand avenues: the band, a witty impersonator, the Balodys, acrobats, jugglers, acrobatic skaters, clowns and… Buffallo Bill.

Ulrike and Olli meet in 1985 while on tour with Circus Roncalli. He is living his childhood dream as part of the successful clown duo 'Illi & Olli'. She has recently left her life as a nurse in Berlin behind. When the season is over, she moves with him to Switzerland. What began as a circus fairy tale eventually becomes reality, amid creative crises, raising children, and ultimately growing older.

Once a year, people from different marginalized communities meet together in the woods to delve into the art of circus and have this discipline become a common way to express themselves, away from the city.

The movie follows the clock round as music hall clown Beby takes off his make up, goes home for a meal, looks at photos and goes to bed to rise, spend a day in the village and perform with his new partner.

An account of the life and work of the Spanish clown, mime, acrobat and actor Marcelino Orbés (1873-1927), known as Marceline, who, between 1900 and 1914, was unanimously acclaimed as the best in the world.

In the magical world of La Nouba, dreams become reality and talent turns the ordinary into the extraordinary. La Nouba is, literally, a waking dream come true – clowns, ballerinas, trapeze artists, an incredible BMX bicycle act – and much more.

While writing a book on the circus, author John Shawcross reflects upon the great acts he has seen over the years and the mystique of circus people. He recalls the solo trapeze act of La Mara; Tarzan, Sahib, and their elephant; Marco's sword-balancing act; an archery act in which Grey Arrow shoots an apple off the head of Zuni, his wife; the Mascott Sisters' head-to-head balancing act on a high ladder; the juggling of Rudy Cardenas; high bar specialists, the Tongas; Gunther Gebel Williams with his tiger; the flying bar act of the Laribles; Carl Sembach-Krone's trained horses; lion tamer Pablo Noel; the Gaonas and the Four Titos on the trampoline; the Flying Armors on the flying trapeze; Frieda Krone and her elephants; Fredy Knie, Sr., and his Lippizaner; the Francesco Clowns; Lilly Yokoi on her bicycle; Mendez and Seitz on the tightrope; and Pauline Schumann on the trick horse.

One man, one camera, one goal...to capture the essence of adventure. An experimental, often abstract new type of filmmaking process creating color rich visuals combined with a lush soundtrack that grounds the project. A unique cinematic experience.