Making 'M*A*S*H'

Documentary which follows Bo Widerberg during the making of 'Man on the Roof', 'The Butt' and a failed theater production.

When World War II broke out, John Ford, in his forties, commissioned in the Naval Reserve, was put in charge of the Field Photographic Unit by Bill Donavan, director of the soon-to-be-OSS. During the war, Field Photo made at least 87 documentaries, many with Ford's signature attention to heroism and loss, and many from the point of view of the fighting soldier and sailor. Talking heads discuss Ford's life and personality, the ways that the war gave him fulfillment, and the ways that his war films embodied the same values and conflicts that his Hollywood films did. Among the films profiled are "Battle of Midway," "Torpedo Squadron," "Sexual Hygiene," and "December 7."

For decades Italian genre cinema dominated the world and before changing beyond recognition it went to unthinkable places. Giants don't die quietly however and this is the story of an industry's most absurd, extreme, blood-soaked fight for survival. Through dozens of brand new interviews, and never-before-seen archival materials, with the men and women who were there during one of the most unique moments in film history, MASTERS OF MAYHEM tells their stories of scandal, contradictions, drama and outrage.

Documentary about the making and reception of Carl Th. Dreyer's final movie, "Gertrud."

A documentary about the rise and fall of the Cannon Film Group, the legendary independent film company helmed by Israeli cousins Menahem Golan and Yoram Globus.

La Garoupe, a beach in Antibes, in 1937. For one summer, the painter and photographer Man Ray films his friends Pablo Picasso, Dora Maar, Paul Eluard and his wife Nusch, as well as Lee Miller. During these few weeks, love, friendship, poetry, photography and painting are still mixed in the carefree and the creativity specific to the artistic movements of the interwar period.

A feature-length documentary focusing on the acclaimed work and eclectic career of maverick filmmaker Larry Cohen, writer-director of "Black Caesar," "It's Alive," "God Told Me To," "Q," "The Stuff," and many more.

In 1928, as the talkies threw the film industry and film language into turmoil, Chaplin decided that his Tramp character would not be heard. City Lights would not be a talking picture, but it would have a soundtrack. Chaplin personally composed a musical score and sound effects for the picture. With Peter Lord, the famous co-creator of Chicken Run and Wallace & Gromit, we see how Chaplin became the king of slapstick comedy and the superstar of the movies.

A brief look at the history of "Homicide: Life on the Street", one of the best shows on television and its ratings history as well as some of the people on the show, as well as behind the camera. The primary focus of this PBS documentary is the "Subway" episode which aired on December 5, 1997 on NBC. This two-hour documentary follows the "Subway" episode from conception to award nominations.

A crew of filmmakers shoot undercover on the streets of Hong Kong with hidden microphones and no permits. The city becomes a giant set as mounting tension and ego clashes push tempers to breaking point.

A playful engagement with memory and moving images, employing experimental visuals, voice journals, and staged dialogs.

In 2010 David Crowley, an Iraq veteran, aspiring filmmaker and charismatic up-and-coming voice in fringe politics, began production on his film Gray State. Set in a dystopian near-future where civil liberties are trampled by an unrestrained federal government, the film’s crowd funded trailer was enthusiastically received by the burgeoning online community of libertarians, Tea Party activists and members of the nascent alt-right. In January of 2015, Crowley was found dead with his family in their suburban Minnesota home. Their shocking deaths quickly become a cause célèbre for conspiracy theorists who speculate that Crowley was assassinated by a shadowy government concerned about a film and filmmaker that was getting too close to the truth about their aims.

Mehrjui: The Forty-Year Report dives into the artistic world of Iranian director Dariush Mehrjui. The film offers critical interpretations of his works from cinema experts, enriched with personal anecdotes from his peers.

Documentary following the history of America's first cinematographers.

In the early nineties, before the massive gentrification of many of New York's then slums, several young people from very disparate backgrounds left their broken homes and ventured onto the brutal streets of the city. United by their love of skateboarding, they formed a family and built a unique lifestyle that eventually inspired Kids, a groundbreaking and outrageous film directed by photographer Larry Clark and released in 1995.

An in-depth oral history of the production and development history of Robert Altman's "O.C. and Stiggs," featuring commentaries from the film's cast and crew.

What is a Micro-Budget film? How are they made? Where can you find them? Do they actually make any money? Six micro-budget filmmakers take us through the arduous process of making movies with little-to-no money. They shed light on the physical, financial and moral complexities of this unusual side of Hollywood.

As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.

Hollywood is perhaps the most elusive animal. "We Want the Airwaves" follows three first time TV makers who set out on the ultimate adventure: to change television as we know it. The trio creates, films and pitches their advocacy docuseries masterpiece, "Manifesto!" all over the world, with the goal of giving a broadcast voice to a generation.

A cheerful road movie all about Belgian films at Cannes over the past 70 years. Filmmakers from the past converse with those from the present to paint the portrait of a cinema that is both diverse and free. An account of Belgium’s participation in the greatest film festival in the world.