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A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

An awkward, telekinetic teenage girl's lonely life is dominated by relentless bullying at school and an oppressive religious fanatic mother at home. When her tormentors pull a humiliating prank at the senior prom, she unleashes a horrifying chaos on everyone, leaving nothing but destruction in her wake.

Hollywood movies are rapidly becoming vehicles for the ulterior marketing and advertising motives of studios and their owners, rather than entertainment in their own right. Behind the Screens explores this trend toward "hypercommercialism" through phenomena such as product placement, tie-ins, merchandising and cross-promotions. It combines multiple examples taken directly from the movies with incisive interviews provided by film scholars, cultural critics, political economists, and an Oscar-nominated screenwriter. Behind the Screens presents an accessible argument designed for school and college-age audiences-- precisely the demographic most prized by both Hollywood studios and advertisers alike. It features examples drawn from movies such as Wayne's World, Forrest Gump, The Lion King, Summer of Sam, and Toy Story.

The video is accompanied by a richly detailed article that adds more depth to the documentary. If there’s any question about why Hollywood is dead set against the unionization of vfx artists, the following graphic from the article will answer the question: vfx artists comprise the biggest portion of the crew on most Hollywood blockbusters.

A documentary about Tim Burton's iconic 1988 fantasy comedy Beetlejuice, covering all the aspects of production: from filming in East Corinth, Vermont, to the stop-motion and special effects work, as well as a series of exclusive interviews and rare behind the scenes archives.

In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.

Homo Cinematographicus is a human species whose unit of measurement and point of reference is the cinema and its derivative, television. Filmed at the 1998 Cannes Film Festival, the film offers an unspecified number of statements, talking about memories and a thousand fragments of stories, titles and film scenes, the warp of a gigantic collective Chanson de geste.

A bunch of British working class amateur filmmakers with nothing left to lose tackle one of Hollywood's greatest musicals in order to save their beloved Club. Britain’s oldest amateur filmmaking club struggles to survive, as its members grow old amid flickering memories and hardships. In the northern industrial town of Bradford, England, a handful of diehard amateur filmmakers desperately cling to their dreams, and to each other, in this warm and funny look at shared artistic folly that speaks to the delusional dreamer in us all.

Documentary showing one day of work of over 90 actors and filmmakers from French cinema on the same day. On 27 March 2002, 27 teams filmed actors, directors, producers and technicians at work, from Hawaii to Paris and from New York to Lisbon.

A 60-minute salute to American International Pictures. Entertainment lawyer Samuel Z. Arkoff founded AIP (then called American Releasing Corporation) on a $3000 loan in 1954 with his partner, James H. Nicholson, a former West Coast exhibitor and distributor. The company made its mark by targeting teenagers with quickly produced films that exploited subjects mainstream films were reluctant to tackle.

In 1928, Amelia Earhart gains fame by undertaking a transatlantic flight as a passenger. In 1937, she and her navigator Fred Noonan undertake her longest flight: a round-the-world attempt. However, the plane disappears in the process.

A crew of filmmakers shoot undercover on the streets of Hong Kong with hidden microphones and no permits. The city becomes a giant set as mounting tension and ego clashes push tempers to breaking point.

Documentary about the legendary American film director from his introduction to the film industry in its early years to his death in 1959.

Jean-Claude van Damme, Sheldon Lettich and more discuss the 1991 film "Double Impact" from inception to reception.

A feature-length documentary on the life and work of Wisconsin grindhouse cinema auteur Bill Rebane, featuring historians, critics, and filmmakers, plus cast and crew members who worked with Rebane himself.

A detailed account of one of the bloodiest battles of World War I. Between February and December 1916, the French and German armies relentlessly fought in the devastated camps around the village of Verdun.

Irrepressible writer-comedian Carl Reiner, who shows no signs of slowing down at 94, tracks down celebrated nonagenarians, and a few others over 100, to show how the twilight years can truly be the happiest and most rewarding. Among those who share their insights into what it takes to be vital and productive in older age are Mel Brooks, Dick Van Dyke, Kirk Douglas, Norman Lear, Betty White and Tony Bennett.

Eccentric, outspoken, and unfiltered TV and low budget film director Josh Becker struggles to emerge from the shadow of his work on "The Evil Dead", "Xena", the careers of his more successful colleagues, depression and alcoholism to fulfill his lifelong ambition of creating high quality, successful films.

As the first part of our investigation, the CORONA.FILM prologue will delve into the science behind the pandemic. Starting at the very beginning, we shine a light on the responses. The aim is not to point the finger; our aim is to tell the whole story in all its complexity, as we believe that justice cannot prevail if only one side of the story is told.