Boulogne-Billancourt - Le temps des studios

Kogonada looks at how the motif of doors reverberates through Robert Bresson's work.

In the heart of central Europe are some of the world’s most impenetrable military strongholds. In France, 160 megastructure fortresses still line the country’s borders 3 centuries after they were constructed. As solid as ever, how did they withstand attack after attack? Was the secret in their materials? Their shape? In fact, the strength and resilience of these megastructures is due to the genius of one man: Sébastien le Prestre de Vauban.

An hour-long discussion between Fritz Lang and Jean-Luc Godard in which they discuss a variety of art forms, the role of the cinema, their collaboration together, and much more. (Filmed in 1964 but released for TV in 1967.)

This second entry in MGM's "Romance of Film" series documents how celluloid movie film is processed and features behind-the-scenes glimpses of current MGM productions.

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

Moka Malo, des corsaires à la conquête du café

Magellan sur la route des épices

The story of the French fantasy cinema from Méliès to Raw.

An account of the life and work of French filmmaker Claude Chabrol (1930-2010), a sybarite Buddha, a furtive anarchist, an insolent lover of life.

This afterword to India Song (Duras' celebrated 1975 film) is organized in several parts. It begins with an interview to Marguerite Duras by Dominique Noguez, an expert in her work; the interview links the film to the two movies whom it's related to: The Ravishment of Lol V. Stein and The Vice-Consul. Several themes are tackled: childhood, autobiographical traces, relationships between differents characters and different films and more. India Song's main actors — Delphine Seyrig and Michael Lonsdale, who played Anne-Marie Stretter and the French vice-consul — join the conversation and talk about their roles and their craft. Marguerite Duras then evokes her memories of the shooting with the composer Carlos D'Alessio and her camera operato Bruno Nuytten. The conversations are punctuated by clips of the film.

The story of Fantômas, the first villain of modernity, from his birth in 1911 as a novel character to his contemporary vicissitudes, passing through Louis Feuillade, André Hunebelle, surrealism and Moscow.

An intimate window into one of the great movements in film history that brought about an evolution in the art of cinema. The documentary portrays the movement with insight on the lives and works of Jean-Luc Godard, François Truffaut and other principal players in the New Wave.

The crazy rise and fall of Jacques Tati, comedy genius, actor, director and athlete of laughter. Or how the inventor of the mythical Mr. Hulot made France laugh, then the world, flying from success to success, rising higher and higher, until he came a little too close to the sun.

This short documentary, presented and directed by MGM sound engineer Douglas Shearer, goes behind the scenes to look at how the sound portion of a talking picture is created.

An inquiry into two of the most influencial French filmakers friendship and feud.

A portrait of French filmmaker Michel Gondry, creator, for three decades, of an imperfect, astonishing, fascinating, damaged and poetic work.

On October 14, 1947, Captain Chuck Yeager accomplished what many thought was impossible: he broke the sound barrier and in doing so, changed aviation history forever. Behind this remarkable achievement was a dedicated team of rocket scientists and engineers, and one incredible plane, a Bell X-1 named "Glamorous Glennis." This is the story of the plane and the people who dared to travel faster than the speed of sound, pushing flight science forward and proving that no matter the barrier, humanity can find a way to break through.

Since its release in 1968, Planet of the Apes, the masterful film directed by Franklin J. Schaffner and starring Charlton Heston, and its subsequent sequels have asked its viewers challenging questions about contemporary society under the guise of a bold science fiction saga: a fascinating look at a hugely successful pop culture phenomenon.

Comedian, actor, author, director and emblematic figure of the French stage and cinema of the 50s and 60s, Francis Blanche liked to change register, moving from radio to writing to television and cinema, living more than "hundred lives".

Godard by Godard is an archival self-portrait of Jean-Luc Godard. It retraces the unique and unheard-of path, made up of sudden detours and dramatic returns, of a filmmaker who never looks back on his past, never makes the same film twice, and tirelessly pursues his research, in a truly inexhaustible diversity of inspiration. Through Godard’s words, his gaze and his work, the film tells the story of a life of cinema; that of a man who will always demand a lot of himself and his art, to the point of merging with it.