La Cumbre

Mudos testigos is a cinematographic collage made from all the surviving material of Colombian silent films, re-editing the images in such a way as to create a single imaginary film: the impossible love story of Efraín and Alicia that traces the convulsive first half of the twentieth century in Colombia. Compiled by the late Luis Ospina and finished posthumously by Jeronimo Atehortúa.

An intimate and personal reflection on the conditions of work in the 21st century, seen through the eyes of a bike delivery person. From nostalgia to frustration with Swedish punk running in the background, this film immerses us in the universe of one of many workers in the so called gig economy.

María tells the tragic love story of María, a beautiful young woman, and her half brother Efraín, a handsome young man from Valle del Cauca. They both fall in love and live their romance on the farm "El Paraíso", in Valle del Cauca, but not everything is rosy, since Efraín must go to Bogotá because of study reasons leaving María with pain in her soul. Some time later, María becomes ill and Emma tells her brother about the situation.

El Perro, a kidnapped soldier, takes advantage of a confrontation between his captors and the paramilitaries to escape. In his escape, he takes refuge in the house of a peasant family that keeps a dark secret that he must solve to be free.

In 1945, in the train station of Bogota, Colombia, a dead girl is found in a trunk. The case is assigned to Detective Mariano Corzo, he has to deal with an inquisitive journalist Hipólito Mosquera while trying to solve the mysterious case. Nobody knows who the girl is, or who put her in the trunk. The things turn bad when Mosquera publish the news in the local newspaper. With the help of a bartender Martina Quijano, Corzo will find an answer for the question: Who killed the girl and why?

During the marijuana bonanza, a violent decade that saw the origins of drug trafficking in Colombia, Rapayet and his indigenous family get involved in a war to control the business that ends up destroying their lives and their culture.

While abroad Colombians are the bad guys, in Colombia foreigners are the kings. And Vigo, a Swede who arrives to Colombia, will be no exception: he will be received as a prodigal son. He will soon discover that even with so much human warmth, in the country of the Sacred Heart of Jesus, magical realism is lived in the midst of chaos, impetus and thoughtlessness, which between tears and laughter blurs the fine line between good and evil.

El país más feliz del mundo

A young Colombian man receives a voice message from home while grappling with cultural differences at a London dinner party with his new English girlfriend.

In Miami’s neon-lit streets, “EXOTIC” follows Alejandro Vasquez, a charismatic entrepreneur leading a double life. Publicly, he runs an exotic car rental business, but secretly, he operates a criminal organization for the Calamar Cartel. His life is upended when Isabella, a New York journalist, arrives to expose Miami’s underworld. As she gets closer to the truth, tensions rise and loyalties are tested. “EXOTIC” is a thrilling tale of crime and redemption, blurring the line between hero and villain against Miami’s glamorous backdrop.

A Colombian actress named Zahinabu is finally having her first audition in New York, for a Latina role. It could be the opportunity that she has been waiting for since she arrived to US. But the audition takes a different direction when the casting group needs to consider the great audition from this Latina woman who doesn't look like a "latina".

A documentary about Jerry Lewis' never-released movie "The Day the Clown Cried".

A documentary directed by Harald Reinl, finished by Theo Maria Werner.

A documentary behind the scenes of Ingmar Bergman's The Magic Flute.

The story of Annabel's, the most celebrated nightclub in the world, and its 50-year history. Renowned for its discretion, and as a haunt of some of our greatest celebrities, the film offers a hitherto unseen glimpse into the rarefied worlds behind the doors of 44 Berkeley Square.

Short vignettes explore different facets of human behavior and social issues.

Dandysme, le mal ultra

La télé des Nuls

Fifty million people died in the Second World War, the biggest massacre in the history of humanity. But the animal kingdom also paid a heavy toll, despite no official numbers being compiled for the victims. This included combat animals, animals that backed up humans, those that entertained or consoled them, some that fed people, and other animals that were symbols. On all fronts and on all continents, at all points of the compass, beasts accompanied mankind in this global conflict. This full archive documentary - partly colorized - shows how dogs, horses, elephants and pigeons became WW2 soldiers’ best friends in battle.

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