El país más feliz del mundo

While abroad Colombians are the bad guys, in Colombia foreigners are the kings. And Vigo, a Swede who arrives to Colombia, will be no exception: he will be received as a prodigal son. He will soon discover that even with so much human warmth, in the country of the Sacred Heart of Jesus, magical realism is lived in the midst of chaos, impetus and thoughtlessness, which between tears and laughter blurs the fine line between good and evil.

A Colombian actress named Zahinabu is finally having her first audition in New York, for a Latina role. It could be the opportunity that she has been waiting for since she arrived to US. But the audition takes a different direction when the casting group needs to consider the great audition from this Latina woman who doesn't look like a "latina".

During the marijuana bonanza, a violent decade that saw the origins of drug trafficking in Colombia, Rapayet and his indigenous family get involved in a war to control the business that ends up destroying their lives and their culture.

In 1945, in the train station of Bogota, Colombia, a dead girl is found in a trunk. The case is assigned to Detective Mariano Corzo, he has to deal with an inquisitive journalist Hipólito Mosquera while trying to solve the mysterious case. Nobody knows who the girl is, or who put her in the trunk. The things turn bad when Mosquera publish the news in the local newspaper. With the help of a bartender Martina Quijano, Corzo will find an answer for the question: Who killed the girl and why?

A young Colombian man receives a voice message from home while grappling with cultural differences at a London dinner party with his new English girlfriend.

María tells the tragic love story of María, a beautiful young woman, and her half brother Efraín, a handsome young man from Valle del Cauca. They both fall in love and live their romance on the farm "El Paraíso", in Valle del Cauca, but not everything is rosy, since Efraín must go to Bogotá because of study reasons leaving María with pain in her soul. Some time later, María becomes ill and Emma tells her brother about the situation.

In Miami’s neon-lit streets, “EXOTIC” follows Alejandro Vasquez, a charismatic entrepreneur leading a double life. Publicly, he runs an exotic car rental business, but secretly, he operates a criminal organization for the Calamar Cartel. His life is upended when Isabella, a New York journalist, arrives to expose Miami’s underworld. As she gets closer to the truth, tensions rise and loyalties are tested. “EXOTIC” is a thrilling tale of crime and redemption, blurring the line between hero and villain against Miami’s glamorous backdrop.

Mudos testigos is a cinematographic collage made from all the surviving material of Colombian silent films, re-editing the images in such a way as to create a single imaginary film: the impossible love story of Efraín and Alicia that traces the convulsive first half of the twentieth century in Colombia. Compiled by the late Luis Ospina and finished posthumously by Jeronimo Atehortúa.

El Perro, a kidnapped soldier, takes advantage of a confrontation between his captors and the paramilitaries to escape. In his escape, he takes refuge in the house of a peasant family that keeps a dark secret that he must solve to be free.

An intimate and personal reflection on the conditions of work in the 21st century, seen through the eyes of a bike delivery person. From nostalgia to frustration with Swedish punk running in the background, this film immerses us in the universe of one of many workers in the so called gig economy.

Abandoned for two decades in the Colombian Andes, La Cumbre is an intimate portrait of the film-maker’s home told through the memories and presence of his grandparents, reflecting on the time they spent there with their family.

Set in an urban fairytale, DeShawn (an unlikely anti-hero) is smack-dabbing in the middle of a peculiar crossroads. He is haunted by the ghosts of one hundred men: ex-“boyfriends,” in addition to the ghosts of everyone they dated. His days are filled with spiraling epiphanies and lucid, reckless bohemianism fueled by systemic poverty and HIV ennui. In this particular sketch he is relating his philosophy of the world to an unknown caller on his landline telephone while magically shrink-fitting a new pair of jeans that he recently shoplifted from Levi’s. Commissioned by Visual AIDS in 2017 as part of ALTERNATE ENDINGS, RADICAL BEGINNINGS, a program of seven videos prioritizing Black narratives within the ongoing AIDS epidemic curated by Erin Christovale and Vivian Crockett.

A wife and mom with secret dreams of being a stand-up comic uses a one night stand with a burned-out touring comedian to face the harsh but funny truths of her failing marriage, neglected aspirations, and individual identity.

With a technical education background, Eva (Eva Arnaz) tries to become an entrepreneur by opening a workshop. He was assisted by several friends, and it turned out that soon his efforts were quite advanced. Rudy (Geroge Rudy), one of his customers, is interested in Eva's beauty, who is considered a good-looking woman. Tit for tat, Eva received Rudy's love. Unfortunately the relationship between the two men did not get the blessing of Rudy's parents. Eva, in the eyes of Rudy's parents, was considered too low for her prospective engineer. Because the relationship between Rudy and Eva is getting tighter, finally Rudy's parents bless him too.

Tomboy Zehra helps Omer to get with the girl he is madly in love with after saving him from a suicide attempt but finds herself also falling for him.

One night in Tokyo, Leo, a young boxer, meets his first love, Monica, an imprisoned sex worker. Caught up in a drug-smuggling scheme, they find themselves pursued by a corrupt cop, a yakuza, his nemesis, and a female assassin.

A miserable Argentine troupe of actors, dancers, musicians, filmmakers and a girl embark on a theatre tour to some country, probably in Latin America.

A dysfunctional family is forced begrudgingly into an instant reunion when they have to move their father's grave due to construction. Hye-yeong receives a letter of notification that her father's grave should be forcibly removed due to modernization projects. Hye-yeong and the sisters are gathered in a long time, but only the brother cannot be reached easily.