While abroad Colombians are the bad guys, in Colombia foreigners are the kings. And Vigo, a Swede who arrives to Colombia, will be no exception: he will be received as a prodigal son. He will soon discover that even with so much human warmth, in the country of the Sacred Heart of Jesus, magical realism is lived in the midst of chaos, impetus and thoughtlessness, which between tears and laughter blurs the fine line between good and evil.
Mudos testigos is a cinematographic collage made from all the surviving material of Colombian silent films, re-editing the images in such a way as to create a single imaginary film: the impossible love story of Efraín and Alicia that traces the convulsive first half of the twentieth century in Colombia. Compiled by the late Luis Ospina and finished posthumously by Jeronimo Atehortúa.
El Perro, a kidnapped soldier, takes advantage of a confrontation between his captors and the paramilitaries to escape. In his escape, he takes refuge in the house of a peasant family that keeps a dark secret that he must solve to be free.
During the marijuana bonanza, a violent decade that saw the origins of drug trafficking in Colombia, Rapayet and his indigenous family get involved in a war to control the business that ends up destroying their lives and their culture.
In 1945, in the train station of Bogota, Colombia, a dead girl is found in a trunk. The case is assigned to Detective Mariano Corzo, he has to deal with an inquisitive journalist Hipólito Mosquera while trying to solve the mysterious case. Nobody knows who the girl is, or who put her in the trunk. The things turn bad when Mosquera publish the news in the local newspaper. With the help of a bartender Martina Quijano, Corzo will find an answer for the question: Who killed the girl and why?
An intimate and personal reflection on the conditions of work in the 21st century, seen through the eyes of a bike delivery person. From nostalgia to frustration with Swedish punk running in the background, this film immerses us in the universe of one of many workers in the so called gig economy.
A young Colombian man receives a voice message from home while grappling with cultural differences at a London dinner party with his new English girlfriend.
A Colombian actress named Zahinabu is finally having her first audition in New York, for a Latina role. It could be the opportunity that she has been waiting for since she arrived to US. But the audition takes a different direction when the casting group needs to consider the great audition from this Latina woman who doesn't look like a "latina".
Abandoned for two decades in the Colombian Andes, La Cumbre is an intimate portrait of the film-maker’s home told through the memories and presence of his grandparents, reflecting on the time they spent there with their family.
María tells the tragic love story of María, a beautiful young woman, and her half brother Efraín, a handsome young man from Valle del Cauca. They both fall in love and live their romance on the farm "El Paraíso", in Valle del Cauca, but not everything is rosy, since Efraín must go to Bogotá because of study reasons leaving María with pain in her soul. Some time later, María becomes ill and Emma tells her brother about the situation.
Jella and her husband, Klaus, have moved to the other side of Germany to be close to their three grown children. Jella longs for the rich family life she once had; the children, however, have other priorities.
A stage actor's turn as GDR leader Erich Honecker inspires an outlandish scheme to keep his daughter safe during the Leipzig protests of 1989.
Three couples in Vienna have children at around the same time. They're all in their mid-30s, successful, cool and live in a popular part of town. As idealistic as they are materialistic, they grow tomatoes on the balcony, drink locally roasted coffee and expensive cocktails and would never buy an electronic device sporting a half-eaten apple. And they're absolutely certain that you can have children without becoming bourgeois. But the reality tells a different story. Between career and kindergarten, Apple and alternative lifestyles, the satire plays cleverly with hipster clichés and mercilessly points up the gap between the old self-image and the new bourgeoisie.
The branch of a bank in a small town is in bankruptcy. To regain the trust of the people, they offer the town's priest the position of Bank Manager, who in turn, begins to carry out all kinds of loans and social aid to the people.
Five orphans, five friends. They grow up together, still good friends, and travel to Thailand, where a witch doctor has invented a brew which returns one to childhood permanently. Robberts attack and force the five to test the brew. Rescue comes after four of them have shrunk into child sizes, leaving Bo the only adult. The doctor forgets how to reverse the process and the quintet return to Hong Kong. Teacher Wong takes the four children into a primary school.
The two Cheng sisters leave war-torn Shanghai for Hong Kong. They take on another guest along the way, and move in with their cousin in Hong Kong, now a close unit of four friends. Through highs and lows, they all learn to live with each other.
Self-deprecating comic Sofía Niño de Rivera puts her sarcasm on full display in this stand-up special filmed live at Guadalajara's Degollado Theater.
There has been an increase in movies falling in the genre of Indian-hinglish movies that are being made by young Indian directors who want to express their creativity through the medium of films. The making of such films bring a freshness to the Indian movie scene. That said, some of them lack a strong storyline and this happens to be failing of this "Freaky Chakra" too. "Freaky Chakra" is the story of a lady and the vicious circle of life that she leads.
Taiwanese horror comedy
Stand-up veteran Deon Cole dazzles the crowd with his sharp jokes and easy charm in his first hour-long special. He pontificates on subjects ranging from the endless uses for plastic bags to how he knows he's aging to why we'll never have another black president. Cole's observations about race, society, and everyday life are often absurd and always intelligent.