The World in Our Hands

Marcel Theroux investigates the Russian art scene and the multi-millionaires who are acquiring the works of art.

Podkarpatská rusínska maliarska škola

Kunst aus dem Todeslager

Poème Électronique is an 8-minute piece of electronic music by composer Edgard Varèse, written for the Philips Pavilion at the 1958 Brussels World’s Fair. The Philips corporation commissioned Le Corbusier to design the pavilion, which was intended as a showcase of their engineering progress. The pavilion was shaped like a stomach, with a narrow entrance and exit on either side of a large central space. As the audience entered and exited the pavilion, the electronic composition Concret PH by Iannis Xenakis (who also acted as Le Corbusier's architectural assistant for the pavilion's design) was heard. Poème électronique was synchronized to a film of black and white photographs selected by Le Corbusier which touched on vague themes of human existence.

A man and a woman relive moments of their lives transfigured on the landscape of a beach. Past, present and future merge in the cadence of the waters, which come and go revolving memories and old silences. So the characters go through a sort of trail of desire, leading the edge of the abyss of themselves, where all days born and die, the horizon of all passes, all eventides.

This refreshingly frank and impartial study of the discovery and development of the notorious hallucinogenic drug is notably free of moral judgmental, and features contributions from such legendary heroes of psychedelia as Albert Hoffman - the Swiss scientist who discovered the drug - Aldous Huxley - author of 'The Doors of Perception' - Ken Kesey - author of 'One Flew Over the Cuckoo's Nest.

The story of a young, gay, black, con artist who, posing as the son of Sidney Poitier, cunningly maneuvers his way into the lives of a white, upper-class New York family.

A portrait of the painters Edgard Tytgat, Albert Dasnoy, Jean Brusselmans, and Paul Delvaux. Under the eye of the camera, the artists present a large glass panel depicting the four seasons representing a stage in human life (adapted from Wikipedia)

A man of the cloth finds his faith challenged both by the death of one of his closest relatives and the aftermath of the crime in this thriller. When a man is murdered under mysterious circumstances, his brother, a Catholic priest (Richard Grieco), decides to start his own investigation with the help of his uncle, a detective, in hopes of tracking down the killer.

An unconventional portrait of painter Frida Kahlo and photographer Tina Modotti. Simple in style but complex in its analysis, it explores the divergent themes and styles of two contemporary and radical women artists working in the upheaval of the aftermath of the Mexican Revolution.

A non-glamorous portrayal of the lives of people who make their living at a strip club.

CREMASTER 4 (1994) adheres most closely to the project's biological model. This penultimate episode describes the system's onward rush toward descension despite its resistance to division. The logo for this chapter is the Manx triskelion - three identical armored legs revolving around a central axis. Set on the Isle of Man, the film absorbs the island's folklore ...

Two runaway, gun-obsessed, outlaw lovers are given a task to kill two political figures in the midst of a civil revolution outside the walls where these characters are trapped, waiting for the phone call to give them a sense of purpose

Marjetka is living ten years with Maks, who is a painter, and an uncompromising conceptual artist. At first, it seemed different: Max was witty, charming, talented and promising, so he hired Marjetka to reach fame and success. "Well, it is funny today, but fame and money is not coming out of nowhere". The film has a poet, Srecko, Max's mother, an opera singer, and Vilma, Marjetka's friend. In short, the artists themselves, or as Max says from his point of view: "Slovenian - Country artists". And when Marjetka a few days after her 30th birthday, full of doubts about this way of life, which is not to her liking, she realizes that Maks is not only an irreversible bohemian, but also a slacker and sarcastic, she decides to change her life. And this is very radical. Rather than leave it to him.

In this farewell letter to Ana (aka Anorexia), I reveal the suffering associated with this illness. I sincerely express my deep desire to regain my freedom and vitality by sharing not only my progress but also my relapses. Through the interweaving of drawings and poetry, I share this quest for reconstruction, which I hope will help raise awareness of this mental illness and bring a little hope to people affected by it and those around them.

Johnny Minotaur is a lyrical explosion of taboos: incest, intergenerational desire, pansexuality and autoeroticism are a few of the issues Charles Henri Ford grapples with through mythopoeic, sensual imagery, recitations of his diaries and a philosophical debate featuring an impressive narration by such artists as Salvador Dali, Allen Ginsberg, Warren Sonbert and Lynne Tillman.

Sola

Larry Wessel invites you to explore the phantasmagorical worlds created by a variety of artists, writers, photographers, musicians and collectors.

A portrait of the day-to-day operations of the National Gallery of London, that reveals the role of the employees and the experiences of the Gallery's visitors. The film portrays the role of the curators and conservators; the education, scientific, and conservation departments; and the audience of all kinds of people who come to experience it.

A walk through the career of French filmmaker André Téchiné, from his own point of view and that of those who worked with him: Catherine Deneuve, Daniel Auteuil, Emmanuelle Béart, Juliette Binoche and Sandrine Kiberlain, among others.