The Killers: Imploding the Mirage - Apple Music Film

Compelling performance of long notes on the traditional Bangladeshi harmonium and shehnais — instruments on the brink of disappearance in contemporary society.

A lyrical recreation of Lightnin’ Hopkins’ decision at age eight to stop chopping cotton and start singing for a living. Preserved by the Academy Film Archive in 2013.

An older woman sits before a telephone in an empty house. Her daughters have flown the nest. As she prepares to phone them, their memory is brought back to life

Live at Tavastia Club in Helsinki, Finland, 23 November, 2002 - LIVE: 01. Crashing High 02. Angel On My Shoulder 03. Forever More 04. Gothic Girl 05. Velvet Touch 06. Don t Turn Your Back On Fear 07. Stolen Season 08. Sleeping With Lions 09. Betty Blue 10. Radical 11. Still Waters Run Deep 12. The Chair 13. Wasting The Dawn 14. Dance D Amour 15. Framed In Blood 16. Stigmata 17. Brandon Lee PROMO VIDEOS: 01. Betty Blue 02. Dance D Amour 03. The Chair 04. Brandon Lee 05. Gothic Girl 06. Wasting The Dawn 07. Call Me 08. Mr. Pain BONUS: * Beyond The Dawn (Director s Cuts by Sökö Kaukoranta) * From Russia With Goth (The 69 Eyes In Moscow, March 2003) * The 69 Eyes Over Germany (Photo Gallery) * Interviews With The Vampires * Discography

A look at Depeche Mode's final moments of their 2017 Global Spirit Tour, featuring intimate stories from select fans.

To save his ailing sister, an unlikely hero must journey afar to pluck a feather from the mighty Gryphon in this animated parody of the classic fairy tale.

Music by Byron Westbrook, 16mm film by Paul Clipson.

Great soprano Leontyne Price attempts to maintain her composure on stage as she receives adoration from her audience at her 1985 farewell opera.

Biopic filmed in a single shot about the Majorcan musician Juanjo Monserrat.

Keratin is a collaboration with the London Sinfionetta, visually responding to Gavin Higgins' Seven Welsh Folk Songs: I. Dacw 'Nghariad i. The film tells the journey of a mating of elements, two bodies grieve over a lost third: a child separated from their womb. The three bodies bound by their keratin, regain connection in a wombic journey which spiritually networks the three into a fused collective body.

This bonus DVD from "Streets: A Rock Opera. Narrated Version" contains every Savatage music video from 1987 to 1995.

In 1983, film student Rich Murray was handed $20,000 in a brown paper bag by a mobster. The money was for directing his first music video for a virtually unknown Philly rocker named Alan Mann. Mann's song "Christmas on the Block" became a Philly radio staple and Murray's music video, against the odds, became the first indie video to play on MTV. This experience, tainted by Mann's tragic passing, remained with Murray through the years. With "Fear of Heights," Murray travels back to that time to answer some nagging questions and to illuminate the dark, mysterious life and music of Alan Mann.

As years and years go by, a tiny civilization makes its way upwards.

A pizza delivery man is constantly late for work. His boss gives him one last chance to keep his job. When he arrives at the delivery address, he meets his ultimate idol, the rock star Charly Dopamine and his girlfriend Lucy.

“And, 'twixt the shadows and frights of nocturnal splendors, My beloved will secretly be hiding. Say what you will, say what you may.” The sound of a distant whistle and theorbo calls a sleeping singer through the empty streets of Stuttgart in a midnight journey to the opera house. ‘dei notturni splendori’ is an experimental opera film made for the Staatsoper Stuttgart in the early months of the Coronavirus pandemic lockdown. Anderson Matthew captures the singer Helene Schneiderman through a midnight dream with a hand-cranked kino camera in an ecstatic 35mm photo roman, in search for her own performance of the Tarquinio Merula madrigal Folle é ben chi se crede from 1638.

A radio salesman gets knocked out by a golf ball and dreams he's in the desert where he sells radios to sheiks.

As one of Belgrade’s last DIY anti-nationalist spaces faces closure, its community gathers for a final night — a farewell that becomes a quiet act of resistance.

The Yacht Club Boys sing at a private party for George Mellon and his daughter. There are four of them, one of whom plays the piano, two play the guitar, and fourth plays the violin.

On a summer day in the 1950s, a native girl watches the countryside go by from the backseat of a car. A woman at her kitchen table sings a lullaby in her Cree language. When the girl arrives at her destination, she undergoes a transformation that will turn the woman’s gentle voice into a howl of anger and pain.

In a bland, utilitarian world of order, one worker finds his inner jazz