Norodom Sihanouk, King and Film-maker

CAMBODIA: THE PRINCE AND THE PROPHECY explores the years of Prince Norodom Sihanouk’s rule, his juggling for peace, his charisma and contradictions. Following the Prince’s overthrow in 1970, the film traces Cambodia’s destruction during the five years of war before Pol Pot’s Khmer Rouge came to power and launched their revolution… As a central theme, the film and its sequel CAMBODIA/KAMPUCHEA feature exclusive interviews with Prince Sihanouk, and focus on his pivotal role in shaping Cambodia’s fate.

CAMBODIA/KAMPUCHEA draws on unique propaganda film and archival material from the Khmer Rouge, Vietnam and other sources. This is set against the grim realities of the Kampuchean tragedy. As a continuing theme, the film features exclusive interviews with Prince Sihanouk, who offers explanations for and insights into the role he has played in the fate of his luckless country. This definitive film study delves to the roots of the conflict, making sense of the madness, the politics and contradictions. It captures the epic spirit and passions of a people when a whole world is overturned.

It's Seattle 2006: A refugee teenager from Cambodia begins recording a video diary early in the summer to explain the meaning of "thug life." But ultimately his summer is defined by tragedy. Awarded Best Documentary at the DC Asian Pacific American Film Festival 2019

Through daily routines in a rural village, an indigenous elder couple recall their strange marriage to their grand-daughter, and sometimes to each other, in the changing rhythm of nature around them.

During the last half-century, Cambodia has witnessed genocide, decades of war and the collapse of social order. Now, documentary filmmaker Rithy Panh looks at an irreparable tragedy that is less visible, yet no less pervasive: the spiritual death that results when young women are forced into prostitution. Angry and impassioned, PAPER CANNOT WRAP UP EMBERS presents the searing stories of poor Asian women whose lives were violated and their destinies destroyed when their bodies were turned into items of sexual commerce.

Documentary about Cambodia featuring a long interview with Pol Pot

Documentary of the S-21 genocide prison in Phnom Penh with interviews of prisoners and guards. On the search for reasons why this could have happened.

Short documentary on the Cambodian Handicraft Association which trains and supports women who have been affected by polio, landmine injuries, deafness or mental trauma.

Les Pépites

This is the original version of the much heralded "Raising The Bamboo Curtain" narrated and produced by legendary travel filmmaker Rick Ray. (Rick later sold partial rights to this program to another producer who hired Martin Sheen to narrate - that cut down and rewritten version is not the same). Sneaking his cameras past Burmese and Cambodian customs officials and getting around the country to produce one of the best travel docs ever made, Rick has outdone himself - again!

Mirr

Der vergessene Tempel von Banteay Chhmar

À la Poursuite des Pilleurs de Temples

The film directed by V. Starošas tells about Angkor, a huge complex of temples, palaces, water reservoirs and canals in Cambodia, built in the jungle in the 9th-13th centuries.

Two Dutch lawyers, Michiel Pestman and Victor Koppe, travel to Cambodia in 2011 to defend Nuon Chea in an international tribunal. Nuon Chea, also known as Brother No. 2, was the second man after Pol Pot in the Khmer Rouge regime. He is being charged with mass murder and crimes against humanity. For four years, the documentary follows the lawyers in their attempt to give this man a fair trial, but the UN tribunal is beset by local interests and a government which consists partly of other former members of the Khmer Rouge who would really like all of the blame to rest solely on the defendant. What should've been the crowning achievement in the careers of the lawyers turns out very different.

Over three million Cambodians died in the genocide between 1975 and 1979. The Khmer Rouge’s reign of terror also decimated a homegrown film industry that had flourished since 1960: movie theaters were bombed, film prints were destroyed and artists were executed. In Golden Slumbers, French-Cambodian filmmaker Davy Chou mourns this loss of lives and culture, but balances the somber material with a playfulness that honors the lush melodramas and mythic adventures of the glory years.

Narratives of Modern Genocide challenges the audience to experience first-person accounts of survivors of genocide. Sichan Siv and Gilbert Tuhabonye share how they escaped the killing fields of Cambodia, and the massacre of school children in Burundi. Mixing haunting animation, and expert context the film confronts our notion that the holocaust was the last genocide.

A powerful feature documentary about child sexploitation, an epidemic happening in every country around the world. Filmed over a four year period, REDLIGHT focuses on the personal stories of young Cambodian victims and two remarkable advocates for change: grass-roots activist Somaly Mam and politician Mu Sochua. Using gritty footage smuggled out of brothels and harrowing testimonials, REDLIGHT follows the plight of several current and former child sex slaves. Some are trying to regain entry into Cambodian society to find some semblance of normality after their horrific experiences. Other stories highlight the plight of victims who are attempting to bring the perpetrators to justice. Their torturous yet ultimately heroic battles to find witnesses and take brothel owners to court are dramatically brought to life in this topical and moving feature documentary.

This documentary looks at the stories that take place around a unique 1.5 kilometre long bamboo bridge that for generations has been built every year following the rhythms of nature across the Mekong River to join the rural community of Koh Paen to the city of Kampong Cham in Cambodia.

In okay bye-bye, so named for what Cambodian children shouted to the U.S. ambassador in 1975 as he took the last helicopter out of Phnom Phenh in advance of the Khmer Rouge, Rebecca Baron explores the relationship of history to memory. She questions whether, "image and memory can occupy the same space." Building on excerpts from letters, found super-8 footage of an unidentified Cambodian man, iconographic photographs from the Vietnam War and other partial images, Baron combines epistolary narrative, memoir, journalism, and official histories to question whether something as monumental as the genocidal slaughter of Cambodians during the Pol Pot regime can be examined effectively with traditional methodologies.