Gritando!

Four singing girls accidentally come to sing, but they realize it's a funeral. As girls then begin to see the weight of life and death, which means goodbye, and they began to sing a melody of mourning, then they discover that death is not necessarily associated with something sad, hence from that arises a Idea of creating a band to sing at funerals, sing musics that the dead liked.

A documentary that follows a middle-aged Azorean record obsessive who has lost the vinyl collection of his youth, and so seeks to reconnect with it through talking with the fellow island collectors he grew up with about the music scene of their wilder years.

Filmed on location at the O2 World in Berlin on November 25th and 27th 2013 during the band’s extremely successful Delta Machine Tour, which saw them play to over 2.4 million people in 32 countries. The concert not only includes performances of tracks from Delta Machine but also some of their most memorable and biggest hits including “Personal Jesus” and “Enjoy the Silence”.

Featuring legendary recording engineer Steve Albini, 'Document: A film about Malojian' captures the energy of a band at the top of their game, as they rush to complete their third album, "This is Nowhere", in just four days.

Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.

A feature-length documentary about The Smashing Pumpkins, which chronicles the band's residencies at The Orange Peel in Asheville and The Fillmore in San Francisco in summer 2007. The documentary covers Pumpkins frontman Billy Corgan's attempts to write and debut new music at the residencies, as well as the revival of the band with new members.

The band Fugazi is documented over a period of more than ten years (1987-1998) through performance footage and interviews with the band and their fans. Director Jem Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.

Rude Boy is a semi-documentary, part character study, part 'rockumentary', featuring a British punk band, The Clash. The script includes the story of a fictional fan juxtposed with actual public events of the day, including political demonstrations and Clash concerts.

"Touring makes you crazy," Frank Zappa says, explaining that the idea for this film came to him while the Mothers of Invention were touring. The story, interspersed with performances by the Mothers and the Royal Symphony Orchestra, is a tale of life on the road. The band members' main concerns are the search for groupies and the desire to get paid.

A documentary that follows a new piece of legislation on its way to Capitol Hill. The Internet Community Port Act, also known as CP80 or Community Port 80, asks that adult content be placed on separate channels (ports) on the Internet so that parents can keep it out of their homes and schools. What ensues is a ferocious debate between parents, pornographers, doctors, technologists, addicts, business owners and children. But one voice is missing: our political leaders.

Promoting his 2001 jazz covers album 'Swing When You're Winning', English pop rock singer Robbie Williams fronts a 58-piece big band for a live show of crooner standards at the Royal Albert Hall in London on October 10, 2001.

Filmed for television at the legendary SO36 Club in Berlin, 1983.

A "best of" compilation of live clips of various ASSJACK shows taped live at Alley Katz in Richmond, VA from 2003 - 2006 and clips of 1 show from May 2005 at Bluecats in Knoxville, TN. Special cameos by Dancing Outlaw Jesco White, Randy Blythe from Lamb of God and Chris Arp from Psyopus.

A trio of female soul singers cross over to the pop charts in the early 1960s, facing their own personal struggles along the way.

This patriotic wartime short showcases the service bands of the U.S. Army, Army Air Force, Marines, and Navy.

A vacuum repairman moonlights as a street musician and hopes for his big break. One day a Czech immigrant, who earns a living selling flowers, approaches him with the news that she is also an aspiring singer-songwriter. The pair decide to collaborate, and the songs that they compose reflect the story of their blossoming love.

In the Swedish city of Lethe, people from different walks of life take part in a series of short, deadpan vignettes that rush past. Some are just seconds long, none longer than a couple of minutes. A young woman remembers a fantasy honeymoon with a rock guitarist. A man awakes from a dream about bomber planes. A businessman boasts about success while being robbed by a pickpocket, and so on. The absurdist collection is accompanied by Dixieland jazz and similar music.

The year is 1981, the German New Wave is at the peak. Harry, otherwise Sparkasse trainee, wants to make it big as a manager of the band of his friends, Apollo Schwabing. He has booked the band as the opening act for a concert where the group DAF are the headliners.

Jake Blues, just released from prison, puts his old band back together to save the Catholic home where he and his brother Elwood were raised.

A Pennsylvania band scores a hit in 1964 and rides the star-making machinery as long as it can, with lots of help from its manager. But behind the scenes, the group’s sudden fame tests their strength, their maturity and responsibility, and their ability to resist the temptations that money and notoriety always make possible.