Over one thousand people have been charged with storming the United States Capitol on January 6, 2021, as part of a widely televised insurrection attempt. Approximately 15% of them worked as police or military personnel. This staggering statistic begs an important question: how can a service member who took an oath to protect the country’s democracy do something that puts that very democracy in jeopardy?
The murder of Dutch filmmaker Theo van Gogh by an Islamic extremist in 2004, followed by the publishing of twelve satirical cartoons depicting the prophet Mohammed that was commissioned for the Danish newspaper Jyllands-Posten, provides the incendiary framework for Daniel Leconte's provocative documentary, It's Hard Being Loved by Jerks.
A film about borders and border checkpoints, poetically following the people that come into contact with them - one way or another. Borders is about men and women dreaming of a better life in Europe and the high price they often have to pay for it - if they succeed at all. Without taking an immediate moral stance, the film follows the route that many immigrants take from the heart of Africa to the centre of Europe, stopping at each border: Nigeria, Niger, Burkina Faso, Mali, Senegal , Mauritania, Morocco, Spain, France, Belgium, and finally, the Netherlands.
As thousands of migrants attempt to cross the French-Italian border on foot through treacherous mountain routes, the state cracks down on the local communities that come to their aid in this revealing look at an unfolding human rights crisis.
With unfettered access, the film follows Baltimore's idealistic young mayor into office, where he puts his personal and political future on the line to save his beloved city from chronic violence.
Crump's mission to raise the value of Black life as the civil lawyer for the families of George Floyd, Breonna Taylor, Black farmers and banking while Black victims, Crump challenges America to come to terms with what it owes his clients.
In a cluttered news landscape dominated by men, emerges India’s only newspaper run by Dalit women. Armed with smartphones, Chief Reporter Meera and her journalists break traditions on the frontlines of India’s biggest issues and within the confines of their own homes, redefining what it means to be powerful.
Doaa el-Adl, the first woman to be awarded the esteemed Journalistic Distinction in Caricature, serves as a catalyst for transformation within the predominantly male-dominated realm of Egyptian political cartoonists. Challenging patriarchal norms, she routinely confronts censorship, harassment, and even threats to her life. In a remarkable fusion of documentary, cartoons, and animation, Egyptian director Nada Riyadh breathes life into el-Adl's most renowned works. This dynamic and fearless presentation delves into the issue of violence against women, stretching the boundaries of freedom of speech in a society often characterized by restrictions. Through her exceptional talent, el-Adl not only champions women's rights but also serves as an inspiration for societal change.
A cheap, powerful drug emerges during a recession, igniting a moral panic fueled by racism. Explore the complex history of crack in the 1980s.
A documentary following the civil rights movement and how the media, in particular the burgeoning TV, was used to fight for equality in the 1960s. From Selma to Charlottesville, we also see how modern activists use today's technology to continue fighting injustice today.
A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.
In 1962, a U.S. soldier sent to guard the peace in South Korea deserted his unit, walked across the most heavily fortified area on earth and defected to the Cold War enemy, the communist state of North Korea. He became a star of the North Korean propaganda machine, but then disappeared from the face of the earth. Now, after 45 years, the story of James Dresnok, the last American defector in North Korea, is being told for the first time. Crossing the Line follows Dresnok as he recalls his childhood, desertion, and life in the DPRK.
The story of those Italian women who, for eighty years, have fought against power in all its forms.
The detailed timeline of events surrounding the deadly siege of the U.S. Capitol and violence in Washington, D.C. on January 6, 2021.
Shedding new light on a geopolitical hot spot, the film — written and produced by John Maggio and narrated by Korean-American actor John Cho — confronts the myth of the “Forgotten War,” documenting the post-1953 conflict and global consequences.
Guy Debord's analysis of a consumer society.
Tobacco, climate change, pesticides,... Never has scientific knowledge seemed so vast, detailed and shared. And yet it appears to be increasingly challenged. It is no longer surprising to see private corporations put strategies in place to confuse the public debate and paralyze political decision-making. Overwhelmed by excess of information, how can we, as citizens, sort out fact from fiction? One by one, this film dismantles the workings of this clever manoeuvre that aims to turn science against itself. Thanks to declassified archives, graphic animations and testimonies from experts, lobbyists and politicians, this investigation plunges us into the science of doubt. Along with a team of experts (philosophers, economists, cognitive scientists, political men, or even agnotologists), we explore concrete examples of doubt making and try to understand the whole process and the issues behind it.
Russia, China and Iran: three former empires are determined to take their revenge and reassert their power after centuries of humiliation. Since the start of the war in Ukraine, they have never been so aligned on the international stage. Their common goal: to put an end to Western hegemony, restore their zone of influence and propose a new model of society. To achieve this, they are waging a hybrid war against the democracies: military, technological, economic, informational and ideological. Are they on the verge of joining forces to create a new world order?
PUBLIC ENEMY NUMBER ONE looks at the war on drugs from 1968 until today and looks at trigger points in history that took cannabis from being a somewhat benign criminal activity into a self-perpetuating constantly expanding policy disaster.
First Defence