Abraham Obama

The third and final episode of the Dirty Handz trilogy was released in 2006, but all events took place before 2001. This video symbolises the culmination of the controversial activity of the graffiti artists through a retrospective look at the actors. The film is entirely made by members of the SDK crew and follows a European tour of one of their members, tired of the monotony of the Parisian environment. There is an analysis of the different operational techniques writers use in each country.

Blind Skateboard's 2nd video since the release of the 1991 film "Video Days"

The journey continues, and once again the target is Stockholm city… The 2nd episode of Area 08 features many whole trains and live backjumps from Stockholm, Sweden. There's a lot of tagging and painting of trains and metros from WUFC-SDK, PMS, FAME, HNR. The style and a soundtrack were inspired at the time by the famous Dirty Handz 2.

C1RCA Footwear presents it's full length video with team members Adrian Lopez, Jon Allie, Colt Cannon, Peter Ramondetta, and others.

Documenting Graffiti culture in a basketball court in the Bronx. The filmmaker was accompanied by Martin Wong who said, "bring your camera". The Graffiti Hall of Fame is the result.

Docudrama about a young graffiti artist in suburban Saint Petersburg, Russia

In the aftermath of war-torn Borodyanka, Ukraine, powerful murals by renowned street artists Banksy and C215 appear on the war-damaged buildings, inspiring a group of young Italian restorers to preserve these symbols of hope and resilience, that represent the transformative power of art.

A documentary about a case of police brutality in the 80's NYC, the killing of graffiti artist Michael Stewart

Director Deborah Faraone Mennella followed street artist Judith de Leeuw (JDL) for one year, during her life in the Netherlands and during the creation process 'Love is Stronger Than Death' in the Italian city of Taranto. You can see in a spectacular way how the 30-meter mural was created. common social issues are leading in JDL's designs. This time, however, it is the death of her father that plays a central role.

"In this half-hour documentary, Producer Sandra King provides an intimate portrait of a public phenomenon: Graffiti. Over an 18 month period, King and her crew followed the teenage members of a graffiti 'crew,' Vandals on the Street, as they painted and rapped and moved through the streets of downtown Newark. What emerges is a unique glimpse behind the 'tags' at the kind of inner city kids who write on walls, but who also make art; who create out of wedlock children, but who also form binding relationships; who drop out of school and never read a book, but who create their own brand of poetry through the medium of 'rap.'

Save the Street

Tony Silver and Henry Chalfant's PBS documentary tracks the rise and fall of subway graffiti in New York in the late 1970s and early 1980s.

For three decades already a subculture marks the face of the capital. A purpose in life for those who write their names on rooftops, trains, bridges and houses. For others juvenile, delinquency or simply an eyesore.

"The Pitch" takes a look at the world of international street performing buskers to find out why these men and women have chosen to "pass the hat" to make a living, along with the challenges they face.

Criminal Minded: Live at the Crime Scene

Through interviews and guerilla footage of graffiti writers in action on five continents, the documentary tells the story of graffiti from its origins in prehistoric cave paintings thru its notorious explosion in New York City during the 70’s and 80’s, then follows the flames as they paint the globe.

Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.

The first Venezuelan graffiti documentary featuring the participation of the most important writers of national graffiti, either by style, quantity, quality, technique and their experience or the places where they write, these writers have set a milestone in what graffiti is today in Venezuela. In the graffiti: respect, strategy, intelligence, experience, agility, skill, boldness, competition, secrecy and illegality are key and determining issues captured in this documentary. Pinto con lata takes place in the Gran Caracas, and records the graffiti movement during the years 2008-2011. Gran Caracas and its contrast, its nights, its harshness, its people and graffiti are the main protagonists.

Buenos Aires is a complex, chaotic city. It has European style and a Latin American heart. It has oscillated between dictatorship and democracy for over a century, and its citizens have faced brutal oppression and economic disaster. Throughout all this, successive generations of activists and artists have taken to the streets of this city to express themselves through art. This has given the walls a powerful and symbolic role: they have become the city’s voice. This tradition of expression in public space, of art and activism interweaving, has made the streets of Buenos Aires into a riot of colour and communication, giving the world a lesson in how to make resistance beautiful.

Two writers in Lisbon talk about what it means to be a woman in graffiti world where the survival of the fittest is prevailed and it's difficult to be accepted.