The Mad Masters

A cinematic haiku by Chris Marker.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Experimental film directed by Dmitry Frolov, shot in the midst of perestroika in the USSR. February 1991. Starring the drummer for the MEANTRAITORS Vladislav Lyashchuk - a very peculiar musician played without bass drums and Toms.

Narrates in a poetic way the mystical connection that exists between the inhabitants of the pueblan Mixteca and water.

A tour of the canyons of the Teolocholco community through the memories of the elderly.

Don Andrés has dedicated most of his life to the creation of paintings with seeds, a craft considered intangible cultural heritage of Tlaxcala.

The role of African Americans in the recovery years of the Great Depression is the subject of this informational short, which offers an idealized depiction of life in a segregated society. The highlight, by far, is rare footage of Orson Welles’s “Voodoo Macbeth,” produced in 1935 for the New York Negro Unit of the WPA’s Federal Theatre Project.

A still, highly overexposed shot of a car bridge and the river below. A cinematic haiku by Chris Marker.

A cinematic haiku by Chris Marker.

At 96 years old, Magician Mr. Delhi lives for the love of magic and his wife. For him, magic means the only link with reality and he will fight against time and the difficulties of old age to continue surprising curious eyes hungry for illusion.

The making of the hoax film Miracles of Evolution.

This Pixar documentary short follows Sarah Vowell, who plays herself as the title character, on why she is a superhero in her own way. (This short piece is included on the 2-Disc DVD for "The Incredibles", which was released in 2005.

Isa and Zoe are eleven years old, they are best friends. Through their video diaries, they tell their perspectives on the transition from childhood to adolescence, the changes they are undergoing and their concerns when they stop being girls to become women.

Calentoso, is a young boy that must transport mules across the mountains. He will be challenged to discover the deep secrets that the summit entails. This film is based on the legend of the ghost of the Ruiz Snow Mountain in the Region of Cumanday in Colombia.

The High Holy Brothers is a documentary on a mysterious Messianic cult formed by peasants who fled the violence of the forties/fifties in Colombia and are admitted to live in the mountains of southern Tolima. Its members dress in sacks, they have their own dialect and regard everything as “Blessed”, minus the right side of the body, which castrated covering it with the “holy coat”. This group rejects all elements of the consumer society, established institutions, the state, church and political parties.

Sicily, Granitola, 1955. At the first light of dawn, the fishermen set out in their boats for open water, timing the rhythm of their oars to murmured chants. They set their nets in the sea, regulate the cords, organize the boats in a square. The men’s work becomes increasingly harder as the tuna are hoisted onto the boats, wriggling, beating their tails until death arrives and the water is tinged with blood.

People destroyed the Ali Akbar Sanati Museum, an Iranian painter and sculptor, and all his works were destroyed. Mordad 28, In 1332, many people were burned alive in the fire of Rex Cinema, 28 years later on the 25th, they repaired The House of History movie. This film is an experimental fiction film, with links to images of the last survivor of the Sanati Museum, namely the sculptures of prisoners in prison, and the voices of the history of Iranian cinema, from the Sasanian era to the Constitution and the Islamic Revolution.

A mockumentary about four people and their idiosyncratic ways of saving the planet.

The story of Ellis Island and the American immigration experience. This film is a tribute to the 18 million men, women and children who made the torturous journey from the Old to the New World between 1890 and 1920, in the single largest migration in human history. The film radically tells the immigrants' stories as they braved the unknown, from the time they left their homelands, their journey across the ocean, to the moment the doors of Ellis Island opened, revealing the great promise of America.

In Mexico, a country where indigenous people are increasingly displaced and discriminated against, Lupita, a survivor of one of the worst massacres in the country’s history, finds her voice in a movement led by indigenous women. The film intimately follows Lupita, a Tzotzil Maya woman, as she takes on the responsibility to be the spokeswoman of her people. Part lyrical testimony, part tribute to 500 years of indigenous resistance, this film mediates the point-of-view of a brave woman who must balance the demands of motherhood with her high stakes choices to reeducate and restore justice to the world.