Babam Katil Değildi

Paket

Sue Gordon, a mountain girl on the Tennessee side of the Cumberlands, lives with her grandmother. When "Granny" dies, Sue--fulfilling Granny's dying wish--goes to Chicago to live with John Peyton, an industrialist who was at one time Sue's mother's fiancé. She finds that Peyton's employees are on strike, and one of the strike's leaders is Peyton's son, Donald, to whom she is becoming increasingly attracted. Complications ensue.

Dearie Lane refuses to marry Fred Millard, whom she loves, because of her previous affair with roué Mark Winfield. When she confesses, Fred forgives her, and they marry and live happily in a modest home until the owner, who turns out to be Winfield, comes to collect a delinquent payment and suddenly dies. Dearie, afraid that the absent Fred will misunderstand, hides the body with the help of a boarder and a cook until midnight when they carry it down the stairs to the countryside, but the creaking of the steps is heard by Fred.

In the early eighteenth century, pirate captain Jean Lafitte fights a rival pirate and wins a treasure and a beautiful female captive. Although the girl offers herself to Lafitte to save her English lover, Lafitte makes him walk the plank. The girl then places a curse on Lafitte and his descendants, preventing them from ever knowing the true love of woman. Two hundred years later, in the West Antilles, painter Paul Winthrop poses Joe, a pearl diver, as a pirate. Upon seeing the completed painting, each envisions the earlier situation. Later, Joe finds the buried treasure and sails to New York, where he learns that the portrait has also attracted wealthy Lily Demorest and her suitor, Robert Spurr, a "financial pirate."

Peter James Slaney, just released from prison, is the only boarder who is kind to Lena, the maid at the cheap Paris Hotel. So that Lena can leave her abusive landlady, Slaney accepts $2,500 from a stranger, who threatens to send Slaney back to prison unless he undertakes a job. Slaney is sent to the home of political boss John Biggs with a sealed envelope which he is to open after entering.

When her husband, struggling lawyer Horace Dillingham, is unable to provide adequate money for her insatiable desire for expensive cherries, Kitty Dillingham goes to work as a stenographer for him. One day while Horace is out of the office, Kitty mistakes Jonas Collamore, a defendant in a divorce suit for whom Horace is acting, for an important client. Kitty agrees to lunch, and, swallowing many maraschino cherries along with their cocktails, becomes drunk. Jonas takes her to a nearby inn where they are followed by Mrs. Collamore's detectives, who then summon Mrs. Collamore and her lawyer Horace.

U.S. Navy Lieutenant George Blenton becomes drunk at an official reception, and his fiancee, Jane Ravenslee, the captain's daughter, breaks their engagement. After war is declared, George, entrusted with a secret code book to deliver to an English admiral, drinks and loses the book which German spies recover. During a private court-martial he is offered a pistol for suicide. After drinking again, he fires a shot, but still lives. Put ashore on the island of Tafofu "to rot," George, hating the U.S., moves in with Lehua, a half-white who tries to wean him from drink.

Iwata, cheerleader of a university, Odagiri, a free lance cameraman, and Sekiguchi, a day laborer working on a subway project. As they pass an area dotted with the villas of affluent people, they decide to stop at one to ask the owner to let them put through a phone call. What they seen when they enter the gate makes them draw in their breaths quickly and causes their pulses to begin to race madly – Miki, a lass whose only claim to fortune are marvelous breasts, cute nipples and a figure even every top model dreams of having...

Бегствующий остров

A girl from a small village goes to the big city to realize her dream of driving trains.

Mibôjin geshuku: Hatsunori

When a recently widowed mother becomes houseless, she convinces her 8-year-old daughter that they are only camping for fun while working to get them off the streets.

In the depths of an ancient forest, something has been growing. Something older than humanity itself, and perhaps greater too. When a park ranger discovers a man and his son living wild, she stumbles onto a secret that is about to change the world.

A retrospective of events in director Louis van Gasteren’s life from 1964 to 1969, filmed by him in that period and reflected on from his vantage point over 40 years later at the age of 90.

A 1995 Filipino youth-oriented film starring Ruby Rodriguez, Beth Tamayo, Giselle Sanchez, Joan Pascual, and Sharmaine Suarez.

When Huda gets released after killing her traitorous husband, it angers his father, Abdul Qawi who fights to prevent her from having custody of her child. Ahmed the lawyer sympathies with her and they get married while Abdul Qawi wants to avenge them.

Liz and Andrew are on their anniversary trip in Hawaii when Liz wakes up to discover her husband missing and evidence of an invasion all around her. But with no witnesses, she's immediately labeled the prime suspect. Without any help from the system that failed her, Liz must solve the crime herself with the possibility that her husband may still be alive.

A young woman goes on an anonymous journey to her late husband's hometown Leshan, a small city in Sichuan province. There, she meets an old friend, a local theatre actress preparing for an adaptation of Bertolt Brecht's The Good Person of Szechwan (Sichuan). In a home-place unfamiliar, the traveling woman meets the imaginary. Ghosted by Shen Te the protagonist of the play, the actress loses the self at the intersection between fiction and reality. Unprepared, the filmmaker loses control of her camera. Together, they drift into a polyrhythmic experience of stasis.

A Kawa Ijen sulfur miner finds his routine radically altered the moment his wife goes away. He enters then a time loop that transforms his reality as his beliefs move from animism to Islam and capitalism. In a hybridization between ethnofiction and documentary, the film questions the myth of progress and explores the relationship with the otherness in the neocolonial reality of the South Seas
.

Rural United States and modern urban Mexico meet in this tale of restlessness, secrets, and a very promising southward journey to reunite a family ruptured by a brutal tragedy.