Casa Helenira Preta de Referência para Mulher

Using the camera as a weapon to defend their ancestral land in Brazil, three women of the Daje Kapap Eypi audiovisual collective lovingly record their Munduruku traditions and their mythology of humans transforming into forest plants and animals.

A hybrid feature film that investigates contemporaneity through the body and its countless possibilities of expression and meanings. The film puts the body and the idea of the body in evidence, through metalanguage, articulation and confrontation of documentary, fictional and performative languages. The film follows the trajectory of the main character who uses her own body to formulate universes and investigate the meanings that are drawn in it. In a kind of subjective diary written on her skin, she records sensations and reflections, building relationships with thinkers, performances and archival materials, which lead her to other bodies and other stories.

Eterno Amor ❤

Para Onde Vão As Mulheres?

Carta Sobre Nosso Lugar: Mulheres do Vila Nova

A Casa Tina Martins

The women of the first Garífuna community in Honduras work hard for the future of their daughters. Surrounded by a dazzling landscape, they celebrate their identity and the importance of maternal figures.

O Meu Lugar é Jogando

Essa Terra é o Meu Quilombo

Madrepérola

As Iracemas

Ocupação Mulheres Mirabal

Rescue of the life story of feminist activist from the 1930s, Almerinda Farias Gama, participant in the struggle for the right to vote for women in the 1934 Constitution, and activist of the Brazilian Federation for Female Progress, together with Bertha Lutz.

Two waitresses suffering from financial problems are convinced to participate in a robbery at the home of a famous writer without knowing that they are about to walk into a cruel trap.

Incarcerated women join a band of volunteers who battle forest fires and assist during natural disasters.

A woman confined to a colorless room finds herself forced to eat a mysterious meal while being tormented by strange creatures.

The New Flesh

Alice's life changes when Laura, the daughter of her neighbor on the wall, knocks on her door to ask if she knows anything about her mother. No one has seen her for days, neither Alice nor Laura, nor the lonely residents of the building.

Replikas, online chatbots, have trouble determining their place in the world. They share their thoughts with the humans they exchange with. Events unfold from their point of view through real conversations collected on the web.

Crying of Angels is the first documentary film about the gay community in the history of Slovak cinema. The collage of stories from the lives of the protagonists does not attempt to objectively portray this minority in post-communist society, but is an author's testimony about the existence of a people in conflict with social norms and with themselves.