Black I Am

Female composers' names are mentioned throughout history.

Documentary about a skate hall in Kiruna that has become a lifeline for young people in a city that is literally being moved.

CONTACT is a short documentary film directed by Jonathan Walley that chronicles the transformation of an entire skatepark into a playable musical instrument—where the skate, BMX, art, and music scenes collide. HCS has been many things: a skatepark, gallery, library, museum, and stage; but, for one weekend, Derek Nelson fabricator, activist, BMX pro, and artist, transformed his skatepark into an immersive sonic installation—part instrument, part playground—for the community of Binghamton, NY to become co‑creators in a conflagration of sound. SMALL TOWN, BIG SOUND. CONTACT reminds us of the joy in creativity, community, and the DIY spirit. Contact is about pushing boundaries, experimenting with art, and reclaiming space in an increasingly cruel, unkind, and oppressive world. It’s a poetic exploration of the creative process told by a filmmaker who calls HCS home.

In this inspirational documentary we witness the contributions of nine remarkable women to the island of Aruba. Driven by their love of family and a passion for making a difference, they strive relentlessly to improve the socio-economic and cultural landscape of their beloved homeland. All without expecting anything in return.

It used be that everyone knew what it meant to be a man. A man was rugged and reliable and got the job done. But then came the worst recession in 80 years. So what happens now that the job is gone? The End of Men is a compelling new documentary that takes a profound look at how men are coping with the evolving role of masculinity in today's world, where the old rules no longer apply.

A Woman's Place is the first film about the UK women's liberation movement. Crockford and her co-producers Ellen Adams and Tony Wickert document the movement's first national conference and march and examine its demands. The film records impassioned discussions and speeches, as well as the humour of the marchers. It also includes interviews with members of the public who give their perspective on women's liberation Crockford made the film as an attempt to see 'whether other people could be engaged by what I believed in'.

The writer's room during the production of the fifth season of Community struggles with time while the show is being filmed. This behind the scenes documentary depicts the writing of episodes 10, 12, and 13; "Advanced Advanced Dungeons & Dragons," "Basic Story," and "Basic Sandwich."

Photographed by an all-female crew and directed by the author of Sexual Politics, these are autobiographical interiews with three very different women who talk frankly about their lives, conflicts, and contrasting life styles.

What situations of violence do lesbians experience today? How do they face them? What are the underlying problems? What reality permits them to keep happening? What answers and strategies can we produce and put into practice as a society to do away with this and other forms of discrimination? Ten individuals explain their experiences and points of view, building a choral testimonial to bring male sexist violence against lesbians into the light, analyze the underlying problems, and seek responses and strategies to put an end to lesbophobia in conjunction with other types of violence.

In this feature-length documentary, six teenage girls, aged 14 to 16, agree to open up and have their private worlds invaded by the camera. They have to face problems that they intend to take on "to the end": early experience of sexuality, belonging to a gang, relationships with parents, social tolerance, friendship... They live tender and pure lives in their own way.

Pame returns to the ballet academy where she danced when she was three. Reflecting on her own childhood, she looks for answers within the girls that dance there now. Ultimately, she tries to answer the question: Why did I quit ballet?

Honduras: Von Regenwald und Strand

Is My Living in Vain is a meditation on the continuing history and emancipatory potential of the Black church as a space of belonging, affirmation and community organising. Combining shot footage, oral histories and archive material from both sides of the Atlantic, the film follows a tangled thread of personal and collective memories to interrogate the church’s contribution to a Black radical tradition.

During a drawing workshop, a girl traces on the wall of her room the memory of her sexual abuse; a young woman recalls the night in which the deception of those she once called friends turned into harassment. By sharing the stories with other girls and women, they realise that these are not isolated events but fragments of a shared wound.

In this layered short film, filmmaker Janine Windolph takes her young sons fishing with their kokum (grandmother), a residential school survivor who retains a deep knowledge and memory of the land. The act of reconnecting with their homeland is a cultural and familial healing journey for the boys, who are growing up in the city. It’s also a powerful form of resistance for the women.

Fifty years ago, aspiring thespians Terry and Carole Ann Gill arrived in Australia from England seeking fame and fortune. But they never quite made the big time. Instead they stumbled into the curious world of children's pantomimes. Over the decades, they have built a successful business and touched the lives of generations of children; but their own dreams have slowly faded. Now aged in their 70s, with their beloved theatre under threat from a greedy property developer, Terry and Carole Ann's careers appear to be coming to an untimely close. As they battle to remain open, they are forced to reflect on the choices they have made in their lives.

In the heart of Yogyakarta, a tall bike enthusiast takes a stand against the city's lacklustre cycling infrastructure in the city with the "Bicycle Friendly City" label.

This documentary takes the viewer on a deeply personal journey into the everyday lives of families struggling to fight Goliath. From a family business owner in the Midwest to a preacher in California, from workers in Florida to a poet in Mexico, dozens of film crews on three continents bring the intensely personal stories of an assault on families and American values.

Considered one of Canada's most important women artists of the second half of the 20th century, Joyce Wieland's art embodies the essence of her homeland, feminism, and ecology. Artist on Fire: Joyce Wieland captures the vibrant spirit of this painter, collagist, quilt maker, and filmmaker. In the early '70s, Wieland was involved in filmmaking, producing movies with a political message. In her 30-year career, she worked in a variety of mediums, including cloth, pastels, colored pencil, oils, bronze, and watercolor. Her works and her influence are examined in this detailed video portrait.

Deng Xiaoping's economic and political opening in China. Margaret Thatcher's extreme economic measures in the United Kingdom. Ayatollah Khomeini's Islamic Revolution in Iran. Pope John Paul II's visit to Poland. Saddam Hussein's rise to power in Iraq. The Soviet invasion of Afghanistan. The nuclear accident at the Harrisburg power plant and the birth of ecological activism. The year 1979, the beginning of the future.