Cucapá. El origen de los montes

Toronto’s town square is flooded. The city’s infrastructure has merged with local flora. In this radically different future, people have found a connection to the past.

Picchu is a story that follows the journey of an Andean girl named Mayu and the unconditional support of her mother. The path will not be simple. Mayu will rely on her determination and her mother's teachings to overcome her fears and doubts to fulfill her destiny. Picchu reflects the reality of many children around the world.

An unapologetic confrontation of cultural appropriation and everything that’s wrong with hipsters in headdresses.

Traditional Northwestern Indigenous spiritual images combined with cutting-edge computer animation in this surreal short film about the power of tradition. Three urban Indigenous teens are whisked away to an imaginary land by a magical raven, and there they encounter a totem pole. The totem pole's characters—a raven, a frog and a bear—come to life, becoming their teachers, guides and friends. Features a special interview with J. Bradley Hunt, the celebrated Heiltsuk artist on whose work the characters in Totem Talk are based.

Atzimba is going to marry Jose. Her father sends his future son-in-law to take care of various duties. But the young man's cleverness doesn't do a lot of good.

Rarámuri pie ligero

Akateko. La aparición de san Miguel Arcángel

Chinanteco. Jujmi La niña del Río

Chocholteco. La niña de la lanilla

The Chuj tell the story of three brothers and the reason behind the origin of the largest salt mines in San Mateo.

Cora. La creación del mundo

Rose the rabbit seeks her way home in this poetic story of reclamation, recovery, and reconciliation.

Marina is a girl who discovers the legends and traditions of her ancestors on a magical journey through the nature that surrounds her and takes her to Shark Island. Short film spoken in the Comcáac language.

A little girl will have to sing to the mythical goddess of water so that this valuable liquid can reach her community.

Based on the shamanic rituals in Mongolia and Siberia, this is a testament to the need to reclaim the ideas of animism for planetary health and non-human materialities.

Two indigenous tribes invoke the god of love, Rudá, to come and celebrate the rite of love. They believe that this god lives in the clouds and that love is free from all prejudice.

After her parents' death, Kaley must move from the reserve to the city to live with her older sister. After an argument, Kaley runs away to return home. During her journey, she meets a superhero who tells her how to hone her own powers.

Oral legend of the Amazonian nationality Secoya del Ecuador. Tells the story of Ñañe (the moon) and how it created the world.

Taqralik Partridge asks what if every language that had been lost to English — every word, every syllable — grew up out of the ground in flowers? Taqralik’s grandmother’s Scottish Gaelic and her father’s Inuktitut unfold in memories of her family, of pain, and of love.

At Archer’s Aunty Gladys’ funeral, he hears a tap on the window — it’s a bear named Jesus, who has come for Archer’s mom. “A Bear Named Jesus” is an allegory for religious interference, with an aching yet humorous look at estrangement and mourning for the loss of someone still living.