An experimental visual poem combining film, animation, photography, and archival footage inviting people to occupy the Black Body and examine the lived Black experience for a brief moment.
Loose impressionistic brushstrokes sketch a series of portraits of two faces, one male and one female, while the verse on the soundtrack tells the tale of both one and a thousand relationships.
Six poems written by six young prisoners animated to tell their stories, thoughts, fears and hopes.
A spring night is a poetic film which is based on the motives of the poem by V. Lugovsky. The film is devoted to the theme of fidelity to the battle traditions of revolutionary past, to the theme of human happiness the sense of it in the battle for high ideals.
Poems by some of the greatest writers of all time are brought to life through lyrical animation and readings by some of today’s most respected performers.
Marcel, your mother is calling you
Em direção à Ítaca
The Mapuche tribe asks their Gods for help in difficult situations, including illness and drought. When the Spanish conquerers on their horses invade their country, the indigenous people think that they are aliens. The Spaniards capture and enslave many of the Mapuche tribe. Lautaro, a young captured native, realizes that these aliens are human beings without any divine power. He learns to use their weapons and organizes a resistance movement against the intruders.
This film visualizes humanity’s quest to relentlessly pursue goals. In the human fight for progress, the march forward cannot be stopped, even when individual people become weary and die. This animated short is based on a poem by the Chilean filmmaker and poet Juan Forch. Chilean painter Hernando León created the design.
Taqralik Partridge asks what if every language that had been lost to English — every word, every syllable — grew up out of the ground in flowers? Taqralik’s grandmother’s Scottish Gaelic and her father’s Inuktitut unfold in memories of her family, of pain, and of love.
At Archer’s Aunty Gladys’ funeral, he hears a tap on the window — it’s a bear named Jesus, who has come for Archer’s mom. “A Bear Named Jesus” is an allegory for religious interference, with an aching yet humorous look at estrangement and mourning for the loss of someone still living.
The big bad cats are the villains/Indians, and the little mice are the settlers going west in their little covered wagons, and the Indians are on a rampage about it. Things look dark indeed for the settlers when the likes of Buffalo Bill, General Custer and Daniel Boone are unable to defeat the attacking cats but...wait...up in the sky...here comes the singing, flying mouse...Mighty Mouse. Not recommended for Revisionists.
This animated short, inspired by the Mi'kmaq legend "The Stone Canoe" explores Indigenous humour. We follow Little Thunder as he reluctantly leaves his family and sets out on a cross-country canoe trip to become a man.
A 12-year-old Congolese girl is taken to the mfinda, a primordial forest teeming with spirits, gods and ancestors. There she meets up with another young girl from a different time and together they set out to find the magical Nkisi, vessels that hold ancestral spirits as well as empowering materials or medicines, that will help her find her way home.
Accompanied by a 10,000-year-old shapeshifter and friend known as Sabe, Biidaaban sets out on a mission to reclaim the ceremonial harvesting of sap from maple trees in an unwelcoming suburban neighborhood in Ontario.
As a young fisherman cruises along a rugged shoreline, a tiny mouse in Haida regalia appears and starts to knit a blanket. A story unfolds on the blanket as it grows longer, illustrating the ancient tale of Haida master sea hunter Naa-Naa-Simgat and his beloved, Kuuga Kuns. When a SGaana (the Haida word for “killer whale”) captures the hunter and drags him down into a supernatural world, the courageous Kuuga Kuns sets off to save him. Will the lovers manage to escape the undersea Mountain of SGaana, or will they, too, become part of the Haida spirit world forever?
相思(上)
In a lush and lively forest lives a hedgehog. He is at once admired, respected and envied by the other animals. However, Hedgehog’s unwavering devotion to his home annoys and mystifies a quartet of insatiable beasts: a cunning fox, an angry wolf, a gluttonous bear and a muddy boar. Together, the haughty brutes march off towards Hedgehog’s home to see just what is so precious about this “castle, shiny and huge.” What they find amazes them and sparks a tense and prickly standoff.
Rosie Ming, a young Canadian poet, is invited to perform at a Poetry Festival in Shiraz, Iran, but she’d rather be in Paris. She lives at home with her over-protective Chinese grandparents and has never been anywhere by herself. Once in Iran, she finds herself in the company of poets and Persians, all who tell her stories that force her to confront her past; the Iranian father she assumed abandoned her and the nature of Poetry itself. It’s about building bridges between cultural and generational divides. It’s about being curious. Staying open. And finding your own voice through the magic of poetry. Rosie goes on an unwitting journey of forgiveness, reconciliation, and perhaps above all, understanding, through learning about her father’s past, her own cultural identity, and her responsibility to it.
Felix gets into trouble with a tribe of Indians out west, and is chased by a bear.