Trafic

This entertaining animated film surveys the history of machines, showing how the discovery of primitive tools led to the development of today’s space-age technology. A tribute to human ingenuity and creative genius.

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

On a warm and clear summer day in the 50s, a proud and graceful city boy meets two mischievous, free country kids. It opens up a window on a whole new world; his journey under the sun will bring him closer to nature and the harbingers of love.

Created by Walt Disney Educational and distributed to Schools. Last short released during Roy Disney's lifetime

Based on late field biologist John Sincock's experiences in Kauai.

This animated psychedelic short portrays the stream-of-consciousness adventures of a young woman, including an encounter with her dead father, her mother's struggle with cancer, and open-heart surgery at the hands of the doctor who birthed her (the "Delivery Man" of the title).

A graphic interpretation of a man's fascination with weaponry and the sexual power of military aggression, via the story of the Grim Reaper acquiring additional weaponry after undergoing a sex change. Using a combination of live action, laser xerography, hand rendering, and model animation, the film is a companion piece to another Anderson / Hoban collaboration, Door, collectively entitled Deadtime Stories For Big Folk.

"СФИР Et. ЅЕᑫОНЖ (Worker & Parasite) is an Eastern Europe's favorite cartoon Cat and Mouse Team. The cartoon was made in a country that no longer exists. The animated series was released from 1959 to 1963. There were 10 episodes in total, each about a minute long." In actuality, this is an animation based off of a gag from The Simpsons.

When living things, artificial things, geometry shapes, and lines encounter, a new direction is born.

Set in a world not unlike mid-20th century America, The Vandal centers on Harold, whose tormented search for peace from traumatic loss results in an unexpectedly destructive awakening after he undergoes a lobotomy. When the procedure “turns his mind inside out” and his great love is suddenly gone, Harold’s desperate search intensifies.

Porky is the engineer on the most pathetic train in the fleet. After some routine episodes (using pepper to get the engine to sneeze itself up a hill, chasing a cow off the tracks, only to discover too late that it's been replaced by a very angry bull), Porky gets word that he's going to be replaced by the new streamlined Silver Fish. He insults it under his breath, but the Silver Fish engineer hears and challenges him to a race. The angry bull catapults Porky to victory.

With 8 Switches, Tim Wright presents six black-and-white microcinematic vignettes of retina-searing, hard-edged, epilepsy-inducing sound and vision; digital hallucinations drained of colour, synchronized to a soundtrack that is relentless and unsentimental. Each new section presents a variation on the same sleek, kinetic minimalism. As each section progresses, the razor-sharp line between a host of binary oppositions—black/white, figure/ground, silence/sound, here/there, on/off — dissolves through sheer velocity. The rapid-fire alternation between these binary oppositions acts like the flicker of film frames, accelerating until sound and sight are wed into a synchronous whole in which neither the visual nor the sonic takes primacy. Instead, each acts as mutually constitutive literalisation of the other. — Joseph Clayton Mills

Shot in Ireland and Poland - a journey that explores ideas of decision, choice, consequence, circumstance and time among other things, a personal perception on how we try to find whatever it is we are searching for.The film looks at objects, people, and places which share common properties, our connection with one another and our environments in the very similar yet very different paths we share.

There is a hint of an under water circus, and many of the performers are acrobats. The sea water, if that's what it is, is yellowish brown. A full-faced sun rises from the Sun King's cradle, while a moon of Saturn circles the planet. The cut-out animation moves airily through a time-distorted world, where dizziness barely maintains a balance, and conventional time-sense disappears. The music of John Davis, which has been slowed to half speed, reverberates eerily throughout the pulsing series of performances, and one wonders whether in the next scene one can catch one's balance. The timing throughout is musical, and suggests a barely upheld world of sanity; of course the dream world creeps into the conscious mind's puritanical sense of propriety, rendering a secondary sense of unbalance facing trial at the bar of...whatever comes to mind. Delirium?

The first full cel-animated short. A group of tanukis investigate a temple and cause mischief.

A visually artistic animation with no real story. It follows a pair of butterflies as they drift past various beautiful depictions of people and animals.

Animated short film based on Ambrose Bierce's acerbic New Year's story.

In a village, a young blind man, victim of a storm, will be iniated by a women to overcome his fears. Thanks to the musical quality of a flute, he will be able to exorcize their fears of the villagers and to offer a different perception of the natural elements.

Little Thunder dreams of growing up and wants to thunder and cause rain. For now, Grandpa Thunder does not allow him to do this and instructs him only to look for places on Earth where rain is needed.

After years of toiling away inside the engine room of a towering locomotive, two antiquated robots will risk everything for freedom and for each other.