Martin Army Theater

Five young Ukrainians discuss life following the Maidan Revolution of 2014. Not all fought in the Russian-Ukrainian war, but it, regardless, shattered their life plans. Representing 'Generation Maidan', they face the question of how to cope with experiences of violence, how to go on. A local theatre director produces Hamlet, wherein they can use Shakespeare’s tragic character as a mirror and face their traumas onstage. For them, 'to be or not to be' is not simply text but an existential dilemma with no clear answer.

Artistic director of the National Theater Eric de Vroedt writes and directs a performance about his own mother Winnie, who passed away in 2020. This piece, titled The Century of My Mother, is a family story about the migration from the Dutch East Indies to the Netherlands. It is De Vroedt's way of examining the relationship with his mother and not having to say goodbye to her yet: 'I can let her live on stage, but when the curtain falls, when the play is completely finished, then she is really dead'.

Documentary about the theatre group Glada Hudik as they bring their musical about Elvis Presley to Stockholm for the first time.

This documentary shows how one of the biggest youth theatres in Europe dealt with the COVID-19 pandemic.

The theme of Romeo and Juliet is the starting point from which the film spins a web of several stories. A love story between a boy and a girl whose families are Algerian: they are young, beautiful and they are trying to build a family and a social life in France. They love each other, and yet conflicts, family pressure and contradicting desires alternately tear them apart and unite them. The story of Romeo and Juliet, minus death.

Documentary following Deafinitely Theatre as they translate a classic Shakespeare play for a Deaf audience.

A group of actors in Madrid are cast in a theatre show conceived as a dance marathon and as an unscripted competition. ‘Malditos’ follows their drifting between success, failure, fame and self-realization, interweaving non-fiction interventions and staged representations, constantly blurring the boundaries between fiction and reality.

A group of young, passionate theatre makers have just been presented with an opportunity that could change their lives forever. A huge company in the UK have invited them to pitch a large-scale work that would see them go from making theatre for audiences of 100 people, to making a show that plays to more than 1,000 people a night. This group of aspirational artists have always been driven by hopes and dreams, but their dreams have never been this big.

Theatre 1 (Observational Film Series #3) is a feature length documentary, which closely depicts the world of Oriza Hirata, Japan's leading playwright and director, and his theatrical company, Seinendan. By depicting them, the film leads the audience to revisit fundamental but timely questions: What is theatre? Why do human beings act?

Oriza Hirata is Japan's leading playwright and director, who runs his own theatrical company, Seinendan. Theatre 2 (Observational Film Series #4) examines the dynamic relationship between theatre and the society through depicting Hirata's activities. In order for his art and his not-so-commercial company to survive this highly capitalistic modern society, what kind of strategy does Hirata have and practice?

Der gordische Knoten

Je me soulève

Documentary on the history of Ryhmäteatteri theatre company.

Firas, Jallow and Batoul just arrived in Berlin. They meet one another in a theatre group. They are searching for the good life in Germany - yet things don’t turn out the way they hoped. Through video letters, they reveal their deepest emotions to their families and friends back in their war-torn or poverty-stricken home countries.

A documentary following five actresses through Santa Catarina roads as they perform the play of the title.

During a writing slump, playwright J.M. Barrie meets a widow and her four children, all young boys—who soon become an important part of Barrie’s life and the inspiration that lead him to create his masterpiece. Peter Pan.

A group of teenagers living in a housing project in the outskirts of Paris rehearse a scene from Marivaux's play of the same name. Krimo is determined not to take part, but after developing feelings for Lydia, he quickly assumes the main role and love interest in the play.

In occupied Paris, an actress married to a Jewish theater owner must keep him hidden from the Nazis while doing both of their jobs.

A tiny theatrical company turns into a war zone of egos as a new play goes into rehearsal in this broad comedy from Sweden. A camera crew from a television outlet is on hand to shoot a commercial as a harried director tries to put her cast through their paces. Not everyone, however, feels like cooperating; her two leading men seem to be competing over who gets most of the spotlight, much to the annoyance of the female star, while the troupe's makeup artist has a plan of his own.

Why do we often go to dinners we don't want to attend, to see friends who aren't really friends anymore? Out of habit? Out of kindness? Out of cowardice? Intoxicated by the idea of tidying up their schedules by sorting through their old friends, Pierre and Clotilde Lecoeur (played by ERIC ELMOSNINO and LYSIANE MEIS) decide to organize farewell dinners, the ultimate form of friendly divorce. However, by choosing - as their first victim - Antoine Royer (played by GUILLAUME DE TONQUÉDEC), their oldest friend, Pierre and Clotilde are unaware that they are getting caught up in a downward spiral.