Afghan Coal

Five Afghan men try to reach Europe. The filmmakers followed them for over six months, filming their clandestine journey and chronicling a migration combining fantasy and stark reality, setbacks and achievements, in the midst of the dangers of such trips.

Recounted mostly through animation to protect his identity, Amin looks back over his past as a child refugee from Afghanistan as he grapples with a secret he’s kept hidden for 20 years.

Ever since it was revealed that the chocolate industry is involved with child slavery in the Ivory Coast, the industry has been busy – due to consumer demands – explaining what exactly it does to actively fight trafficking and child labour. But does the industry live up to its own promises?In this investigative film, director Miki Mistrati tries to find out, if the chocolate industry – which is one of the largest corporations in the world – speak the truth, when they say that they provide education, medical care etc for the children of the Ivory Coast. But the project runs into trouble already from the get-go, because the embassy of the Ivory Coast won’t let Miki enter the country until he has an invitation – from the chocolate industry.

A poignant story about overcoming our demons and finding hope through darkness. Haunted by the affects of PTSD induced by fighting a war, the physical injuries that led to copious amounts of opiates, the emotional strain of his squad leader committing suicide, losing his best friend from overdosing on heroin, all combined with his drug addiction ultimately left Shawn losing all hope in life.

Inside the very first girls' school in a small Afghan village, education goes far beyond the classroom as the students discover the differences between the lives they were born into and the lives they dream of leading.

With Afghan Spring, Noriaki Tsuchimoto widened his focus to the international arena. Working in collaboration with his compatriot, Hiroko Kumagai, and Afghan film-maker, Abdul Latif, he examined society and politics in Afghanistan af the time of the Soviet withdrawal. The film now serves as a valuable record of a culture partially destroyed soon after by the Taleban regime.

An in-depth look at the torture practices of the United States in Afghanistan, Iraq and Guantanamo Bay, focusing on an innocent taxi driver in Afghanistan who was tortured and killed in 2002.

Armed only with their cameras, Peabody and Emmy Award-winning conflict Journalist Mike Boettcher, and his son, Carlos, provide unprecedented access into the longest war in U.S. history.

11 Septembre, l'avertissement du commandant Massoud

Mark Urban tells the inside story of Britain's fight for Helmand, told with unique access to the generals and frontline troops who were there.

CITIZEN SOLDIER is a dramatic feature film, told from the point of view of a group of Soldiers in the Oklahoma Army National Guard's 45th Infantry Brigade Combat Team, known since World War II as the "Thunderbirds.” Set in one of the most dangerous parts of Afghanistan at the height of the surge, it is a heart-pounding, heartfelt grunts' eye-view of the war. A modern day Band of Brothers, Citizen Soldier tells the true story of a group of young Soldiers and their life-changing tour of duty in Afghanistan, offering an excruciatingly personal look into modern warfare, brotherhood, and patriotism. Using real footage from multiple cameras, including helmet cams, these Citizen Soldiers give the audience an intimate view into the chaos and horrors of combat and, in the process, display their bravery and valor under the most hellish of conditions.

In 1989, Swedish journalist, Khazar Fatemi narrowly fled the war torn country of Afghanistan with her life. Twenty years later, the former refugee returned to the place that has always remained in her heart. Where My Heart Beats follows Khazar's dangerous, painful, and inspirational journey back home to reconnect with the amazing people of this broken nation.

In the year following the 9/11 terrorist attacks, young journalist Claude Baechtold finds himself in the war zone of Afghanistan. Not entirely voluntarily, the avowed anti-militarist is dragged by two fearless reporters on a round trip through the entire country.

When the Soviet troops entered Afghanistan in December 1979, Christophe de Ponfilly and Jérôme Bony made their first clandestine reportage in the Panjshir valley. "A valley against an empire" testifies to the beginning of the struggle of a young commander, Amah Shah Massoud.

Three boys wander around a large town in Afghanistan, looking for empty bottles and cans to recycle to get them some money for food. During their walk they talk about what's on their minds. Every now and then, the director asks his protagonists for some explanations, such as why they share a loaf of bread they just got with a boy they don't know. One of them answers very matter-of-factly: "As God gives to us, we must give to his people."

Immediately after the US pullout from Afghanistan, Taliban forces occupied the Hollywood Gate complex, which is claimed to be a former CIA base in Kabul.

16 Days in Afghanistan is a documentary that documents the state of Afghan people after the fall of the Taliban.

This Russian documentary offered tantalizing glimpses of Afghanistan, which in 1929 was still one of the few heavily-populated areas in the world where the residents continued to live as they did in the Middle Ages. A progressive new leader named Amnullah tries to "Westernize" the country, meeting plenty of resistance from native reactionaries.

The friendship between Christophe de Ponfilly and Commander Massoud, a legendary figure of the Afghan resistance against the Soviet invader, goes back to the filmmaker's first film, "A Valley Against an Empire", made in 1981. Fifteen years later, weakened, isolated, betrayed by many of his own, the "Lion of Panshir" has not surrendered to his new and implacable enemies, the Taliban. While preparing his next offensive, he evokes his commitment and his fights, and bears witness to a history in which he has been one of the main actors for twenty years. At the same time, the director questions the role and power of the media, as well as his own approach as a filmmaker. Commander Massoud was killed in an attack in September 2001.

Key decision makers reveal the inside story of how the West was drawn ever deeper into the Afghan war. Reporter John Ware charts the history of a decade of fighting and looks at when the conflict may end.