Wild Romania

A history of Bucharest, as seen in the light of the totalitarian architecture, having as leading idea the reality that the Power always exposes its purposes through architecture. After five decades of communism, the reality on thee Dark Ages is still waiting to be revealed, and architecture is one of the most obvious embodiments of the ideology to whom it was builtÉ It is not a movie about faults or about guilty peoples, but about official edifices of thee communist Romania and their story.

Due to a pandemic, the Electric Castle music festival shifts into an intimate concert staged for cameras instead, with three bands and no live audience.

Several decades after the collapse of the communist system, nostalgia for the former regime has reached unimaginable proportions in almost all former communist European countries. The documentary Nostalgia for Dictatorship does not limit itself to presenting this genuine syndrome of "longing for dictatorship", but, in parallel with the opinions and motivations of ordinary citizens living in the former communist space, it advances explanations by researchers from various fields, sociologists, psychologists, political scientists, ethologists, etc., regarding the intimate motivations of such a paradoxical feeling.

A documentary that exposes the shocking truths behind industrial food production and food wastage, focusing on fishing, livestock and crop farming. A must-see for anyone interested in the true cost of the food on their plate.

Procreation is the social duty of all fertile women, was the political thinking during the 1960s and 1970s in Romania. In 1966, Ceaucescu issued Decree 770, in which he forbade abortion for all women unless they were over forty or were already taking care of four children. All forms of contraception were totally banned. The New Romanian Man was born. By 1969, the country had a million babies more than the previous average. Romanian society was rapidly changing. By using very interesting archival footage and excerpts from old fiction films and by interviewing famous personalities from that time – gynecologists or mothers who were part of the new society - the director revives this period of tremendous oppression of personal freedom. Many deaths were caused by the mere fact that women, including wives of secret Romanian agents, famous TV presenters, and actresses, had to undergo illegal abortions. Many women were jailed for having them.

The three-hour-long documentary covers 25 years in the life of Nicolae Ceaușescu and was made using 1,000 hours of original footage from the National Archives of Romania.

A Roma beggar on his knees raises many extreme emotions: guilt, rage, sympathy and frustration. Most people just walk on by, but there is always someone willing to help. In this film, the director follows the confrontations between the Roma beggars from Romania and Finnish people, and is forced to question, over and over again, her own ideas about helping.

A more experimental aproach to labor protection films. In the line of Săucan's style, the soundtrack is as important as the image, the threatening music, full of shrillness, composed by Ion Dumitrescu potentiating the visual construction that mixes - in a montage reminiscent of the Soviet avant-garde school of the 1920s - all kinds of shooting techniques and frame combinations.

At the beginning of the 70s, Sahia Studio produced a number of social investigations commissioned by the Central Committee of the Romanian Communist Party, intended to expose the so-called "social parasitism". The decision was taken after the theses of July 1971, which provide that "one of the main objectives of political work, especially among the youth, is the firm fight against the tendencies of parasitism, of an easy life, without work, the cultivation of responsibility and the duty to work , in the service of the country, the people, the socialist society". The most famous films, made with the competition of the Ministry of the Interior and the Ministry of Justice, are Să treacă vara and Iarna unor pierde vară

The film's protagonists are the orphaned children taken into custody by the state and institutionalized at Children's House no. 6 from Bucharest. For Mészáros, the concern for the situation of children left orphaned during the Second World War is autobiographical: the director directly experienced the absence of parents in her own childhood.

The fascinating portrait of Ion Bârlàdeanu. The touching and inspiring story of a man who literally lived in the gutter for 20 years - and in the meantime managed to create paintings and collages which are now exhibited alongside works by Andy Warhol or Marcel Duchamp.

The last days of the first Romanian king, Carol I of Hohenzollern-Sigmaringen, and the tough decisions he had to make in the summer of 1914 in order to please both Romanian Parliament and his relatives from the German Empire.

A documentary portrait of legendary Perfect Ten gymnast Nadia Comaneci after becoming an icon in the 1976 Olympics, during her Romanian period, and her challenging years under the dictatorship of Nicolae Ceausescu.

A look at what happened after Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan was filmed in the Romanian village of Glod. It follows the life of one girl who longs to escape the poverty as foreign lawyers arrive with the promise of suing 20th Century Fox for millions of dollars.

In 1947, Yugoslav President Josip Broz Tito visited, for the first time, Romania. Its communist regime gave him, as present, a painting from a great Romanian artist Ion Andeescu: 'The Leafless Forest'. In the 60s, a young art critic, Radu Bogdan, decided to elaborate a monograph dedicated to the great painter, including reproduction of the painting given to Tito. After countless problems, he obtained the permission to photograph the painting. The moment they took the painting off the wall, they found - a microphone. Somebody was spying on Tito...

This mountain region that reaches across several countries in Eastern Europe is the home to gold diggers, wizards, cow herders and old Hassids.

Dangling from a high window, a young non-binary person is on the cusp of life and death. Flashes of film, literature, art (paintings) and cultural history pass them by, as if to tell a message. A postmodern treatise on connection to culture and the past.

"This wonderful age in life where every thought strives toward an ideal, toward work, toward the future." Sahia Studios propaganda flick about how adults and their "those darn kids" attitudes affect adolescents.

After the collapse of the Communist regime in 1989, over 100,000 children were discovered living in Romanian orphanages. Follow Nori Vito, one of those orphans, as she journeys from her adopted American home to Romania and Greece to find the family she lost almost 30 years ago.

They’ve become the human face of inhuman barbarity. Leaders like Hitler, Idi Amin Dada, Stalin, Kim Jong Il, Saddam Hussein, Nicolae Ceausescu, Bokassa, Muammar Kadhafi, Khomeini, Mussolini and Franco governed their countries completely cut off from reality. These paranoid leaders were driven to abuse their power by the pathology of power itself. Dictators are driven by a relentless, thought-out determination to impose themselves as infallible, all-knowing and all-powerful beings. But they are also men ruled by their caprices, uncontrollable impulses, and reckless fits of frenzy, which paradoxically render them as human as anyone else. The abuses they committed were clearly atrocious, yet some of them were as outlandish as the characters portrayed in the film The Dictator. They sunk to depths worthy of Kafka: so incredibly absurd, they are outrageously funny.