Love Will Come Later

During the oppressive reign of Moroccan King Hassan II in the 70s and 80s (Years of Lead), many dissidents went missing. After the throning of a new king, a truth commission was formed in the 2000's. Families of the missing speak.

An intimate portrait of Matthew Shepard, the gay young man murdered in one of the most notorious hate crimes in U.S. history. Framed through a personal lens, it's the story of loss, love, and courage in the face of unspeakable tragedy.

The young farmer Aalami leaves his family to find work elsewhere. He gets to know the country and its people, customs and traditions at Küste in North Africa: Market life in Tetuan, the art of craftsmanship, the life of the Moors, dances and festivities in honour of the caliph, white mosques, the call of the muezzin of the minaret and the music of the shepherd flutes. Aalami also follows Franco's call and flies from Morocco to Spain to fight at Bürgerkrieg. In the end Aalami comes back to his wife and children.

Ieri è Oggi

Twenty-third sovereign of the Alawite dynasty established in Morocco since the seventeenth century, Mohammed VI took over from his father Hassan II in 1999, and from the moment of his coronation, he positioned himself as a "king of the poor", close to the people. Naturally shy, he prefers to act rather than speak, defining a modern style of governance that has earned him great popularity from the start. Married to a young computer engineer, he asserted a policy of liberalization of morals and even made a critical review of the period of repression led by his father during the years of lead. However, he faces opposition from conservatives, which leads to the election of the Islamist PJD (Party of Justice and Development) as head of government, following the Arab Spring of 2011.

In Casablanca, a group of filmmakers conduct discussions with people about their expectations of, and aspirations for, the emerging Moroccan national cinema. When a disgruntled worker kills his superior accidentally, their inquest shifts focus, and they begin to probe the motives of the killing.

Zwaj El Waqt explores the themes of love and marriage in Morocco. Told through the testimonies of diverse couples, it tackles the issues of relationships, social media, control and sexuality in a conservative society that still struggles to discuss freely about those topics.

Made in the sunset years of Paul Bowles’ life, the film sees the eccentric author and composer reminisce on how he ended up in Morocco.

A small village high up in the mountains of Ketama, Northern Morocco. The life of the people here has been shaped by the drug hashish for centuries. Hashish as daily work, hash as exchange currency, hashish as business, hashish as basis and philosophy of a social system, hashish as medium for dreams and hashish as reason for stagnation.

On July 30, 2024, Mohamed VI celebrates the 25th anniversary of his reign in style. Who is this so-called secret monarch? How did he gradually impose his vision and projects?

Orientalism is a literary and artistic movement born in Western Europe in the 18th century. Through its scale and popularity, throughout the 19th century, it marked the interest and curiosity of artists and writers for the countries of the West (the Maghreb) or the Levant (the Middle East). Orientalism was born from the fascination of the Ottoman Empire and followed its slow disintegration and the progression of European colonizations. This exotic trend is associated with all the artistic movements of the 19th century, academic, romantic, realistic or even impressionist. It is present in architecture, music, painting, literature, poetry... Picturesque aesthetics, confusing styles, civilizations and eras, orientalism has created numerous clichés and clichés that we still find today in literature or cinema.

When Lena and Ulli start the engine of their old Land Rover, Lady Terés, they have a plan: to drive from Hamburg to South Africa in six months. What they don't know yet is that they won't ever get there. Two totally different characters, jammed together in two square meters of space for almost two years, they experience what it really means to travel: leaving your comfort zone for good.

The Aït Atta tribe of the High Atlas mountain range in Morocco preserves their ancestral right of access to the agdal, a communal land management system that dates back hundreds of years. The film follows Ben Youssef family’s arduous transhumance journey from the desert-like landscape of Nkob to the green pastures of Agdal Igourdane, throughout uneven terrain of steep climbs and descents of these High Atlas mountains. They migrate each summer with their 800 goats, donkeys, mules, camels and dogs, as they embark on this formidable journey on foot.

Once a Punk, always a Punk? This is the story of Stof whom we followed for 8 years through the popular districts of Casablanca. He pays his independence at a high price when he finds himself arrested.

A portrait of the groundbreaking Moroccan band Nass El Ghiwane, documenting a series of electrifying live performances in Tunisia, Morocco, and France; on the streets of Casablanca; and in intimate conversations. Storytellers through song and traditional instruments, and with connections to political theatre, the band became a local phenomenon and an international sensation, thanks to their rebellious lyrics and sublime, fully acoustic sound, which draws on Berber rhythms, Malhun sung poetry, and Gnawa dances.

When the junior ice hockey team from the small town of Náchod, in the Czech Republic, sets off in a bus to Morocco to play the away game in an exchange programme, the players and their coach expect an easy victory and a cultural shock: “bring ear plugs”, the coach suggests them with a touch of undisguised condescendence, so as not to hear the call to prayer early in the morning. Both on and off the ice, Rozálie Kohoutová and Tomáš Bojar’s camera focuses on a few teenagers and their exchanges, simultaneously funny and cruel, in a clumsy English.

Les Enfants de l’ovale... Un essai qui transforme !

In the vast expanse of desert East of Atlas Mountains in Morocco, seasonal rain and snow once supported livestock, but now the drought seems to never end. Hardly a blade of grass can be seen, and families travel miles on foot to get water from a muddy hole in the ground. Yet the children willingly ride donkeys and bicycles or walk for miles across rocks to a "school of hope" built of clay. Following both the students and the teachers in the Oulad Boukais Tribe's community school for over three years, SCHOOL OF HOPE shows students Mohamed, Miloud, Fatima, and their classmates, responding with childish glee to the school's altruistic young teacher, Mohamed. Each child faces individual obstacles - supporting their aging parents; avoiding restrictions from relatives based on traditional gender roles - while their young teacher makes do in a house with no electricity or water.

Furias

In the desert, a man extracts stones from a mountain and breaks them. In his perpetual labour, he meditates upon life and death.