I’m Scared But I’ve Been Here Before

Groter dan je bent

Best known for his work in video, Richard Fung has made the politics of gender, ethnicity, and sexual orientation his central focus. Chinese Characters (1986) examines the ambiguous relationship of gay Asian men with white gay porn.

White Homeland Commando takes the familiar terrain of network action drama and tilts the playing field. Reminiscent of today's popular reality-based cop shows, White Homeland Commando offers a straightforward story: four members of a special police unit investigate and infiltrate a New York-based white supremacist organization. But that is where the commonplace ends. The teleplay is shot and edited in a highly textured visual style, the colors are subdued yet somehow garish, and the sound is deliberately just out of sync with the speaker's lips. Occasional static combines with jumps in the plot — the editing is reminiscent of a television viewer flipping channels.

It’s often a sense of shakiness which emerges in seeking affordable rent. Furthermore, leasing a real estate in the time of Covid it’s an enough though enterprise due to the different restrictions in moving freely and without any fear even visiting the venue, still not to mention the angst before the future that a change in life like a relocation involves so that everything starts spinning around. Such a pretty much postmodern sensation should have had Hazel in the Synecdoche, New York by Charlie Kaufman when she rents a burning house, which becomes quite her home yet with this persisting sense of precarity still not precluding to keep going. The experience is now translocated in another city, Turin. It still remains a burning house in a burning city, however it becomes home to someone.

Gus Van Sant tells the story of a young African American man named Jamal who confronts his talents while living on the streets of the Bronx. He accidentally runs into an old writer named Forrester who discovers his passion for writing. With help from his new mentor Jamal receives a scholarship to a private school.

A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.

After his parents' death in a traffic accident, Ibrahim decides to go to their summer house, where he goes every summer with his family, alone this time in order to accept this fact. Here, while confronting his past summer relationships and his own loneliness, he encounters a poet named Ahmet Tikici, who writes the same poems as him in a poetry magazine, and begins to follow Ahmet. This pursuit will show him that he is not as alone in his life as he thinks.

A short film written by Hussain Manawer about 2020 and mental health.

Another entry in the Edgar A. Guest's Poetic Gems Series.

An Edgar A. Guest Poetic Gem featuring the song Down the Lane to Yesterday with a vocal by Al Shayne.

An Edgar A. Guest Poetic Gem featuring vocalist Al Shayne. This film features the original song Back Seat Drivers by Loesser & Herscher.

Cacaso, a Brazilian poet, lived in Rio de Janeiro. Born Antonio Carlos de Brito (1944-1987) he was one of the leaders of the marginal poetry movement. Cacaso filled notebooks not only with poems but reflections, drawings and collages. He also became a lyricist and partner of celebrated songwriters such as Tom Jobim, Edu Lobo, Toninho Horta, João Donato and Sivuca.

The tumultuous life of Arthur Rimbaud, the cursed poet, who completed his masterwork at the age of twenty, became an arms dealer and died at thirty-seven; and his passionate relationship with Paul Verlaine, full of wanderings, storms and falling out.

A renowned professor is forced to reassess her life when she is diagnosed with terminal ovarian cancer.

A dream where obsession for German as a second language mixes up with an obsession for neatness and cleanliness as a distinctive feature of the national culture in question seen from the perspective of a foreigner. The dream is not a nightmare only because the set it is dreamt into is the seashore of the mare nostrum, where the dreaming subject is perfectly at home. A homeland which she, in turn, in her more secret thus naïf dreams would dream of being cleaner and tidier as in the reality, especially in front of such beauty of nature. As is right and proper.

Queen of the Luna Par(k)ing is a moving image produced by Sara Ferro and Chris Weil. The title itself is a combination of the element moon (from the Italian “luna” ) shining over a parking slot, where a girl is waiting for encountering someone, perhaps the king of the luna park. While acting in the gap of certainties like a lonely queen the moonshine splits its aura into the colours red/blue/yellow, interpreting the interstellar communication signals of Voyager 1 launched by the NASA in 1977. Exactly the year when the protagonist Wundersaar (Luna Queen) was born. Therefore the journey of the Voyager space probe can be seen as a metaphor for the expedition of every human being discovering the unknown in the deep space of life.

It's been years since Stef last left her house. The loss of her brother combined with the quiet dread of the unknown conspiring to keep her inside. When her brother Liam's best friend, Evan, arrives to give Liam's journal to Stef, they begin a relationship. However, when Stef and Evan start to unpack their shared trauma, they question if their relationship can ever break free from its confines? Caught between Evan's images of a world outside that they could inhabit, and a story of lost love that Stef is translating from a previous generation, Stef must choose the kind of future she wants, and whether Evan will be a part of it.

A tutorial about guided meditation. Throughout the project, the spectator is invited to follow a series of steps that, if done well, will take them to a calm and tranquility state.

Jim Moir (aka Vic Reeves) explores Video Art, revealing how different generations ‘hacked’ the tools of television to pioneer new ways of creating art that can be beautiful, bewildering and wildly experimental.

Poetic stroll in the work of Jean Genet.