Udo Jürgens – Aber bitte mit Sahne´77

A ship from the GDR fishing fleet is on its way home. The work is done, the hold full of fish. Captain Nipmerow could be satisfied with that, but he has a completely different problem to deal with - a matter about which he also owes the shipping company a statement.

Der schwarze Kanal kehrt zurück

Three men accidentally end up stranded on an island in the Baltic Sea: friends Achim and Klaus and railroad worker Erich Spalteholtz. Both friends try to swim ashore to get help. In the process, they have adventures with the police as well as with the enchanting girls Anne and Brigitte! However, before Erich Spalteholtz is rescued from the island, he helps himself alone - thinking that Achim and Klaus have drowned...

The film is a reportage showing the help of workers from the GDR in the industrial reconstruction of Syria. We witness the friendly relationship between workers from both countries, who are jointly involved in the construction of the cotton spinning mill in Homs. In impressive pictures the exoticism of the environment and the mentality of the Syrian hosts is shown. At the same time it becomes clear that the workers from the GDR become 'ambassadors of the GDR' through their collegial behaviour and good work.

Detlev, a single insurance clerk in his 30s, is kept dependent by his loving and caring mother and loses his girlfriend Karin as a result. Grief and an alcoholic chance acquaintance prompt him to place an ad for marriage. Detlev gets caught up in a whirlwind of friendships and love affairs: with the caring widow Karin; the well-to-do hair salon owner Ute Schöbel; the cultural editor Norma Goldbach, the photo reporter Kerstin and the student Andrea Binz. Detlev, who initially proves himself as a friend and advisor, but also as a lover, becomes increasingly self-confident. He is also successful in his work and finally emancipates himself from his mother. Although he loses "his" women in a turbulent odyssey, Detlev has transformed himself from a mama's boy into a thoroughly acceptable man.

Electric Apricot is a spoof of jam bands centered around the band, Electric Apricot, in the style of "This Is Spinal Tap"

An animated mockumentary follows a group of anthropomorphic raisins from their early beginnings to musical stardom, decline, and eventual comeback. Through interviews, performances, and archival-style footage, the special explores the group’s history and rise to fame.

This special has the band hiring a slick-talking new manager in an attempt to make a comeback. Under his guidance, the Raisins try their hand at various new musical genres, including Disco Polka, Country Rap, and Demolition Rock, to humorous effect. The group's troubles begin to manifest, however, upon the replacement of singer A.C. with their manager's young protégé

Filmed before a live audience at London's prestigious Royal Albert Hall, this first video from Ladysmith Black Mambazo delivers groups in-person magic with state of the art sound.

A musical film about human relationships and how today's working life and the pressures of our surroundings can lead a person to the point of exhaustion.

Coffee Masters is a documentary by Miguel Kohan, produced by Lita Stantic, Gustavo Santaolalla and Walter Salles. It tells the story of great tango of the old guard who, summoned by a rock musician, proposing a record to demonstrate its validity. This adventure, full of memories, humor and poignant moments, culminating with a presentation of the Masters at the Teatro Colon.

Pop king Michael Jackson solidifies his title with this release of fifteen past number one hits. Songs include "Don't Stop 'Til You Get Enough," "Thriller," "Black or White," and "Blood on the Dancefloor."

Previously only available in the "Billy Joel: My Lives" box set, this DVD features one of Billy's best concerts: Billy Joel live in Frankfurt, Germany in 1994 on the "River of Dreams" tour.

"Hardwired... to Self-Destruct" release live session for 850 fans at House of Vans, London, England and streamed online via Youtube on November 18th, 2016. Kirk Hammett's Birthday. Setlist: Breadfan (Budgie cover) / The Four Horsemen / Battery / Sad but True (Kirk's solo ended by 'Prowler' riff) / Fade to Black / Atlas, Rise! / Harvester of Sorrow / Moth Into Flame (Rob's solo) / One / Master of Puppets / For Whom the Bell Tolls / Enter Sandman / Whiskey in the Jar (cover) / Hardwired / Seek & Destroy

Receita do que fazer na iminência da falta extrema de água

Exit...Stage Left was filmed in Montreal Canada during Rush's 1981 World Tour that encompassed Canada, the United States and Europe and reached a total audience in excess of one million people. The footage incorporated the output of five separate 16mm cameras, both hand-held and stationary, which operated in front of the stage behind a barricade, and in various strategic onstage locations. During the performance at the Montreal forum, the audio was recorded by Le Mobile, with Terry Brown and Guy Charbonneau at the controls. The audio was then digitally mixed at Le Studio in Morin Heights, Quebec, where Moving Pictures, Permanent Waves, and Signals were recorded and mixed. The result, the Exit...Stage Left movie (a different performance than that found on the live Exit...Stage Left album), represents one hour of highlights from Rush's two hour stage show, visualizing material from their albums Moving Pictures, Permanent Waves, Hemispheres, and A Farewell to Kings.

Whilst Rush have always been considered one of Rock's greatest hidden treasures, with complex, intricate musicianship, it can never be said that Music Video was their forté. With this collection of 'hit' videos from Rush we can see why. Almost befittingly, Rush's best videos appear to be those that simply demonstrate their playing. Studio footage of Rush is rare and welcomed on this DVD.

For a band with high standards, a perfect show is impossible, and an excellent show is rare. You hope that the norm is "good". To deliver a really exceptional, comfortable performance before a recording truck or film crew has been our unfulfilled dream of many years. Always it seemed that as soon as the machines started rolling, we forgot how to play and our equipment forgot how to work. But for these two nights, the gods smile. And the film becomes not just a concert, but a symbol - for the band a scrapbook, an autobiography, an era frozen in glacial clarity. For the audience, it can be an enduring souvenir, and if it can't quite capture what it was like to be there, it is a way of seeing through many pairs of eyes, of shifting one's vantage-point around and above the players in a way no mortal could. Hands perform, and hands respond. Hands gesture, and hands respond. A show of ears and eyes, a show of hearts and minds. A Show of Hands. - Neil Peart

R30 captures the band's $21-million grossing, sell-out 30th Anniversary World Tour and was filmed with 14 hi-definition cameras in 16x9 widescreen format at the Festhalle, Frankfurt Germany on September 24, 2004. The set list spans the band's diverse 30-year career, and includes fan favorites "Xanadu," "The Spirit of Radio," "Working Man," "Tom Sawyer," "Subdivisions," "Earthshine," "2112," "Limelight," "Between the Wheels," which hasn't been performed live in 20 years as well as tracks from 2004's covers EP Feedback, including "Summertime Blues" and "Crossroads." Most of all eighteen studio albums are well represented through a non-stop energetic set of 22 electrifying songs.

By 1984, Rush were becoming the world's most popular 'underground' band. The world was also in a sombre mood, perhaps reflecting on George Orwell's 1984 thoughts. Rush's music from the Grace Under Pressure album captured this mood well, and their footage of the Maple Leaf Gardens concert in their home town Toronto on 21 September 1984 covers many of the stunning tracks from that album.