Jean Rochefort, Jean-Pierre Marielle, Philippe Noiret - This is the story of a bunch of friends. Comedian buddies. Actors who dreamed of the Conservatory and the National Theater of Paris. The theater was their ideal, cinema will be their paradise. Their friend Jean-Paul Belmondo, the relaxed Parisian, who failed the entrance exam, will make sparks fly. Rochefort, Marielle and Noiret, the three provincials, will climb the steps of recognition one by one. From the little cabarets on the Left Bank to the TV shows of the Buttes-Chaumont pioneers. From the second roles to the first and from the B movies to the classics.
The first feature-length documentary that fully explores how the toxic social and political Canadian context after 1968 created some of the most nihilistic and imaginative Canadian cult films of the 1970s and 80s and beyond.
An hour-long discussion between Fritz Lang and Jean-Luc Godard in which they discuss a variety of art forms, the role of the cinema, their collaboration together, and much more. (Filmed in 1964 but released for TV in 1967.)
A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.
The Making of 'The Marine'
Omnibus: François Truffaut
Documentary that follows events after the fall of Slobodan Milosevic, while looking back on the previous fifteen years, tracing his rise to power. Personal testimony alternates with analysis of a disintegrating society.
Documentary about master director Roberto Rossellini, who tells details of his life and childhood and visits the places where he has lived and shot some of his most famous movies.
In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.
The lives of Stan Laurel (1890-1965) and Oliver Hardy (1892-1957), on the screen and behind the curtain. The joy and the sadness, the success and the failure. The story of one of the best comic duos of all time: a lesson on how to make people laugh.
Follows the behind-the-scenes work of Studio Ghibli, focusing on the notable figures Hayao Miyazaki, Isao Takahata, and Toshio Suzuki.
Discover the unrealised visions and passion projects of revered British filmmaker Michael Powell, in this fascinating documentary featuring Oscar-winning editor Thelma Schoonmaker.
Shaft: Still the Man
A unique portrait of New York's iconic Raoul's Restaurant - told through the eyes of a filmmaker-turned-accidental-restaurateur who was trying to make a film about his father who is also a filmmaker-turned-accidental-restaurateur.
Documentary about veteran character actor Dick Miller, whose career in and outside of Hollywood has spanned almost 200 films across six decades, featuring a diverse range of interviews with directors, co-stars, and contemporaries.
Documentary about filmmakers of the New German Cinema who were members of the legendary Filmverlag für Autoren (Film Publishing House for Authors). Among them are Werner Herzog, Rainer Werner Fassbinder, and Wim Wenders.
Portrait of director Andrey Zvyagintsev against the background of the filming of his film "Loveless".
Former Disney child star Hayley Mills returns to the Walt Disney Studio for a look at the techniques of animated film production, with various veteran Disney animators illustrating said techniques.
A cinephile collage, both historical and philosophical, of films on artificial intelligence, cyberspace and virtual reality, from 1981 to 2001: cinema as a way and an instrument to cope with humanity's euphoria, anxiety, fear and obsession with technology.
When World War II broke out, John Ford, in his forties, commissioned in the Naval Reserve, was put in charge of the Field Photographic Unit by Bill Donavan, director of the soon-to-be-OSS. During the war, Field Photo made at least 87 documentaries, many with Ford's signature attention to heroism and loss, and many from the point of view of the fighting soldier and sailor. Talking heads discuss Ford's life and personality, the ways that the war gave him fulfillment, and the ways that his war films embodied the same values and conflicts that his Hollywood films did. Among the films profiled are "Battle of Midway," "Torpedo Squadron," "Sexual Hygiene," and "December 7."