Cleanin' Up the Town: Remembering Ghostbusters

Honing his craft as an indie filmmaker in Germany in the early 90s, Uwe Boll never could have imagined the life that lay before him. From working with Oscar-winning actors and making films with US$60million budgets to having actors publicly disparage him and online petitions demanding he stop making films, Boll continued to work; he has a filmography of 32 features, a career that has led to his new life as a successful high-end restauranteur. Already a cult legend, he will be remembered forever in the film world; for some, as a modern-day Ed Wood, who made films so bad, they're good, while for others, a prolific filmmaker who came from a small town in Germany and never compromised his integrity while forging his own unique Hollywood trajectory.

Discussion of the making of the film Summer Stock (1950).

The Making of It's Always Fair Weather with footage and discussion by historians and participants.

Actor Ned Beatty hosts a look at the genre known as "exploitation" films. Interviews with some of the producers and directors of these films are shown, along with scenes from and trailers for some of these films.

DIYSEX is a film that reflects on the use of the image and the language of mainstream pornography, and wonders how far this use can transcend when making your porn film.

The Invisible Subtitler is an independent documentary about the use of subtitles in cinema and the life of subtitlers themselves, focusing on the economic issues faced by the subtitlers and how they are currently invisible in the globalized business of the film industry.

A look-back at popular French movie "La Boum" (The Party).

In this new program, director Joachim Trier, actors Renate Reinsve, Anders Danielsen Lie, and Herbert Nordrum, screenwriter Eskil Vogt, and sound designer Gisle Tveito discuss their passion for cinema and the conception and production of The Worst Person in the World. The interviews were shot in New York and Oslo in 2022. In English, not subtitled. (51 min). Part of the Criterion Collection home video release for THE WORST PERSON IN THE WORLD.

Nightmare in Canada is a television documentary that delves into the history of Canada's horror film industry. Not only do Canadian horror films have a distinct look and style, they also explore fear and dread in a truly "tundra terror" way through themes such as "man against nature" and "fighting the evil that comes from within." Nightmare in Canada uncovers gems from Canada's film history that combat the stereotype that Canadian cinema is bland or aloof.

Documentary film on the making of Mike Flanagan's Absentia. Interviews with cast and crew and behind-the-scenes.

A film about filmmaking.

A unique portrayal of two young amateur actresses embarking on a journey that will forever change their lives as they star in the most eagerly anticipated new show of 2018, Elena Ferrante's My Brilliant Friend.

Filmmaker Jonas Mekas follows his friend, film director Martin Scorsese, and his cast and crew, through various locations during the shooting of his film The Departed, released in 2006.

Michael Dudok de Wit was asked by the famous Japanese animation studio Ghibli, to create his first feature length animated film. This would be Ghibli's first international co-production ever. Maarten Schmidt and Thomas Doebele followed Dudok de Wit and his team during the complex creative process for over two years. He is a perfectionist that is used to making his own hand drawn animated films by himself. For this new and timely production, he was assisted by a team of 20 to 30 artists from all over Europe.

Absolute pleasure as an identity. Alfonso de Sierra, Luis Escribano, Ramón Massa, Ces Martí and Enric Bents were “Els 5 QKs”, a group of amateur filmmakers who, in 1975, decided to get together and create a transgressive and courageous filmography breaking social, religious, and political boundaries; placing the faggot as leading role hero: proud of himself, shameless, beyond good and evil. In this documentary film, Luis Escribano and Ces Martí, only living members of the group, review, alongside some actors, their creative process and what those films, forgotten till now, meant to Barcelona during La Trancisión.

A documentary about an innovative Disability Studies class at NYU Tandon School of Engineering where engineering students and adults with cerebral palsy learn to communicate, connect, and cultivate their abilities by making movies.

A look behind the scenes of Robert Zemeckis' 1994 Oscar-winning film, 'Forrest Gump'.

A documentary film about cult director José María Zabalza. How he made pictures with very little money and was granted little recognition.

In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?

Against a collage of excerpts that span thirty-four films, a filmmaker reflects on the community he has built over more then a decade of low-budget movie making in Oklahoma City.