Life Goes On

A collection of television celebrities pitch United States Savings bonds.

Holocaust survivors, children of survivors, and grandchildren - as well as German freedom fighters - express their shock at the Covid era's fear-mongering and divisive dictates that are reminiscent of the prelude to the Holocaust. This ambitious five-part docu-series is the brainchild of Holocaust survivor and human rights activist Vera Sharav.

Social democracy propaganda film about future dreams for Denmark in 1960. Although Denmark is free again, the former opponent and worker, Svend, is disillusioned: "It is all something soft". The dream of the future is incarnated by a young woman, Karen, who shows Svend the visions of a better life in the 'youth's land'. There are homes and a nuclear-powered car for everyone.

A Nazi propaganda film about the lead up to World War II and Germany's success on the Western Front. Utilizes newsreel footage of battles and fell into disfavour with propaganda minister Goebbels because of it's lack of emphasis on Adolf Hitler.

See how alt-right icon Steve Bannon’s years as a documentary filmmaker catapulted him to Breitbart News and the Trump White House.

¿Por qué morir en Madrid?

North Korean propaganda film about orchards that yield bigger crops after Kim Il-sung visits. The films was presented as a gift to friendly-minded countries in the world. And expected by the North Korean Culture Ministry to be displayed publicly. Sweden was one of the countries honored by receiving a copy of "Gwasu-ui nara / Country of Orchards".

A love affair with collectivist ideologies has lead to ever bigger government and the welfare-warfare state. Lead by a Marxist splinter group called the "Frankfurt School" -- "the long march through the institutions" has infiltrated every corner of Western culture to corrupt traditional Christian values with "political correctness," another name for "cultural Marxism." The ultimate goal of cultural Marxism is to first destroy American free-enterprise capitalism by undermining its economic engine, the Middle Class and this will lead -- they hope -- to the destruction of the basic building block of society: the Family Unit.

This remarkable documentary dedicates itself to an extraordinary chapter of the second World War – the psychological warfare of the USA. America’s trusted cartoon darlings from the studios of Warner Bros., Paramount, and the “big animals” of the Disney family were supposed to give courage to the people at the homefront, to educate them, but also to simultaneously entertain them. Out of this mixture grew a genre of its own kind – political cartoons. Insightful Interviews with the animators and producers from back then elucidate in an amusing and astonishing way under which bizarre circumstances these films partially came into existence.

Schleyer - Eine deutsche Geschichte

Following fateful scientific reports, protestors pose the argument for a better future against the vested interest of industry. Small to large, individual to collective, where do I fit into this?

On the eve of the war in Ukraine, a Russian journalist from pro-Kremlin TV channel brings her rebellious and Westernized teenage daughter on a journey through Putin’s Russia.

The impact of new documents from the international conflict that shook the world is enormous. Never-before-seen footage has emerged for the first time from previously secret archives. The murderous encirclement battles in Russia, the Battle of Britain, and the heroic deeds of countless lone fighters in Potsdam complete the circle of horror, from the Polish campaign to the harrowing images of refugee treks in the winter of 1944/45.

This early, influential propaganda film blends documentary and studio footage to show the valiant efforts of the Royal Air Force to defend the British people against the Nazis.

Under the sign of the swastika, it was, amongst other things, turned into a naval base, it got heavily destroyed in two waves of attack in April of 1945 by British bombers. After the war, Heligoland was made available as bombing training ground for the English army by the West-German government. Seven young people occupied the isle and began to repair the emergency shelter for sailors who got in danger. This and further major actions eventually ended the bombing exercises. Back then, the watchword was: “Heligoland to the Germans! “ – “Heligoland for peace!”

It was the biggest escape in the history of the Berlin Wall: in one historic night of October 1964, 57 East-Berliners try their luck through a tunnel into West Berlin. Just before the last few reach the other side, the East German border guards notice the escape and open fire. Remarkably, all the refugees and their escape agents make it out of the tunnel unscathed, but one border guard is dead: 21-year-old officer Egon Schultz.

Contrasting radical mobs, anarchy, and 1960s counterculture with footage of American manufacturing and innovation, this film celebrates the concept of American exceptionalism and argues that anti-Vietnam War protesters were influenced by communism, atheism, and immorality. Set mostly in a university library, this political debate between a medical student, his 1770s ancestor, and a history professor is a sequel to the 1972 National Education Program film, Brink of Disaster! Two additional characters appear in this drama: a 19th-century steamboat captain, and the student’s grandfather - an early 20th-century automobile worker. The National Education Program at Harding College in Searcy, Arkansas created a variety of widely-distributed anti-communism films from the mid-1940s to the early 1970s.

A student is held up in the library while a riot rages outside. As SDS protesters head to burn the library down, he has to fend them off with his baseball bat. This film opens with actual footage of civil disturbances in the 1960s, and moves on to images of historical American figures.

During the Nazi regime, there was widespread persecution of homosexual men, which started in 1871 with the Paragraph 175 of the German Penal Code. Thousands were murdered in concentration camps. This powerful and disturbing documentary, narrated by Rupert Everett, presents for the first time the largely untold testimonies of some of those who survived.

A documentary about how Russia has been using popular culture as a weapon against Ukraine for decades. Together with industry participants, the film's narrator, musician Albert Tsukrenko, explores the financial, political and psychological reasons for the vulnerability of Ukrainian artists and reflects on how to break this vicious circle. Unfortunately, our own Ukrainian talents are becoming the ammunition in this weapon. Several generations of original Ukrainian musicians at different times in the 1970s and 1980s, 1990s and 2000s, and 2010s switched from Ukrainian to Russian in their work. Whether willingly or unwittingly, they became tools of Russian show business, which has always sought to blur the cultural border between Russia and Ukraine and worked to promote the imperial myth of "one nation".