Long Story Short

This documentary follows 8 teens and pre-teens as they work their way toward the finals of the Scripps Howard national spelling bee championship in Washington D.C.

Long Tack Sam was an internationally renowned Chinese acrobat and magician. He overcame isolation, poverty, cultural and linguistic barriers, extreme racism and world wars to become one of the most successful vaudeville acts of his time. His showmanship was unrivalled, yet he refused to appear in movies because of the way Chinese were portrayed at the time. A celebration of the spirit of Long Tack Sam's magic and art, this richly textured first person road movie is an exhilarating testament to his legacy and a prismatic tour through the 20th Century. It all begins in a small village in China... https://www.nfb.ca/film/the_magical_life_of_long_tack_sam/

Filmmaker Christopher Quinn observes the ordeal of three Sudanese refugees -- Jon Bul Dau, Daniel Abul Pach and Panther Bior -- as they try to come to terms with the horrors they experienced in their homeland, while adjusting to their new lives in the United States.

Fleeing religious persecution, resilient Jewish immigrants arrive in Toronto and begin building affordable, quality housing in a growing metropolis.

This autobiographical film documents an attempt at healing the trauma of touch between mother and child, as the filmmaker and their mother talk openly for the first time about the intergenerational trauma and abuse within their lives. Present day phone conversations are juxtaposed with archival VHS footage, creating a connection between the past and a re-write for the future.

Jamie Graham, a privileged English boy, is living in Shanghai when the Japanese invade and force all foreigners into prison camps. Jamie is captured with an American sailor, who looks out for him while they are in the camp together. Even though he is separated from his parents and in a hostile environment, Jamie maintains his dignity and youthful spirit, providing a beacon of hope for the others held captive with him.

One of Canada's top 10 universities and its largest school board found themselves embroiled in a growing global controversy as scholars, parents, and officials question the Confucius Institute program's true purpose.

A native Briton banished to Australia for murder, and his wife, Henrietta, the disturbed sister of the man he was convicted on killing, set out to help her conquer her demons and return her life to normal.

In early 1860s New York, Irish immigrant Amsterdam Vallon is released from prison and returns to the Five Points, seeking revenge against his father's killer, William Cutting, a powerful anti-immigrant gang leader. He knows that revenge can only be attained by infiltrating Cutting's inner circle. Vallon's journey becomes a fight for personal survival and to find a place for the Irish people.

Italian immigrant Francesca Cabrini arrives in 1889 New York City and is greeted by disease, crime, and impoverished children. Cabrini sets off on a daring mission to convince the hostile mayor to secure housing and healthcare for society's most vulnerable. With broken English and poor health, Cabrini uses her entrepreneurial mind to build an empire of hope unlike anything the world had ever seen.

Illegal immigrants and asylum seekers in Serbia, placed in asylum centers after their dramatic journeys from war-torn and poverty-stricken areas of North Africa, Near and Middle East go through a period of adaptation to life and social circumstances in Serbia. In most cases, however, their goal is to reach one of the EU countries. Docu-drama is a space for them to, beside the socio-political context in which they found themselves, show their individual values, becoming heroes that viewers can identify with and whose destiny and struggle they can understand.

Wednesday afternoon was deliberately chosen. There were a lot of customers in front of and in the brothers Özcan and Hasan Yildirim’s barbershop on 9 June 2004, when 700 three-inch carpenters’ nails turned into projectiles with a 250 metre range. 22 people were injured. The attack was infamous; the course of the investigations was equally scandalous: the victims were suspected. CCTV material was not analysed and Federal Minister of the Interior Otto Schily decisively ruled out a right wing background. It was only in 2001 that this crime was solved in the course of the revelations concerning the right wing extremist terrorist “National Socialist Underground” group. The trial continues until the present day.

Generation One is a short documentary that explores the perspectives of the American-born children of Arab Muslim immigrants as they navigate their two identities. The film follows the life of a Palestinian-American named Hamoody as he decides to leave his tight-knit Arab community and pursue his independence. With vignette interviews from five other Arab-Americans to supplement Hamoody's story and expound upon certain themes, Generation One sheds light on a range of unique challenges found between the hyphens.

A young Anatolian Greek, entrusted with his family's fortune, loses it en route to Istanbul and dreams of going to America.

The film offers exclusive and intimate insights into how and why the classically trained artist risked rejection to revolutionize the traditional Chinese ink art form in Singapore.

In post-industrial Ohio, a Chinese billionaire opens a new factory in the husk of an abandoned General Motors plant, hiring two thousand blue-collar Americans. Early days of hope and optimism give way to setbacks as high-tech China clashes with working-class America.

Saffron Kingdom is a drama inspired by true events, following Masrat, a Kashmiri woman who, after her husband’s abduction, escapes to America with her son, Rizwan. Settling in Atlanta, they confront the challenges of displacement and the lingering trauma from their past. The film explores themes of identity, resilience, and the enduring impact of political turmoil on personal lives.

Oscar, not quite a child anymore, scavenges for scrap metal for his father. He spends his life in improvised landfills among what remains of leftovers. Worlds apart, yet close-by, there is Stanley. He tidies the church in exchange for a monetised hospitality, picks fruits, herds sheep: anything that keep his foreign body busy. Oscar, the young Sicilian, and Stanley the Nigerian don’t seem to have much in common. Except for the feeling of being thrown into the world, to suffer the same refusal, the same overwhelming wave of choices imposed on them by others.

Jussi Ketola, returns to Finland from the great depression struck America only to face growing political unrest. One summer night of 1930, nationalist thugs violently abduct Ketola from his home. Beaten and forced to walk the Eternal Road towards a foreign Soviet Russia, where cruelty seems to know no end, his only dream is to return to his family cost it what it may. Hope dies last.

Artistic director of the National Theater Eric de Vroedt writes and directs a performance about his own mother Winnie, who passed away in 2020. This piece, titled The Century of My Mother, is a family story about the migration from the Dutch East Indies to the Netherlands. It is De Vroedt's way of examining the relationship with his mother and not having to say goodbye to her yet: 'I can let her live on stage, but when the curtain falls, when the play is completely finished, then she is really dead'.