Lucrezia Borgia - Teatro degli Arcimboldi

One of the composer's most beguiling scores, La Favorite is Gaetano Donizetti's La favorita in it's original French form; a tale of love and war that represents a glorious mix of Italian bel canto and 19th c. grand opera. Vincent Boussard's arresting Toulouse production does full justice to this newly renewed masterpiece. Three international principals take on the work's demanding roles: Chinese tenor Yijie Shi is a 'revelation' as Fernand, the rich-toned, authoritative French baritone Ludovic Tezier as King Alphonse XI and lauded American mezzo Kate Aldrich - 'the Carmen of this generation' - plumbing the emotional depths of Leonor's music. Conductor and bel canto specialist Antonello Allemandi adds to the passionate proceedings onstage. Maestro Allemandi demonstrated full authority over the stage for the musically complex scenes, and in the arias and duets demonstrated his confidence in the singers by establishing ample tempos to support their soaring vocal lines.

Madama Butterfly - Teatro alla Scala

Andrea Chénier, Umberto Giordano's masterpiece, a title that opens the Piermarini's 2017/2018 opera season, returns to La Scala in Milan after a 32-year absence. A highly anticipated event, not only because of the debut in the role of Magdalena by superstar soprano Anna Netrebko (thus marking her third season opener at La Scala, following 2011's Don Giovanni and 2015's Giovanna d'Arco) but also because of the La Scala debut of Yusif Eyvazov (Mrs. Netrebko's spouse, who has been keeping the Piermarini's gallery apprehensive for months now) and for the new direction signed by Mario Martone, who with Margherita Palli (composer of the sets) return to La Scala's handling of an opera by Umberto Giordano, after the success in May 2016 of their Cena delle Beffe.

Gennaro, the son of Lucretia Borgia, lives unaware of the identity of his mother, who has married the Duke of Ferrara. After Lucretia's brother is killed by five conspirators, the fathers of Gennaro's dearest friends, Lucretia tortures the old men to death. Later, Gennaro and his companions journey to Lucretia's domain, and she sees her son for the first time. The Duke, who believes him to be her lover, poisons him, but Lucretia administers the antidote in time and saves his life. Then she schemes to poison her sons' five friends for their fathers' mistake.

In his 'new life' as a baritone, Placido Domingo has triumphed in the role of Francesco Foscari in Los Angeles, London and Vienna. Now he takes to the role to La Scala, Milan, the theatre that is the symbol of Italian opera. I due Foscari, premiered in 1844, famously one of Verdi's darkest operas, is staged by Alvis Hermanis, who made such an impact at the Salzburg Festival with "Die Soldaten" and "Il trovatore". Domingo is joined by two of Italy's most exciting singers, the soprano Anna Pirozzi and the tenor Francesco Meli, and the acclaimed Italian conductor Michele Mariotti. The Financial Times was deeply moved by Domingo's performance, calling his interpretation of the role "sublime".

Rossini: La Gazza Ladra - Teatro alla Scala

Anna Bolena - Reate Festival di Rieti

The incredible story of Lucrezia Borgia (1480-1519), daughter of Pope Alexander VI (1431-1503), deliberately used politically by her powerful family and historically slandered as a poisoner and incestuous femme fatale. But who was the real Lucrezia?

Six Italian directors explore contemporary Milan in a rich and eclectic portrait of urban life and spaces—both rooted in history and bursting with a diversity of architecture and humanity.

Lucrèce Borgia, une femme au Vatican

A Nigerian woman and an Indian man won't let cultural differences get in the way of their romance.

Stage mother Dolly Murdock (Ann Sothern) uses the attractiveness of her teenage daughter Tricia (Alexandra Hay) for her own economic gains, leading Tricia to experience a nightmarish loss of innocence.

What starts as an innocent flirtation between teenagers on the edge of an old bombing range turns askew when a trip home reveals a chaotic adult world that seeks to subvert their friendship.

Hunting master Ginzo kills a man-eating bear. When he finds out the bear had a cub, Ginzo decides to raise the cub, but the bear later becomes a troublemaker.

Previously issued as Masters from the Vaults, this is British rock band Atomic Rooster’s 1972 live studio performance made for Belgian television.

The documentary begins with a dramatised reconstruction of the sea voyage by Hartog Simon Pos and his brother Matthijs in the year 1774. They were on their way to Suriname. Nearly two hundred years later, Diego Pos made a trip in the opposite direction: he was the last Pos to leave Suriname. In Ongewisse tijd, Pos returns to Suriname in search of the history of his Jewish family and of Suriname Jews in general. He happens upon unexpected relatives, like Simon Matthijs, who was born out of a slave in the eighteenth century. The search and encounters with various representatives of Jewish communities in Suriname run synchronous with the dramatised story of the brothers Hartog Simon and Matthijs, whose initially close relationship was seriously dampened by love affairs.

A partially mute man dreams of performing on stage in dramas but often keeps falling in trouble with the villagers due to his eccentric ways. By contrast, his son is a responsible man who dreams of climbing up the ladder and making something of his life. The film explores how the clash of personalities results in problems down the road for this father-son duo.

Three women struggle, cursing, laughing and telling each other the truth. Each with their own phase of motherhood and its effect on their lives.

Soviet propaganda film on the struggle against counter-revolution in Tambov region in the first years of Soviet power.