In his 'new life' as a baritone, Placido Domingo has triumphed in the role of Francesco Foscari in Los Angeles, London and Vienna. Now he takes to the role to La Scala, Milan, the theatre that is the symbol of Italian opera. I due Foscari, premiered in 1844, famously one of Verdi's darkest operas, is staged by Alvis Hermanis, who made such an impact at the Salzburg Festival with "Die Soldaten" and "Il trovatore". Domingo is joined by two of Italy's most exciting singers, the soprano Anna Pirozzi and the tenor Francesco Meli, and the acclaimed Italian conductor Michele Mariotti. The Financial Times was deeply moved by Domingo's performance, calling his interpretation of the role "sublime".
Madama Butterfly - Teatro alla Scala
Rossini: La Gazza Ladra - Teatro alla Scala
Anna Bolena - Reate Festival di Rieti
Gennaro, the son of Lucretia Borgia, lives unaware of the identity of his mother, who has married the Duke of Ferrara. After Lucretia's brother is killed by five conspirators, the fathers of Gennaro's dearest friends, Lucretia tortures the old men to death. Later, Gennaro and his companions journey to Lucretia's domain, and she sees her son for the first time. The Duke, who believes him to be her lover, poisons him, but Lucretia administers the antidote in time and saves his life. Then she schemes to poison her sons' five friends for their fathers' mistake.
Giordano: Andrea Chénier - Teatro alla Scala
One of the composer's most beguiling scores, La Favorite is Gaetano Donizetti's La favorita in it's original French form; a tale of love and war that represents a glorious mix of Italian bel canto and 19th c. grand opera. Vincent Boussard's arresting Toulouse production does full justice to this newly renewed masterpiece. Three international principals take on the work's demanding roles: Chinese tenor Yijie Shi is a 'revelation' as Fernand, the rich-toned, authoritative French baritone Ludovic Tezier as King Alphonse XI and lauded American mezzo Kate Aldrich - 'the Carmen of this generation' - plumbing the emotional depths of Leonor's music. Conductor and bel canto specialist Antonello Allemandi adds to the passionate proceedings onstage. Maestro Allemandi demonstrated full authority over the stage for the musically complex scenes, and in the arias and duets demonstrated his confidence in the singers by establishing ample tempos to support their soaring vocal lines.
The incredible story of Lucrezia Borgia (1480-1519), daughter of Pope Alexander VI (1431-1503), deliberately used politically by her powerful family and historically slandered as a poisoner and incestuous femme fatale. But who was the real Lucrezia?
Six Italian directors explore contemporary Milan in a rich and eclectic portrait of urban life and spaces—both rooted in history and bursting with a diversity of architecture and humanity.
Lucrèce Borgia, une femme au Vatican
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A simple governess and a wealthy aristocrat fall madly in love with each other. However, his family are prejudiced towards her and have other plans for him.
Set in Italy, the story takes place in this very country, during WW2, where German occupation army ruled everything, just before the allied forces came, in 1944. Crawford plays here a doctor whose son has been shot by the Germans. Of course he has no more taste in life. He continues his work as a German officers' physician. One day, he throws a bomb just in the middle of German troops. Many soldiers and officers are killed. Some time later, the lead officer of the Nazis troops suspects the doctor to be the responsible of the explosion. He lets him know that he himself knows...
A portrait of the everyday life of a typical middle-class family in parallel with the fall of the "Estado Novo", the 48-year dictatorship led by Salazar. The daughters' conflicts and frustrations with their parents, their grandmother and their maid find an obvious echo in the country's collective events. The Carnation Revolution is about to explode.
Three people – a returned prisoner of war, his beautiful second wife, and the possessive, hunchbacked spinster who is his sister-in-law by his first marriage – are isolated in a little house under an extinct volcano, where each strives for personal happiness but is suffocated by their dependence on the others.
This intense chamber drama centers on an ambitious young industrial designer who is summoned home to help his father and sister. Both the aristocratic family he fled in shame and scorn, and their dilapidated country estate, bathed in an oppressively nostalgic light, prove ultimately inescapable.
Two Elderly Men are asked by the Prime Minister to take care of the city for one day. During this time, they have to deal with the heat, a diplomatic conflict, a love rivalry, and a lack of water. They do it in their style – they sing easily.
Mariam, a well-known dancer from Kampung Paku Laris is caught in a love triangle between the rich, powerful and handsome Marsani and the poor but kind-hearted Danial. When Mariam chooses to marry Danial, Marsani continues to obsessively pursue her. But when tragedy occurs and Mariam is found dead, while Danial's boat sinks at sea, strange things begin to occur. Fast forward 60 years later, and a young girl named Maria bears an eerily striking resemblance to the late Mariam.
Nami’s father was a legendary truck driver, and after his death, Nami inherited the deco-truck With her up-beat personality and super driving technique, Nami is popular among her customers. By coincidence, Nami meets Momoka, a hooker who takes truck drivers as customers. Momoka says to Nami, “I want to start a new life !!” and begs that she wants to be Nami’s assistant. She is overwhelmed by Momoka’s passion, and decides to take her in. One day, after dinner, the two return to the truck and sees that there is a box which they must have forgotten to load. So they load the box back in the truck, and the odd twosome drive away to the next destination. This “box” is the start of trouble for Nami and Momoka. What lies ahead in their destiny?!