Bottled Songs: The Spokesman

Man's need to create beauty, to interpret the world around him in image and color, has found expression in many forms, from the days of primitive culture to the present. This film surveys the work of Canadian craftsmen in many fields, showing how the changing Canadian scene has been their constant inspiration and how business enterprise today is increasingly using the skills of the artisan to enhance the decor of building interiors.

How to make porridge using a haybox.

In the shadow of Bryant-Denny Stadium stands one of the most iconic Tuscaloosa restaurants, Rama Jama's. This local diner is a key tradition in the Alabama Football season, and its own story has much to tell.

Dramatizes the case of a family in which the father respects and loves his wife and children, permitting each to develop as an individual, and contrasts this family with one where discord and hostility prevail.

Indian freedom fighter Gandhiji was killed by Nathuram Godse. But what made Nathuram Godse to take this extreme step?

The Sabbat Festival Of Dark Arts is an annual festival exploring the influence of witchcraft, magick, cults and the occult on pop culture. Recorded at The Underdog, 6 Crucifix Ln, London , UK.

The pandemic has changed many things. Including Alfia, she is a teacher who has learned a lot from the phenomenon she saw. For Alfia, trash is no longer appropriate to be disposed of in its place.

A biographical documentary on the late great comedian Bill Hicks and his career; in particular the censorship by Letterman that scarred it.

This film features some of the most important living Postmodern practitioners, Charles Jencks, Robert A M Stern and Sir Terry Farrell among them, and asks them how and why Postmodernism came about, and what it means to be Postmodern. This film was originally made for the V&A exhibition 'Postmodernism: Style and Subversion 1970 - 1990'.

In the following conversation, recorded remotely in 2020, filmmakers Martin Scorsese and Ari Aster discuss the mission, evolution, and ongoing work of The Film Foundation, the nonprofit organization dedicated to protecting and preserving motion-picture history that Scorsese established in 1990.

The Numbers Start with the River is a 1971 American short documentary film about small-town life in Iowa. Produced by Donald Wrye for the United States Information Agency, it was nominated for an Academy Award for Best Documentary Short.

In this heartfelt short film by Daniel Leonard Bernardi, Roosevelt Farrow, born in 1929 at the start of the Great Depression, shares his lifelong dream of becoming a U.S. Marine, despite the racial barriers of his time. Raised by his grandmother in humble conditions, he was inspired by the sight of Marines visiting his community. Farrow's determination led him to join the Marine Corps, where he faced the challenges of Montford Point boot camp and eventually became an expert marksman and retiring as a Gunnery Sergeant. Although he never saw combat due, in his view, to his beloved wife's prayers, he realized the significance of his journey when he witnessed black officers rising in the ranks. Farrow's story is a testament to perseverance and the pursuit of one's dreams, encouraging others not to give up on their aspirations despite austere beginnings and social injustice.

The film traces the figure of virgin and places her in an amorous encounter with pleasure and pain, body and mind, the historical and the lived. It presents wedding night as a liminal event and projects the liminality of the event onto a psychic landscape. Placed at the edge of time, the nuptial chamber in the film becomes the feminine place of contemplation. The film is a search for the shadowy, nocturnal and the oneiric.

Parents talk about their gay and lesbian children, and how they came to accept their lifestyle.

This short documentary follows Gabe Etchinelle as builds a mooseskin boat as a tribute to an earlier way of life, where the Shotah Dene people would use a mooseskin boats and transport their families and cargo down mountain rivers to trading settlements throughout the Northwest Territories.

The director’s mother, Mirka Mora, avoided Auschwitz by one day. On his father’s side many perished in the Holocaust. These facts triggered three visits to Auschwitz by Mora from 2010 to 2014 in an effort to understand and remember.

Lost Theaters of Wichita has the inside story from those who were there. It’s a tale of two great entertainment palaces—one that barely survived and the other that came crashing down while still in its prime. The Miller could still be entertaining people to this day in a grand atmosphere unlike any other. But instead, a parking garage sits in that spot–a monument to history lost and a lesson for future generations to heed. Program includes additional segments on Wichita theater history not included in the documentary itself, and a question and answer session with some of the people interviewed in the film.

Explore timely, personal stories of LGBTQI+ families who strive to build lives in their communities despite biased legislation and mounting prejudice.

"The operations that dislocate a film like Summer Solstice– I hope irreparably– from being a movie about the locomotion and eating habits of cows, a dairy farm document, or what have you, are finally of a whole lot less concern to me than the following things: how it looks, the sense that probably it was done deliberately, the pleasure or displeasure– the intrigue, possibly– of attempting to retrieve the manner in which it was done while one is watching." -HF

A fairly shabby, dark, three-part wardrobe in a hallway: About ten years have passed since Joana Claude suffered sexual violence when it was assembled. Now the time has come to not only disassemble it. Instead, Joana sets out to destroy the artefact of pain completely. The gesture is made with fervour, tearing out the shelves and doors looks like retroactive resistance, what was pent up finds an outlet. At the same time, the ritual is characterised by gradual escalation: At first the director speaks of her relationship with her parents – a big sweat stain on her back already beginning to show –, in the end everything is in flames. The act is short, it lasts only a few minutes. And yet it allows an intimate insight that acquires a universal, strength-giving character as it unfolds.