It is an investigation into the loaded, transforming topography that is already palpable in the landscape, before we actually understand what language it creates for our society.
Lori relates her experiences before during and after the making of 'Caligula'
A brief history of Talking Heads (and how they got here!)
As wild bears adapt to suburban life, they show us we're not so different. Co-thriving begins with us.
A short film warning the unaware housewife of the dangers of “dry cleaning” with gasoline at home.
The film features a conversation between Lucas and Francis Ford Coppola, producer of THX 1138. They discuss Lucas' vision for the film, including his ideas about science fiction in general and in particular his concept of the "used future" which would famously feature in his film Star Wars. Intercut with this discussion is footage shot prior to the start of production of THX 1138 showing several of its actors having their heads shaved, a requirement for appearing in the film. In several cases the actors are shown being shaved in a public location. For example, Maggie McOmie is shaved outside the Palace of Fine Arts in San Francisco, while Robert Duvall watches a sporting event as his hair is cut off. Another actor, Marshall Efron, who would later play an insane man in the film, cut off his own hair and was filmed doing so in a bathtub.
The final episode in our Mini-Docs series comes from musician and writer Jake Anderson, who explores the niche music genres which find an increasing audience in the North East. On a mission to discover outside-the-mainstream sounds and the driving forces behind their creation, Jake chats with musicians Me Lost Me, SQUARMS and Mariam Rezaei, along with some of the major players keeping these sonically-engaging sound makers doing what they’re doing, including Simeon Soden from Kaneda Records and Lee Etherington of TUSK. This mini-documentary features reflections on some of the most unique acts in the North East, what genre boundaries actually mean and artists’ hopes for the future of the North East’s alternative scene. This is an Art Mouse film for NARC. TV, written and directed by Jake Anderson.
In Franklin, West Virginia, something magical is happening in the local streams! A native trout species pushed to the brink of extinction is making a remarkable comeback. Working with the U.S. Fish & Wildlife Service's Partners for Fish & Wildlife, local farmers, ranchers and the community at large are uniting behind this incredible restoration effort. The short film "Little Stream, Big Magic" captures the beauty of West Virginia's famous fly-fishing rivers in stunning detail and delivers a heartwarming story of people's resilience and dedication to conservation. Produced by the award-winning film team Tandem Stills + Motion, Inc. in cooperation with the Partners for Fish and Wildlife Program (PFW) and Trout Unlimited (TU), the film provides an important perspective to further engage with private landowners in the community on the benefits of restoring trout habitat. This beautiful and uplifting film shows audiences what's possible for grassroots conservation nationally.
Since Covid-19 struck in 2020 and to be precise in March in Indonesia, it made a big change. Because of Covid-19 too, Hafiz & Friends Recap was also stopped because they couldn't do much activities as usual.
An homage to the late actor Philip Seymour Hoffman.
In this personal documentary, Indigenous comedian Chad Charlie goes to participate in the Standing Rock occupation and has a transformative experience. The film takes us on Charlie’s powerful passage of self-discovery, from the irreverent jokester to the culturally aware poet whose powerful spoken word piece encapsulates his realizations at the close of the film. In this blend of cinema, vlog, and social media with tons of humour, Charlie uses a real mix of formats (phone streaming, news footage, fly-on-the-wall documentary style) very effectively, and doesn’t try to work in a huge narrative or have a tidy conclusion. Like many who were there and endured violence by police against their peaceful marches, Charlie is still working through trauma and mental health issues he experienced from it. In his case, this journey has left him with a greater awareness of the ongoing injustices that Indigenous people must still contend with.
Repainting Cuba takes a critical look at communist Cuba, where both the facades and the aging regime were given a coating of colorful paint in connection with the 50 year anniversary of the revolution. Two young Cubans under house arrest talk about being imprisoned for dealing with foreign tourists in a society where gossip and backstabbing is endemic, and where the heavy varnish can’t conceal the cracks.
Bryan Charles Kimes has a lot to say, but the power of language escapes him. Lost in a public-school system that does not suit his needs, his parents fight to help him find his voice.
In interviews, various actors and directors discuss their careers and their involvement in the making of what has come to be known as "cult" films. Included are such well-known genre figures as Russ Meyer, Curtis Harrington, Cameron Mitchell and James Karen.
A part of Porto’s nightlife history is revealed. In this work, the artist draws on her extensive archive of video recordings of Porto’s artistic and cultural landscape, which she has captured over the last 26 years, to focus on some of the city’s nightclubs that haven’t survived the years. A work commissioned by Batalha Centro de Cinema.
Documentary film about Martin Park, a homeless man living in Dublin, and his friendship with photographer and filmmaker Donal Moloney.
A display of a fallen red cedar at Olympic National Park headquarters proclaims in 1349 "Indians live here." TREE BEGINS LIFE INDIANS STILL LIVE HERE produces a meditation on the territories of the First Nations of the Pacific Northwest, and invites an alternative interpretation of U.S. sovereignty over these lands.
Edwardian holidaymakers throng to the attractions at Lancashire's premier seaside resort.
They say that if a daughter looks like a father, then she will certainly be happy. But what if you look like a person whom you have never seen in your life? And all you know about him is speculation, fantasy and a small bronze figure.
Comments on the history of a people, made by the filmmakers and their characters. From the time of contact, through captivity in rubber plantations, to the current work with video, the testimonies give meaning to the process of dispersion, loss and reunion experienced by the Huni kui.