103 min
5.9
1958
USA
Searching for a doctor who can help him get his son to speak again--the boy hadn't uttered a word since he saw his mother die in the fire that burned down the family home--a Confederate veteran finds himself facing a 30-day jail sentence when he's unfairly accused of starting a brawl in a small town. A local woman pays his fine, providing that he works it off on her ranch. He soon finds himself involved in the woman's struggle to keep her ranch from a local landowner who wants it--and whose sons were responsible for the man being framed for the fight.
Overview
Reviews
John Chard wrote:What price do you put on love and devotion?
*** This review may contain spoilers ***
The Proud Rebel is directed by Michael Curtiz and adapted by Lillie Hayward & Joseph Petracca from the story "Journal of Linnett Moore" written by James Edward Grant. It stars Alan Ladd, Olivia de Havilland, Dean Jagger, David Ladd, Cecil Kellaway & Henry Hull. Jerome Moross scores the music and Ted McCord is the cinematographer. It's a Technicolor production and the location for the shoot is Cedar City, Utah, USA.
John Chandler (A Ladd) is a proud Southerner, the Civil war war may be over but he is still finding hostility in the North. He is searching for a doctor who can help his mute son David (D Ladd) speak again, the youngster has been unable to talk since the death of his mother in a fire at the family home. After being taunted for his Southern roots, John gets into a fight that lands him a 30 day jail term. Luckily a kindly local lady called Linnett Moore (Havilland) offers to pay the fine to keep John out of jail, she can see that young David needs his father, and a man about her farm will come in handy. From here John gets involved with Linnett's struggle to keep her land from ruthless local landowner Harry Burleigh (Jagger). Burleigh and his sons will do what it takes to get their way. As bonds and affections are formed, some real tough decisions must be made, can the proud rebel, and those he cares for, triumph in adversity?.
Make no mistake here, this film is as formulaic as it comes, any fan of the genre that reads the plot synopsis will know exactly what to expect. That, however, doesn't mean this isn't a smashing film, because it completely is. It's the kind of film that that all family members can sit in front of the TV and enjoy. When a plot arc in a film involves the bullied standing up to the bullies it's always rewarding, but The Proud Rebel doesn't just stop at pulling that particular heart string, it pulls at a couple of others involving the quest for David to speak again, and a lovely emotive strand involving Lance the dog. Even tho the expected finally arrives, you would have to be made of granite to not feel like whooping with joy as you swat away that fly in your eye.
Michael Curtiz directs and does, as usual, a brilliant unfussy job, but even he would surely have acknowledged the integral part the score plays in this story. Jerome Moross' score is simply wonderful, every frame comes to life as the music itself envelopes the characters and also brings them to life as well. Gorgeous and at times desperately sad, it's a score very much to savour. Alan Ladd as John slips quite easily into Shane mode, acting opposite his son David, he emotes with great conviction, and during some of the more sadder scenes he is quite heartfelt and believable. Olivia de Haviland as Linnett Moore is sturdy and tough, how nice it is watching de Haviland perform so well in this type of role. The supporting actors are all effective, most notably Jagger, Kellaway and of course young David Ladd, whilst keep an eye out for future great character actor Harry Dean Stanton.
If you like Shane and films of that ilk then this is for you, a perfect family picture that pulls at all the respective emotional threads. 7/10
Wuchak wrote:***Sort of a low-key drama version of “Shane,” set in Illinois (Why Sure!)***
After the Civil War, a former Confederate (Alan Ladd) travels the North searching for a doctor who can heal his son's shock-induced muteness (the boy is played by Alan’s real-life son, David). He ends up working on the farm of a woman (Olivia de Havilland) to pay off a debt and has to contend with troublesome sheep ranchers.
The tone and some plot elements are reminiscent of “Shane” (1953), which is unsurprising seeing as how “Shane” is one of the greatest Westerns of all time and producers would like to reproduce its success. The big difference here is that the woman lives alone on her farm and Alan’s character isn’t a former kick-axx gunfighter, although he is a former Confederate soldier and that’s nothing to sneeze at.
The highlight for me is the two stars. Olivia was still beautiful at 41 during shooting, inside and out; while Ladd still had his world-weary charisma at 44. But he looks older and would be dead in 5.5 years at the premature age of 50 from an acute overdose of alcohol and sedatives. It’s a pity his son would be bereft of his father by 15.
As my title blurb says, this is decidedly a drama compared to “Shane” (which, admittedly, contained a lot of realistic drama) although there is a brief brouhaha early on and a shootout later. It’s akin to The Waltons, but without the teenaged kids. Regrettably, there’s a problem with the drama, but I don’t want to say too much. Let’s just say that one character comes across as a stiff dud who doesn’t see the gold standing right before his eyes. Aduh.
Another serious problem is the southern Utah locations, which are a horrible stand-in for Illinois. It’s blatantly obvious to anyone who’s been anywhere near Illinois that the film wasn’t shot within a thousand miles of the state. There are plenty of suitable locations in the Eastern USA & Canada and around the globe that resemble Illinois; so this is unforgiveable.
The movie runs 1 hour, 43 minutes and was shot in Kanab and Cedar City, Utah.
GRADE: C+
