Water from The Tremulous Stream

The first film made by Markopoulos after moving to Europe, Bliss was shot over the course of two days using only available light to create a lyrical study of the interior of the Church of St. John on the island of Hydra.

Narrated by Bill Slater, this short black & white educational film is about sporting and outdoor activities on the majestic Hudson River in New York State.

This short film from the Perspective series highlights social and economic development in Haiti circa 1957. It depicts customs and traditions used to pass along the history of a people, and offers a look into their daily lives — lives that looks very different from their experiences today.

Twenty images of a camera running next to a chemical platform and capturing abstract light throught improvised gestures and asymmetrical motion

Documentary on the Mayan culture.

This film was originally made for the International Conference on Human Settlements (HABITAT) which was held in Vancouver, Canada. Taking as an example the production and marketing of bananas and the prevailing conditions in the world market - dominated by the virtual monopoly of three multinational companies -, it is shown how as a result of this monopolistic domination, the Costa Rican State has stopped receiving equitable taxes for what that, in the end, the housing and public services offered by the country are characterized as those of an underdeveloped society. The attempt made since 1974 by a group of banana-producing countries, aimed at improving sales prices to multinationals and raising taxes; The resulting “banana war” are examples of the enormous efforts that small banana countries have to make to achieve greater justice in the prevailing market conditions.

Cine Dunas

La Fantasía de Memo Luna

The world appears black on black until it separates from itself, looks at itself, includes itself, and sees colour.

Whales Without Walls is a short film that tells the story of our work to create North America’s first seaside sanctuary for whales being retired from marine entertainment parks.

Explore timely, personal stories of LGBTQI+ families who strive to build lives in their communities despite biased legislation and mounting prejudice.

Captured during the early days of production, this unreleased film offers a glimpse into its rehearsal sessions — an intimate icebreaking moment where the cast come together through song and rhythmic clapping.

The Bornean Tree Partridge, Chinese Bamboo Partridge, and Indian Peafowl are some of the most colourful, most beautiful, and rarest species of pheasant in the world. Native to Asia, they can be found at The Ornamental Pheasant Trust at Norfolk Wildlife Park, Great Witchingham where the Trust’s devoted founder Philip Wayre has set up a breeding programme to save several species threatened with extinction.

A Hong Kong Newt once resided in a narrow irrigation channel, believing it would be confined there forever. However, an unexpected flood swept it away, carrying it through a dark passage until it arrived in a serene, azure pond. The newt found companionship among its kind and thrived in the aquatic haven. But as it ventured back onto land after the breeding season, it encountered unforeseen threats.

In 1997, filmmaker Nic McLean shot his first documentary with Outer Banks icon Delbert Melton who was in the middle of a domestic dispute with the Town of Kill Devil Hills over persistent requests to clean up his yard.

In the following conversation, recorded remotely in 2020, filmmakers Martin Scorsese and Ari Aster discuss the mission, evolution, and ongoing work of The Film Foundation, the nonprofit organization dedicated to protecting and preserving motion-picture history that Scorsese established in 1990.

An intimate behind the scenes short film while shooting the Black Adder special Back and Forth.

A look at the Lake District and its famous poet.

The master collects silver parings, melts it down, created earrings, rings, bracelets, hair pins, stones inset into the silver, the master imparting the craft to his apprentices.

A fairly shabby, dark, three-part wardrobe in a hallway: About ten years have passed since Joana Claude suffered sexual violence when it was assembled. Now the time has come to not only disassemble it. Instead, Joana sets out to destroy the artefact of pain completely. The gesture is made with fervour, tearing out the shelves and doors looks like retroactive resistance, what was pent up finds an outlet. At the same time, the ritual is characterised by gradual escalation: At first the director speaks of her relationship with her parents – a big sweat stain on her back already beginning to show –, in the end everything is in flames. The act is short, it lasts only a few minutes. And yet it allows an intimate insight that acquires a universal, strength-giving character as it unfolds.