Henry in Bathroom

James Rasin's documentary “Beautiful Darling” honors American Transgender actress and best-known Warhol Superstar, Candy Darling, and her all-too-brief life and career, with a combination of current and vintage interview material, rarely seen archival photos and footage, and extracts from Darling's movies.

Interview with the italian composer Claudio Gizzi about his lifetime and work as part or the extras of the Blu-Ray edition from What? (Che?) (1972) from Roman Polanski

In this educational film about personal hygiene, Harv and Marv are animated characters in the real world. When Marv says he wants to become human, Harv shows him that real people have to bathe, wash their hands and teeth, and mind their appearance.

Captures the sculptor Marisol posing among her work.

Marisol has been posed against a light-coloured background and carefully lit from left and right. Her face emerges from the dark mass of her hair. The film is slightly out of focus throughout. At one point she glances off-screen, then resumes her gaze into the camera.

Robert Indiana with a few companions sitting, smiling, and smoking as life passes idly by.

16mm, black and white film, silent, 4:30 min.

Long before Kim Gordon was a cooler-than-thou multimedia artist in Body/Head, she was a cooler-than-thou multimedia artist in Sonic Youth. In the ’80s, Gordon and her bandmates were fixtures of New York’s downtown art and music scene; one regular haunt of theirs was legendary nightclub Danceteria, which served as the setting for a short film Gordon made sometime around 1985. Now, as Dangerous Minds points out, said video has surfaced online thanks to filmmaker/designer Chris Habib (a.k.a. Visitor Design). “Excellent video I found in my Sonic Youth archive,” Habib writes on the clip’s Vimeo page. “I digitized it for Kim during her [early 2000s] CLUB IN THE SHADOWS exhibition at Kenny Schachter’s old space in the West Village.”

Following fateful scientific reports, protestors pose the argument for a better future against the vested interest of industry. Small to large, individual to collective, where do I fit into this?

Andy Warhol directs The Factory regular Louisa "Jackie" Foster for a screen test.

On the 10th anniversary of his band Rall Tide’s debut album, artist Peter Kotas takes you on a flowering multimedia tour of Detroit musicians trying to survive in a world where you can’t even enjoy a baseball game without supporting The Bay of Pigs. Along the way he shows you how the band’s abrupt break-up led to his career as a political journalist peeking behind the curtains of Kansas to find diplomatic wizard Mike Pompeo, Trump’s CIA Director and Secretary of State, wears no clothes. Iowa Writer’s Workshop hero Kurt Vonnegut (or some entity that knows all about his life) hosts this documentary as the ideal human from his 1985 novel Galapagos: a penguin with flippers unable to pull triggers or press buttons to bomb and kill people.

Documentary about American artist and former Warhol superstar, Brigid Berlin.

Andy Warhol's Silver Flotations is a portrait of Warhol's famous installation of floating silver helium-filled balloons at the Leo Castelli Gallery in 1966. Willard Maas's lyrical "film poem" is the only visual document of this seminal exhibition.

In the mid-1960s, wealthy debutant Edie Sedgwick meets artist Andy Warhol. She joins Warhol's famous Factory and becomes his muse. Although she seems to have it all, Edie cannot have the love she craves from Andy, and she has an affair with a charismatic musician, who pushes her to seek independence from the artist and the milieu.

In New York City during a drug party in the late 1960s, a wannabe Warhol starlet named "Ann" becomes a legend when her murder is caught on home movie. Chelsea, August of 1969,a slumming Southern Belle and her two visiting sorority friends are throwing a party in the hope that Andy Warhol will make an appearance.

Joan Crawford is a Hollywood legend. She star of bright and somber melodramas. She reigned on the screens for several decades, but every kingdom has her sunset. At that twilight moment, and as if trying to escape that crossroads, Joan decides to call the notable American artist, the greatest exponent of Pop Art: Andy Warhol. Her intention is to replace her muse, Elizabeth Taylor, in the serigraphs that the artist will present at the Ferus Gallery in Los Angeles. This intrusion will give rise to a telephone conversation where the queen of melodrama will confirm that the world has changed and that her cinematographic life in black and white is already part of an implacable past.

A young pilot narrowly escapes the destruction of her home in a stolen ship, only to be followed by the colossal cockroach responsible.

It's July 1976, and two Nova Scotian teens, Kit and Alice, are hitting the road with their sights on Sydney and their minds on the future. With them is Kit's new imaginary friend, who looks conspicuously like Andy Warhol, but who assures Kit that he is a spirit animal. Kit and Alice have big dreams, but do they really want the same things?

Written 30 years earlier, Lou Reed’s hymn celebrates five flamboyant characters, each one a fragile icon from Andy Warhol’s Factory: Holly Woodlawn, Candy Darling, Joe Dalessandro, Joe Campbell (aka Sugar Plum Fairy) and Jackie Curtis. Over five delicate tableaux Stéphane Sednaoui films these young people proudly displaying their sexuality and creativity, each one dreaming of becoming a star on the New York scene.

Three celluloid letters sent from different parts of the globe to Paul Morrissey, director of Trash, Flesh and Heat, collaborator with Warhol and agent for the Velvet Underground.