An unintentional irregularity of a clip from Fata Morgana (Werner Herzog).
IJswee is a documentary film about an ice club, a village and the warm winters. In the film we follow Oringers, the inhabitants of Odoorn, through the winter. The Oringers all experience IJswee in their own way. You will also see the Icecounter (Rafael van der Ziel), who builds ice sculptures and drinks frozen milk. You see the Drenthe countryside changing with the weather. You see animations, archive material and you hear the mysterious sounds of IJswee in the music of Wietse de Haan. And there are two trumpet players, who welcome winter with their music and say goodbye to it.
Home is where we grow up or settle permanently. And this home is always shaped by nature. Today, we human beings change and shape this more than any law of nature. HEIMAT NATUR is a visually stunning journey through the nature of our homeland, from the peaks of the Alps to the coasts and the depths of the North and Baltic Seas. In between is a cinematic foray through steaming forests, shimmering moors, over rose-blossoming heaths and the colorful cultural landscape around our villages and towns. In extraordinary images this nature is shown from its most beautiful side, examining the state of the native habitats. Slow-motion and time-lapse photography as well as intimate shots of familiar and unfamiliar species, some filmed for the first time, making the film a cinematic nature experience for the whole family.
Morgan Spurlock subjects himself to a diet based only on McDonald's fast food three times a day for thirty days without exercising to try to prove why so many Americans are fat or obese. He submits himself to a complete check-up by three doctors, comparing his weight along the way, resulting in a scary conclusion.
Spring comes every year and brings us hope for recovery and development. But time is inexorable and fleeting. Not for everyone will come next spring ...
Rummaging for Pasts is an experimental juxtaposition of two cinematic documents: the video diary of an international archaeological excavation and a collection of assorted eight millimeter found footage of Indian weddings.
Some images of the landscape and the spaces that house them. "Every single entity contains an adumbration or landskip of the whole Universe" (Jan Baptist van Helmont, 1650). Images becoming life—life becoming images.
An investigation about human intervention in nature, from the subjective point of view of the camera, the environment and its transformation are observed.
A letter film for Abbas Kiarostami
Filmed in 1987, this documentary chronicles the journey of Via Rail's The Canadian as it makes its way across Canada.
"I was visiting Jerome Hill. Jerome loved France, especially Provence. He spent all his summers in Cassis. My window overlooked the sea. I sat in my little room, reading or writing, and looked at the sea. I decided to place my Bolex exactly at the angle of light as what Signac saw from his studio which was just behind where I was staying, and film the view from morning till after sunset, frame by frame. One day of the Cassis port filmed in one shot." -JM
This unusual film, narrated by Orson Welles, records the day-by-day events in the lives of six oceanauts who, in an unique experiment, spent 27 days 328 feet below the surface of the Mediterranean. The experiment originated with the French scientist and explorer, Jacques-Yves Cousteau, on whose work the idea of oceanic exploration is based. The film shows the preparation and training needed for the expedition and the working conditions both inside and outside Conshelf Three, a specially made steel bubble which served as home and laboratory.
Artists Peter Fischli and David Weiss create the ultimate Rube Goldberg machine. The pair used found objects to construct a complex, interdependent contraption in an empty warehouse. When set in motion, a domino-like chain reaction ripples through the complex of imaginative devices. Fire, water, the laws of gravity, and chemistry determine the life-cycle of the objects. The process reveals a story concerning cause and effect, mechanism and art, and improbability and precision, in an extended science project that will mesmerize the mind.
Set at an artificial reservoir in North Carolina, RESERVOIR (SEVEN FRAGMENTS) is a meditation on the unnatural histories of the American environment. The film approaches both the cinematic image and the landscape it captures as damaged, estranged things—things adrift in a world of irreparable discord.
“All that which in Picture is not of the body or argument thereof is Landskip, Parergon, or By-work” (Thomas Blount, Glossographia, 1656).
Das Experiment - Leben ohne Plastik
People looking at the Mona Lisa in the Louvre – or are they just looking at themselves?
There was once, in 1910, a train able to cross the wild territories between Argentina and Chile, making possible a mythical journey, joining two oceans with a single ticket, from Buenos Aires to Valparaiso. The last trip of the BAP was in 1979; in the nineties, its various branches were permanently abandoned. Since then, travelers have been inhabiting the railway landscape as they dream, desire, remember or yearn: as part of their own being and national history.
In the Aysén region dwell a population of 90000 isolated souls sharing the harsh landscapes of an area about the size of England. Here where beauty seems to be on first-name terms with fear and danger,in a place where the immensity of nature can never be dominated, the setting hesitates, along the expanses, between sparkling colours and the black and white of the snow and the water. The day-to-day images intermingle with a story of mythological aspect; that of the timeless quest for the Lost City of the Caesars, a city of gold built 500 years ago by the conquerors.
Illusionist Derren Brown concocts a psychological experiment in which he tries to manipulate an ordinary person into taking a bullet for a stranger.