Black Santa's Revenge

A high-speed drive through the streets of Paris.

Dr. Cockroach comes up with a brilliant plan to break themselves out of Area 52 – but to implement the plan, he has to trick B.O.B. into thinking it’s his birthday.

Chosen the world’s protector against the Seven Deadly Enemies of Man – pride, envy, greed, hatred, selfishness, laziness and injustice – young Billy Batson accepts his destiny as Captain Marvel. Battling alongside Superman against nefarious Black Adam, Billy soon discovers the challenge super heroes ultimately face: is it revenge or justice?

Twelve year old Ben discovers the effects of violence when he visits his Uncle Jake.

A woodsman leaves a hut followed by a woman with their baby. Nearby some men chop down a tree. The baby is left outside the hut, but an eagle flies away with it.

Porter's sequential continuity editing links several shots to form a narrative of firemen responding to a house fire. They leave the station with their horse drawn pumper, arrive on the scene, and effect the safe rescue of a woman from the burning house. But wait, she tells them of her child yet asleep in the burning bedroom...

The Driver is hired by the FBI to help defuse a hostage situation. A disgruntled employee has kidnapped a CEO and has hidden her, demanding $5,088,042. The Driver delivers the money, writing the sum on his hand as instructed by the hostage taker. After he is told that he holds the life of a person in his hand, he is ordered to burn the money. As he complies, the federal agents break in and attempt to subdue the man, who shoots himself in the head before he reveals where the woman is hidden. The Driver then tries to find the hostage before she drowns in the trunk of a sinking car. As a twist, the kidnapped woman is revealed to be the hostage taker's lover. She coldly taunts the dying man in the hospital.

The Driver is drafted by the UN to rescue a wounded war photographer named Harvey Jacobs from out of hostile territory. While they are leaving Jacobs tells the Driver about the horrors he saw as a photographer, but he regrets his inability to help war victims. Jacobs answers the driver curiosity about why he is a photographer by saying how his mother taught him to see. He gives the Driver the film needed for a New York Times story and also his dog tags to give to his mother. When they reach the border, they are confronted by a guard who begins to draw arms as Jacobs begins taking pictures, trying to get himself killed. The Driver drives through a hail of gunfire to the border, but finds Jacobs killed by a bullet through the seat. The Driver arrives in America to visit Jacobs' mother and share the news of him winning the Pulitzer prize and hand over the dog tags, only to discover that she is blind.

The Driver drives a wounded diplomat, who carries a mysterious briefcase, while under helicopter attack. During the attack the briefcase is struck by a bullet, causing a display on it to begin counting down, and it to leak an unknown fluid from the bullet hole. The Driver manages to destroy his pursuers, but refuses to proceed without knowing the contents of the damaged briefcase. It is revealed that the diplomat guards a human heart for a peacekeeper, whose life is needed for the continued freedom of the people. The case is delivered, and the tyrant is forced to give up his attempt to take the country by force. The Driver leaves for another mission.

The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.

Following the defeat of Majin Buu, Son Goku and friends travel to Mr. Satan's newly-opened hotel for an all-you-can-eat banquet, when they are paid a visit by Vegeta's younger brother Tarble. They are informed by Tarble that the terrible brother duo of Abo and Cado have terrorized his planet and are on their way to Earth.

Two gentlemen battle for the "prize". Things escalate quickly...

Scott Pilgrim vs. The Animation is an animated short based on Bryan Lee O'Malley's "Scott Pilgrim" franchise.

After a car accident, Ben wakes up in hospital. Not knowing where he is or what is going on, he starts exploring the corridors...only to find that the staff don't have his health in mind! The hapless patient must pull himself together and do everything he can to escape. It's an action/horror/comedy — ending with the wheelchair chase from hell!

Two Octopi fight for their lives with a stubborn restaurant cook in a comical escape through the streets of a small Greek village.

A derelict, huddled under the steps of a missionary church, feels enlightened by the sermon of a passionate preacher and infatuated by the beauty of the congregation's pianist, in such a way that he tries to improve his life of poverty by becoming a policeman. His first assignment will be to patrol along Easy Street, the turf of a vicious bully and his criminal gang.

STOP + Cop = "Stop" or "Slow down" ? Make the right choice. An interactice movie by Ken Arsyn.

Agent Coulson stops at a convenience store and deals with a coincidental robbery during his visit.

Steve, the inexhaustible PA working on-set for the biggest producer in Hollywood, finds himself thrust into the action when a masked bandit takes off with the production's petty cash. Maneuvering through every department and making use of equipment in hilarious ways, Steve's chase across the movie studio turns into a wild ride through the world of film-making itself. The challenge for Steve is to recover the money, save the day...and somehow get his own screenplay in the hands of the producer. This sure is a tough town...

Turbo-Charged Prelude is a 2003 short film, directed by Philip Atwell, featuring Paul Walker, reprising his role as Brian O'Conner, in a short series of sequences which bridge The Fast and The Furious with its first sequel, 2 Fast 2 Furious.